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Introducing to you all to the one and only @mishavigmakeupstudio Who does wonders with her work . She has got some best makeup tips and knows how to enhance features. Every girl deserves to feel beautiful and so does she made me 😍 Hair stylist 👉🏻 @hairstylebyrebakhan Designer 👉🏻 @mahimamahajanofficial By @eventilaindia Photography @whitefrogproductions Stylist @anju_maan Location @courtyardmarriottgurugram Model @getvoguehere . . . #fashion #getvoguehere #saloni #ahuja #blogger #lifestyle #style #beauty #bartalkindia #fabebg #royal #outfits #shoot #designer #model #look #lookbooks #feature #makeup #beauty #hairstyles #shoot #modeling...See more

AISHWARYA KRISHNA MAHIBALU
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নির্বাক চার্বাক
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Nastikya.com Imagine there is no heaven সতীর খোঁজে-হিন্দু শাস্ত্রে সতীদাহ-২য় পর্ব Posted by অজিত কেশকম্বলী II প্রথম পর্বের পর… অন্য জাতিতে সতীদাহ ভারতীয় উপমহাদেশের বাইরে ,হিন্দু ছাড়াও অনেক জাতির সতীদাহের অনুরূপ প্রথা ছিল। হেরোডোটাস বলেন, Scythian রা রাজার কবরে রাজার রাঁধুনি প্রভৃতি সেবক সহ একজন রক্ষিতাকে কবর দিত। এডওয়ার্ড থম্পসন বলেন, সতীপ্রথার সাথে এর মিল যৎসামান্যই। সতীদাহ এবং থ্রাসিয়ানদের অন্ত্যেষ্টিক্রিয়ার মধ্যে মিল দেখা যায়। হেরোডোটাস উল্লেখ করছেন- “তাদের মধ্যে প্রত্যেক পুরুষের অনেক পত্নী আছে। একজন পুরুষের মৃত্যু হতে না হতেই কে সেই স্বামীকে সবচাইতে বেশি ভালোবাসে স্ত্রীদের মধ্যে প্রতিযোগীতা শুরু হত । প্রত্যেকের স্ত্রীর বন্ধুরা তাদের পক্ষে সমর্থন জানায়, এবং যে (স্বামীকে সবচেয়ে বেশি ভালোবাসার) সম্মান পায়, নারী-পুরুষদের কাছ থেকে সেই সম্মান পাওয়ার পরে তাকে তার স্বামীর কবরের উপর হত্যা করে , স্বামীর সাথে একসাথে কবর দেওয়া হয়।“ Grimm বলেন, স্ক্যান্ডিনেভিয়ানদের মধ্যেও সতীদাহের প্রথা ছিল। Balder এর উপকথায় Nanna তার চিতায় আরোহণ করেন। Volsunga র কাহিনীর Norse ভার্সানে Brunhild সতী হয়েছিলেন। স্লাভদের মধ্যেও এই রীতি ছিল এবং “স্বামীর লাশের সাথে বিধবাকে পুড়িয়ে মারা ইন্দো-জার্মানীয় রীতি ছিল। পরকালের জীবন ইহকালের জীবনেরই প্রতিচ্ছবি- এই বিশ্বাস এর পিছনে কাজ করতো।“গ্রীক কিংবদন্তীতে Capaneus এর স্ত্রী Evadne কে তার স্বামীর সাথে পুড়িয়ে মারা হয়েছিল। মিশরের রাজা Amen Hetep II এর চার স্ত্রীকে হত্যা করে তার সাথে রাখা হয়েছিল। Tongan, Fijian,Maori এবং অনেক আফ্রিকান গোষ্ঠীদের মধ্যে বিধবাকে বলি দেওয়ার রীতি ছিল। চিনে বিধবার পুনর্বিবাহকে অপবিত্র বলে মনে করা হত। অন্যদিকে, যে স্ত্রীরা স্বামীরা মৃত্যুতে আত্মহত্যা করতো তাদের সম্মানে প্রবেশপথ করা হত। [৩৮] সাহিত্যে সতীদাহ ধর্ম গ্রন্থ ছাড়াও অনেক সাহিত্যে সতীদাহের উদাহরণ দেখা যায়। বালি দ্বীপে প্রচলিত মহাভারতে উত্তরাকে তার স্বামী অভিমন্যুর সাথে সহমৃতা হতে দেখানো হয়েছে। [৩৯] বাৎস্যায়ন, ভাষ (vasa), কালিদাস, শূদ্রক সহমরণ সম্বন্ধে জানতেন। বাৎস্যায়ন বলেন,মৃত্যুর পরে প্রেমিকের চিতায় আত্মাহুতি দেবে বলে, চালাক নৃত্যরত মেয়েরা তাদের প্রেমিকের মনে জায়গা করে নেয়। ভাষ এর দূতঘটোৎকচ এবং ঊরুভঙ্গ তে মহাভারতের কাহিনী থেকে ভিন্ন কাহিনী লক্ষ্য করা যায়। এতে উত্তরা অভিমন্যুর চিতায়, দুঃশলা জয়দ্রথের চিতায় এবং পুরবী দুর্যোধনের চিতায় আত্মাহুতি দেন। [৩৯] কুমারসম্ভব কাব্যে রতি তার স্বামীর মৃত্যুতে নিজেকে পুড়িয়ে মারতে উদ্যত হয়েছিলেন। মৃচ্ছকটিকে চারুদত্তের স্ত্রী তার স্বামীর মৃত্যুদণ্ডের কথা শুনে নিজেকে পুড়িয়ে মারতে চেয়েছিলেন। হর্ষচরিতে হর্ষের পিতা প্রভাকরবর্ধন যখন মারা যাচ্ছিলেন, হর্ষের মাতা যশোমতি আগুনে ঝাপ দিয়েছিলেন। হর্ষচরিতে আরেকজায়গায় রাতের বিবরণ দিতে গিয়ে বলা হচ্ছে, চাঁদ-পদ্মের সৌন্দর্য কানে দুল, গলায় মালা পরিহিত অনুমরণের আকাঙ্ক্ষাকারী নারীর হাসির মতন। [ ৪০] ইতিহাসে সতীদাহ ৩১৬ খ্রি.পূ. এ হিন্দু জেনারেল keteus এর স্ত্রী সহমৃতা হয়েছিলেন। গ্রীক লেখকদের থেকে জানা যায়, তাকে তার ভাই চিতা অবধি পৌঁছে দিয়েছিল। কয়েকজন গ্রীক লেখকের মতে, পাঞ্জাবের kathian দের মধ্যে এই প্রথা প্রচলিত ছিল। [৩৯] গ্রীক ঐতিহাসিক ডিওডোরাস লিখেছেন খ্রি.পূ. ৩০০ সালে ইউমেনিসের সেনাবাহিনীর মধ্যে সতীদাহ ঘটেছিল। আরিস্টোকিউলাস তক্ষশিলার বিধবাদের সহমরণের কথা বলে গিয়েছেন। সিসিরো তার ‘টাসকিউলিয়াস ডিসপিউটস’ গ্রন্থে এবং খ্রি. পূ. ৬৬ অব্দে প্লুটার্ক ভারতীয় রমণীদের সহমরণের কাহিনীর উল্লেখ করেছেন। [৩৭] ৫১০ খ্রিষ্টাব্দে গোপরাজার স্ত্রী সহমৃতা হয়েছিলেন। ৬০৬ খ্রিষ্টাব্দে রাজা হর্ষের মাতা সহমৃতা হয়েছিল। এই সময়ে kajyavati নামে নেপালের এক রানীও সহমৃতা হয়েছিলেন। ৭০০-১১০০ সালের মধ্যে উত্তরভারতে সতীপ্রথা জনপ্রিয় হয়ে ওঠে। জয়মতির (jayamati) মতো (তথাকথিত) অসতী রানীও রাজা উচ্ছলের চিতায় সহমৃতা হন দেখে কাশ্মীরের ইতিহাসবিদ কহ্লন অবাক হয়ে যান । কাশ্মীরে শুধুমাত্র রাজার স্ত্রীরা সহমৃতা হননি রাজার রক্ষিতারাও প্রায়ই সহমৃতা হতেন। রাজা কলস (kalasa) এবং উৎকর্ষ (utkarsha) এর স্ত্রী ও রক্ষিতারা তার সাথে সহমৃতা হয়েছিলেন। নেপালি রানী রাজ্যবতী সহমৃতা হয়েছিলেন। সঙ্গমের যুগে Bhuta Pandeya এর রানী সহমৃতা হয়েছিলেন। যদিও তার ঐতিহাসিকতা সম্বন্ধে আলতেকর সংশয় প্রকাশ করেন। [৩৯] শিবাজির একজন স্ত্রী ও শিবাজির পুত্রের একজন স্ত্রী সহমৃতা হয়েছিলেন। রাজা শাহুর রাণীকে রাজনৈতিক কারণে পুড়িয়ে মারা হয়েছিল। [৩৮] ১৭২৪ সালে যখন মারোয়ারের রাজা অজিতেশ মারা যান, ৬৪ জন নারী তার চিতায় আরোহণ করেন। বুন্দির রাজা বুধসিং ডুবে মারা গেলে, ৮৪ জন মহিলা সতী হন। ১৬১১ এবং ১৬২০ সালে যখন মাদুরার নায়েক পরিবারের দুজন শাসক মারা যান তখন ক্রমান্বয়ে ৪০০ এবং ৭০০ জন মহিলা তাদের চিতায় আরোহণ করেন। মিশনারীরা এই সংখ্যাগুলো বাড়িয়ে বলে থাকতে পারেন, তারপরেও এটা পরিষ্কার যে নায়েক পরিবারের কোনো পুরুষের মৃত্যু হলে অনেক সংখ্যায় মহিলারা সতী হতেন। মহারাজা রণজিৎ সিং মারা গেলে তার চারজন রাণী ও সাতজন রক্ষিতা তার চিতায় আরোহণ করেন। মহারাজা খড়গ সিং এর সাথে তিনজন নারী,বসন্ত সিং এর সাথে পাঁচ জন নারী, কিশোরী সিং এর সাথে এগারো জন নারী ,হিরা সিং এর সাথে চব্বিশ জন নারী এবং সুচেত সিং এর সাথে ৩১০ জন নারী সহমৃতা হয়েছিলেন। [৩৯] ৯৭৯ শকাব্দে রাজেন্দ্রচোলের সময়কালে স্বামীর মৃত্যুর সংবাদ শুনে ডেকাব্বা নামে একজন শূদ্র মহিলা নিজেকে পুড়িয়ে মেরেছিলেন। অসংখ্য শিলালেখ থেকে সতীদাহের ঘটনার কথা জানা যায়। [৪০] সতীদাহ ঐচ্ছিক নাকি বলপূর্বক? সতীদাহ কি ঐচ্ছিক ছিল,নাকি বলপূর্বক হত? এই প্রশ্নের জবাবে আলতেকর বলেন, এর উত্তর সোজাসুজি দেওয়া সম্ভব নয়। তিনি বলছেন, “ইবনে বতুতা আমাদের বলেন, নির্ভীক বিধবার সুখী মনে অগ্নিপ্রবেশ দেখে তিনি বিব্রত হয়ে পড়েছিলেন। প্রত্যক্ষদর্শী Bernier বলেন- নারীটির চেহারায় ফুটে ওঠা নিষ্ঠুর সাহস,হিংস্র উল্লাস বর্ণনার অতীত। তার পদক্ষেপ ভয়হীন।তার কথায় কোনো ব্যাকুলতা নেই, তার সহজ বায়ু সকল বিষাদ মুক্ত ,তার দৃঢ় সাহস সকল বিহ্বলতা মুক্ত।সে নিজের হাতে মশাল নিয়ে চিতায় আগুন ধরিয়েছিল। মুস্তাকি একটি ঘটনা নথিভুক্ত করেছেন। এক প্রেমিক তার বাগদত্তা প্রেমিকাকে সাপের হাত থেকে বাঁচাতে গিয়ে মৃত্যুবরণ করেছিল। প্রেমিকাটি স্বেচ্ছায় তার প্রেমিকের চিতায় সহমৃতা হয়েছিল।“ বলপ্রয়োগে সহমরণ সম্বন্ধে আলতেকর বলেন, “কাশ্মীরের দুজন রানী তাদের মন্ত্রীদের ঘুষ দিয়েছিল মৃত স্বামীর আপাত দৃশ্যমান সহগমণ থেকে তাদের ফিরিয়ে আনার জন্য, কহ্লন এ কথা লিপিবদ্ধ করেন। এই পদ্ধতিতে রানী Didda মন্ত্রীদের দ্বারা রক্ষা পেয়েছিলেন সহমরণ থেকে। গর্গ নামের নিষ্ঠুর এক মন্ত্রী ঘুষ নিলেও শ্মশানে পৌঁছাতে দেরী করে। এর ফলে রানী তথাকথিত ঐচ্ছিক সহমরণের মাধ্যমে মারা যান। মধ্যযুগের অনেক ভ্রমণকারীরা বলপূর্বক সতীদাহের কথা লিপিবদ্ধ করেন, অনেক ক্ষেত্রেই তাদের বিবরণ সত্য হয়ে থাকবে। Manucci আমাদের বলেন ক্ষত্রিয় নারীদের তাদের ইচ্ছার বিরুদ্ধে পোড়ানো হত, তিনি এরকম একজন নারীকে উদ্ধার করেছিলেন এবং তার এক ইউরোপীয় বন্ধুর সাথে তার বিবাহ দিয়েছিলেন। Nicoli Conti আমাদের জানান ,বিধবাদের উপর প্রায়শই আর্থিক চাপ সৃষ্টি করা হত, তাদের বলা হত, বেঁচে থাকলে তারা তাদের স্ত্রীধন হারাবে। লাহোরে ইচ্ছার বিরুদ্ধে ১২ বছরের এক শিশু বিধবাকে পুড়িয়ে মারার দুঃখজনক ঘটনা Bernier বর্ণনা করেছেন। আকবরের কর্মচারী জয়মলের স্ত্রীকে তার ছেলে বলপূর্বক পুড়িয়ে মারতে চেয়েছিল।আকবরের হস্তক্ষেপে তাঁকে রক্ষা করা হয়েছিল। অনেক সময় অভাগা নারীদের সহমৃতা হতে বাধ্য করা হলে, তারা পালিয়ে যেত। তখন তাদের অচ্ছুত হিসাবে গণ্য করা হত। পরিবার ও জাতি তাদের আর গ্রহণ করতো না। কখনো নিম্নবর্ণের পুরুষদের দয়ায় তারা বেঁচে থাকতো। কখনোবা ইউরোপিয়ান বনিকেরা তাদের উদ্ধার করে বিয়ে করতো।“ [৩৯] ম্যাসি নামক এক ইংরেজ সতীদাহের এক ঘটনা বর্ণনা করেন। ১৮৩৯ সালে এক ব্রাহ্মণী প্রথমে মৃত স্বামীর চিতায় আরোহণ করেন, কিন্তু যখন চিতার অগুন জ্বলে ওঠে তখন নেমে আসেন। পরে সেই বিধবাকে জোর করে চিতায় নিক্ষেপ করা হয়। আগুন ভয়ানক ভাবে জ্বলতে থাকায় কেউই বাঁশ দিয়ে তাকে চেপে ধরতে পারেনা। তখন বড় বড় কাঠের টুকরো নিক্ষেপ করে ওই নারীকে অচেতন করার চেষ্টা করা হয় কিন্তু এইবারও সে চিতা থেকে নদীতে ঝাপ দেয়। তার আত্মীয়েরা তখন তাকে জলে ডুবিয়ে মারার চেষ্টা করে । একজন ইংরেজ তাকে তার আত্মীয়ের হাত থেকে রক্ষা করেন। কিন্তু বিধবাটি এমনভাবে পুড়ে গিয়েছিল যে তার মৃত্যু হয়। [৩৭] রামমোহনের জীবনীকার অনিলচন্দ্র ঘোষ রামমোহনের সময়কালে বাংলায় সতীদাহের চিত্র বর্ণনা করেন- “পতির সহিত সহমৃতা হওয়া এদেশে অতি প্রাচীনকাল হইতেই নাকি প্রচলিত ছিল । ধর্ম ও পুণ্যের নামে লোকে কতদূর নির্মম ও নিষ্ঠুর কাজ করিতে পারে তাহার একটি নিদর্শন সতীদাহ। রামমোহনের সমকালে ইহাতে নিষ্ঠুরতা ও নৃশংসতা চরমে পৌঁছিয়াছিল। ভাগীরথির দুই তীর আলোকিত করিয়া জ্বলন্ত চিতানলে নারীগণ ভস্মীভূত হইত, তাহাদের করুণ আর্তনাদে বাংলার আকাশ বাতাস কাঁদিয়া উঠিত, বাঙ্গালীর প্রাণে তাহা সাড়া জাগাইত না। সে বীভৎস দৃশ্যের কথা ভাবিতে পারি না। চিতা সজ্জিত হইয়াছে। মৃত স্বামীর সহিত হতভাগা বিধবাকে বাঁধিয়া দেওয়া হইয়াছে। ইহার পূর্বক্ষণেই হয়ত হতভাগিনীকে ভাঙ, চরস, ধুতুরা খাওয়াইয়া অর্ধোন্মত্ত করা হইয়াছে। এইরূপ জ্ঞানশূণ্য অবস্থায় উহাকে চিতায় বাঁধিয়া দিয়াছে। দাউ দাউ করিয়া আগুন জ্বলিয়া উঠিল। চারিদিকে ঢাকঢোল, কাঁসর , ঘন্টা তুমুল হট্টগোল সৃষ্টি করিল। যমদূতের মত জোয়ান দুই ব্যক্তি প্রকাণ্ড কাঁচা বাঁশ চিতার উপর চাপিয়া ধরিয়াছে- সতী যাহাতে ছুটিয়া পালাইতে না পারে। হঠাৎ তুমুল কোলাহল দেখা গেল, সতী চিতায় নাই। চিতার অসহ্য অগ্নি উত্তাপ সহিতে না পারিয়া হতভাগিনী অর্ধদগ্ধ শরীরে জঙ্গলে পলায়ন করিয়াছে বা গঙ্গায় ঝাপ দিয়াছে। অমনি চারদিকে লোক ছুটিল। হায় হায়! হিন্দু ধর্ম রসাতলে গেল, কুলে কলঙ্ক পড়িল, শাস্ত্র অশুচি হইল! গভীর জঙ্গল হইতে সেই ভীত ও মৃতকল্প রমণীকে আবার জোর করিয়া চিতায় তুলিয়া দিল। ঢাক-ঢোল জোরে বাজিয়া উঠিল। হতভাগিনীর শত অনুরোধ উপরোধ ব্যর্থ হইল- চোখের জলে বুক ভাসিয়া গেল- কাহারও পাষাণ হৃদয় টলিল না। তুমুল হরিধ্বনিতে নারীর আর্তনাদ ডুবিয়া গেল- সহস্রশীর্ষ হুতাশন লেলিহান জিহ্বা মেলিয়া সব শেষ করিয়া দিল। যে বা গঙ্গায় ঝাপ দিয়াছিল , লগুর ও বৈঠার আঘাতে তাহার গঙ্গা প্রাপ্তি ঘটিল। হিন্দু ধর্ম রক্ষা পাইল –হিন্দু সমাজ অটুট রহিল। হায় রে ধর্ম! হায়রে সমাজ!”[ ৪১] রামমোহনের আগেও রামমোহনের সময়কালের আগেও অনেকে সতীদাহের বিরোধিতা করেছিলেন। মেধাতিথি সহমরণের বিরোধীতা করেছিলেন। বিরাট সহমরণের নিষেধ করেন। দ্বাদশ শতাব্দীর একজন লেখক Devanabhatta বলেন, সতী প্রথা খুবই নিম্ন প্রকারের ধর্ম এবং তিনি এর অনুমোদন করেননি। কবি বাণ (৬২৫ খ্রিষ্টাব্দ) বলেন,” প্রিয়জনের মৃত্যুতে মরে যাওয়া হল সবচাইতে অকার্যকর কর্ম। এটা বিভ্রমের মধ্যে করা একপ্রকারের ভুল। এটি ত্বরার মধ্যে করা বেপরোয়া কর্ম। এটা একটা মারাত্মক ভুল। এতে মৃত ব্যক্তির কোনো ভালোই হয় না। এটা মৃত স্বামীকে স্বর্গে পৌঁছাতে, নরক হতে পরিত্রাণ লাভ করতে সাহায্য করে না। মৃত্যুর পর দুজনের মিলনের নিশ্চয়তা এই কাজ দেয় না। মৃত ব্যক্তি তার কৃত কর্মের ফল অনুসারে নির্ধারিত লোকে যায়। যে মৃত ব্যক্তির চিতায় আত্মাহুতি দিয়ে সহমৃতা হয় সে আত্মহত্যার পাপে পাপী হয়ে নরকে যায়।…” তন্ত্রের রচয়িতারাও সতীদাহের বিরোধীতা করেছিলেন। তারা বললেন, নারী হলেন সর্বোচ্চ দেবীর রূপ। তারা দৃঢ় কন্ঠে ঘোষণা করলেন, মৃত ব্যক্তির সাথে যে সহমৃতা হয়, সে নরকে যায়। মুসলমান শাসকেরা সতীদাহ প্রথাকে পছন্দ করেন নি। হুমায়ুন সন্তান জন্ম দেওয়ার বয়স পার করা বিধবা মহিলাদের ক্ষেত্রে সতীদাহে নিষেধাজ্ঞা জারী করতে চেয়েছিলেন। যাইহোক, তিনি এ বিষয়ে তেমন যথাযথ পদক্ষেপ নিতে পারেন নি। আকবর সহমরণের ক্ষেত্রে যাতে জোর না করা হয় এই বিষয়ে পদক্ষেপ নিয়েছিলেন। ফলস্বরূপ আগ্রার সন্নিহিত অঞ্চলে সতীদাহ বিরল হয়ে পড়েছিল। [ ৩৯] সতীদাহ রদ সতীদাহের মত কুপ্রথার দিকে ইংরেজদের দৃষ্টি আকর্ষিত হলেও তারা দেশীয় লোকের ধর্মীয় বিষয়ে হস্তক্ষেপ করতে চাইতো না, পাছে বিদ্রোহ হয়। ১৭৯০ সালে ইস্ট ইন্ডিয়া কোম্পানির কর্ণওয়ালিশ ভারতবর্ষের ইংরেজ কর্মচারীদের প্রতি আদেশ দেন- যখনই তাদের নিজ নিজ অধীনস্ত স্থানে কোনো সতীদাহের উদ্যোগ হবে , তখনই তারা এ বিষয়ে তাদের অমত প্রকাশ করবে কিন্তু বিরুদ্ধ পদক্ষেপ নিয়ে তাদের কাজে বাধা জন্মাবে না। ১৭৯১ সালে ওয়েলেসলি গভর্নর হয়ে ভারতে আসেন। কোনো আইন না করেই সতীদাহ প্রথাকে সাধারণ নরহত্যার পর্যায়ভুক্ত করে সরাসরি বন্ধ করে দিতে চান। এজন্য সর্বোচ্চ নিজামত আদালতের জজদের মতামত জিজ্ঞাসা করেন। জজেরা তার সাথে দ্বিমত পোষণ করে বলেন- যে নারীর সতীদাহ হবে সে নিজ ইচ্ছায় সহমরণে যাচ্ছে, নাকি তাঁকে কোনো মাদক সেবন করিয়ে সহমরণে তার সম্মতি আদায় করা হচ্ছে, এই বিষয়ে যেন কম্পানি সতর্ক দৃষ্টি রাখে, তাহলে এমনিতেই সতীদাহ বন্ধ হয়ে যাবে; সরাসরি এই প্রথা বন্ধ করলে ব্রিটিশ রাজের অনেক রাজনৈতিক অসুবিধা হবে। ১৮১৩ সালে লর্ড মিন্টো ভারত ত্যাগের পূর্বে নিজামত আদালতের বিচারকদের সম্মতি অনুসারে এক সার্কুলার বিধিবদ্ধ করেন। এই সার্কুলারে বলা হয়, যারা সতীদাহের আবেদন জানাবে তাদেরই যেন সতীদাহের অনুমতি দেওয়া হয়, অন্যদের যেন সতীদাহের অনুমতি প্রদান করা না হয়। পুলিশকে আদেশ দেওয়া হয় লক্ষ্য রাখতে, যে নারী সহমরণে যাচ্ছে সে কি স্বেচ্ছায় সহমরণে যাচ্ছে ,নাকি তাঁকে কোনো মাদক দ্রব্য খাইয়ে সম্মত করা হচ্ছে। এছাড়া লক্ষ্য রাখতে বলা হয় , মেয়েটি ১৬ বছর অতিক্রম করেছে কিনা বা গর্ভবতী কিনা। এই আইন প্রচলিত হলেও সেভাবে কার্যকরী হয়নি। এমনকি এর পরে সতীদাহের সংখ্যা আরো বেড়ে যায়। এরপর গভর্নর হেস্টিংস পদক্ষেপ নেন। আইন দ্বারা যুগীজাতিয় বিধবাদের সতীদাহ হিন্দু শাস্ত্র সম্মত নয় দেখিয়ে তা বন্ধ করা হয়।যুগী বাদে বাকিদের মধ্যে সহমরণের প্রথা চলতে থাকে। ১৮১৯ সালে কিছু শিক্ষিত হিন্দু সহমরণের প্রথা বাতিল করার জন্য চিঠি পাঠান। বলাবাহুল্য, অল্পসংখ্যক শিক্ষিত লোকের কথায় তখন লাভ হয়নি।এদিকে গভর্নর হেস্টিংস ভারত ত্যাগ করার পরেও বিলেতে গিয়ে সতীদাহ প্রথার প্রতি ইংরেজ জাতির মনোযোগ আকর্ষণ করেন। ১৮২৩ সালে বেডফোরড শহরে এ বিষয়ে এক সভার আয়োজন হয়। পরে ১৮২৫ সালে এডিনবরার কাছে ক্রেল নামক স্থানে একটি 200px-Bentinck_william লর্ড উইলিয়াম বেন্টিঙ্ক বড় সভা হয় এবং ১৮২৭ সালে ইংল্যাণ্ডের অনেক স্থানে এ বিষয়ে সভা হয়। এরপরে লর্ড আর্মহার্স্ট বিশেষ সার্কুলার জারি করে সহমরণে ইচ্ছুক বিধবার ছেলেদের ভরণপোষণের ভার নিকটাত্মীয়েরা নিতে আগ্রহী না হলে, সেক্ষেত্রে সহমরণ নিষিদ্ধ করে দেন। ১৮২৮ সালে বেন্টিংক গভর্নর জেনারেল হয়ে ভারতে আসেন। সহমরণ নিষিদ্ধ করার জন্য তিনি প্রস্তুতি নিতে থাকেন। এ সময় রামমোহন দ্বারকানাথের মত শিক্ষিত লোকেরা সতীদাহ বিরোধী তুমুল আন্দোলন শুরু করেন। রক্ষনশীল হিন্দু সম্প্রদায়ও সতীদাহের পক্ষ নিয়ে গর্জে ওঠে। এরপর ১৮২৯ সালে বেন্টিংক কর্তৃক সহমরণ প্রথা বেআইনি ও নিষিদ্ধ বলে ঘোষিত হয়। সর্ব প্রথম বাংলা, বিহার ও উড়িষ্যায় এই আইন বলবত করা হয়। ১৮৩০ সালে এই আইনের কিছু পরিবর্তন করে মাদ্রাজ ও বম্বে প্রেসিডেন্সিতে চালু করা হয়। ১৮৪৬ সালের ২৩ শে আগস্ট জয়পুরে সতী বিরোধী আইন প্রণয়ন করা হয়। [৩৭] যুগপুরুষ রামমোহন ছোটবেলায় দেখা সহমরণের নৃশংসতা বালক রামমোহনকে প্রভাবিত করেছিল। স্থির করেছিলেন এর বিরুদ্ধে রুখে দাঁড়াবেন।১৮১৮ সালে সতীদাহ নিবারণের জন্য রামমোহন এক বই প্রকাশ করেন। এই বিষয়ে তিনি পরপর তিনটি বই লেখেন। কথোপকথনের মাধ্যমে লেখেন ‘প্রবর্তক ও নিবর্তকের সম্বাদ’। দ্বিতীয় বই ১৮২০ সালে প্রকাশ করেন এবং তৃতীয় বই এর দশ বছর পরে প্রকাশ করেন। এই সকল পুস্তকে রামমোহন দেখিয়েছেন, কাম্য কর্ম শাস্ত্রে নিন্দিত হয়েছে; সহমরণ যেহেতু স্বামীর সাথে স্বর্গভোগের কামনামূলক, তাই তা অশাস্ত্রীয় ও অনুচিত।ইংরেজ সরকার হতে সহমরণের বিরুদ্ধে যে পদক্ষেপ নেওয়া হচ্ছিল তার বিরুদ্ধে কলকাতার কিছু রক্ষণশীল লোক আবেদন করেছিল।এই আবেদনের বিরুদ্ধে রামমোহনের উদ্যোগে ১৮১৮ সালে আরেক আবেদন প্রেরিত হয়। রামমোহনের সতীদাহ বিরোধী প্রচারের ফলে ‘গোঁড়া হিন্দু সমাজ খড়্গহস্ত’ হয়ে উঠেছিল। রামমোহন তার নিজস্ব পত্রিকা সংবাদ কৌমুদীতে সহমরণের বিরুদ্ধে লিখতে থাকেন, এক তীব্র আন্দোলনের সূচনা করেন। রামমোহন তার বন্ধুদের নিয়ে একটি দল গঠন করেছিলেন। সেখানে সহমরণের খবর পেতেন সেখানে ছুটে গিয়ে সহমৃতার আত্মীয়দের বোঝাতে চেষ্টা করতেন। এর জন্য তাঁকে কম লাঞ্ছনা ভোগ করতে হয়নি! বেন্টিঙ্ক রামমোহনের কাছ থেকে সতীদাহ নিবারণে হিন্দু শাস্ত্রীয় সমর্থন লাভ করেন। রামমোহনের জীবনীকার অনিলচন্দ্র ঘোষ বলছেন, “১৮২৯ সালের ৪ঠা ডিসেম্বর সতীদাহ নিষেধ করিয়া আইন জারী করা হইল। হিন্দু সমাজে যেন একটা বােমা পড়িল। বিষম চাঞ্চল্য সমগ্র দেশময় একটা তােলপাড় উপস্থিত করিল। গোঁড়া হিন্দুসমাজ ইহার তীব্র প্রতিবাদ করিল। কলিকাতার ৮০০ শত অধিবাসীর নাম স্বাক্ষরসহ এক আবেদন গভর্নর জেনারেলের নিকট উপস্থাপিত করিয়া সতীদাহ রদ আইন প্রত্যাহৃত করিবার জন্য প্রার্থনা জানাইল। উহার সঙ্গে ১২৮ জন পণ্ডিতের অভিমত প্রদত্ত হইয়াছিল। ইহা ছাড়া মফঃস্বল হইতে ৩৪৬ জন বিশিষ্ট লােকের স্বাক্ষরযুক্ত এবং ২৮ জন পণ্ডিতের অভিমত সহ আর এক আবেদনপত্র বড়লাটের নিকট প্রেরিত হইল।“ United Kingdom, England, Bristol, Bristol রামমোহন রায় অন্যদিকে সতীদাহ রদের আইনের সপক্ষে রামমোহন বেশ কিছু লোকের সাক্ষর পাঠান। “ইহার পরদিনই গোঁড়া হিন্দুসমাজ উপলব্ধি করিলেন যে, হিন্দুসমাজকে সংঘবদ্ধ না করিলে সতীদাহ রদ-আইন রােধ করা যাইবে না। তখনই রাতারাতি ধর্মসভার প্রতিষ্ঠা হইল। প্রথম দিনের মিটিংয়েই ১১,২৬৭ টাকা চাদা উঠিল। সে কী উৎসাহ! তাহাদের মুখপত্র সমাচার-চন্দ্রিকা রামমােহনের বিরুদ্ধে তীব্র কটুক্তি বর্ষণ করিতে লাগিল। ইহারই প্রতিবাদস্বরূপ রামমােহনের সহমরণ বিষয়ক তৃতীয় প্রস্তাব প্রকাশিত হইল। ১২৮ জন পণ্ডিতের মত খণ্ডন করিয়া ইহা লিখিত হইয়াছিল। গোঁড়া হিন্দুসমাজ যখন দেখিলেন, ভারতবর্ষে ইহার রদ হওয়ার কোন সম্ভাবনা নাই, অবশেষে উহারা বিলাতে পার্লামেন্টে আপিল করিলেন। রামমােহনের বিলাত যাত্রার অন্যতম কারণ ছিল এই সতীদাহ রদ আইন যাহাতে পার্লামেন্টে পাশ হয় তাহার জন্য চেষ্টা করা। ১৮৩৩ সালের নভেম্বর মাসের ১১ জুলাই পালমেণ্ট ইহা পাশ করিলেন। ধর্মসভার আপীল অগ্রাহ্য হইল। বাংলার বুক হইতে এক মর্মভেদী করুণ আর্তনাদ অকস্মাৎ কালের অতল গর্ভে লীন হইয়া গেল।“ [ ৪১] সতী কেন হত? সতীদাহ কেন হত ? এর পেছনে অনেক বিষয় কাজ করতো। প্রথমত, এটা এক আদিম কুসংস্কার, যার বশবর্তী হয়ে নারীরা সতীদাহকে গৌরবজনক ভাবতো। অনেক ক্ষেত্রেই তারা স্বেচ্ছায় সহমৃতা হত। দ্বিতীয়ত, ধর্মগ্রন্থগুলোতে ভীষণভাবে সহমরণের গৌরব কীর্তিত হয়েছে। স্বর্গলাভের আশায় অনেক নারী সহমৃতা হত।শাস্ত্রগুলো বিধবাদের আত্মহত্যায় প্ররোচিত করেছে। তৃতীয়ত, বিধবার জীবন ছিল মৃত্যুর চাইতেও করুণ। বিধবা পুনরায় বিবাহ করতে পারতো না। “অনেক অর্বাচীন শাস্ত্র গ্রন্থে বিধবার জন্য দিনে একবার আহারের বিধান দিয়েছে, এবং তাকে পালঙ্কে শোবার অনুমতিও দেওয়া হয়নি–অন্যথায় তার স্বামী পরলোকে দুৰ্গতি ভোগ করবে। স্কন্দপুরাণ বলে, বিধবা যদি কবরী রচনা করে তাহলে স্বামীর পক্ষে তা পাপ হয়ে দাঁড়ায়। উদাহরণ আরও দেওয়া যায়; কিন্তু শাস্ত্রীয় এই সব বিধিনিষেধের অন্তর্নিহিত চিন্তা খুবই স্পষ্ট। এই সব হীনবুদ্ধি শাস্ত্র গ্রন্থগুলির উদ্দেশ্য হল ন্যূনতম মানবিক সুখ সুবিধা থেকেও বিধবাদের বঞ্চিত করা। এই প্রসঙ্গে স্মরণীয় যে বিগতদার ব্যক্তির জন্য শোকপালনের সীমা মাত্র একদিন, যার পরে সে কেবল পুনর্বিবাহ করতেই পারে না, তার জন্য পুনর্বিবাহ করার বিধানই দেওয়া হয়েছে।“ [৪২] চতুর্থত, সম্পত্তির লোভে অনেক সময়ই বিধবার আত্মীয়েরা তাকে পুড়িয়ে মারতো। সুকুমারী ভট্টাচার্য তার প্রাচীন ভারতে নারী ও সমাজ গ্রন্থে বলেন, “কানে-র আট খণ্ডে রচিত ধর্মশাস্ত্ৰ বিষয়ক ইতিহাসে ‘সতী’ বিষয়ক কয়েকটি অধ্যায় আছে। তার দেওয়া পরিসংখ্যান থেকে দেখা যায় যে, উনবিংশ শতকের বাংলায় (যা তখন বারাণসী পর্যন্ত বিস্তৃত ছিল) সতীর সংখ্যা সর্বনিম্ন ৩৭৮ (১৮১৫ খ্রি.) সর্বোচ্চ ৮৩৯ (১৮১৮ খ্রি.)। এবং, ১৮১৫ থেকে ১৮১৮ খ্রিস্টাব্দের মধ্যে কেবলমাত্র বাংলাতেই সংখ্যাটি ২৩৬৬, যার মধ্যে শুধু কলকাতাতেই সতীদাহের সংখ্যা ১৮৪৫। কনে-র মতে এর মুখ্য কারণ হল শুধু বাংলাতেই দায়ভাগ স্মৃতির অনুসরণ করা হয়, (বাকি ভারতবর্ষ মিতাক্ষরকে অনুসরণ করে), এবং এই স্মৃতি অনুযায়ী বিধবাই স্বামীর সম্পত্তির অধিকারিণী। জনৈক জিতেন্দ্ৰিয় পরবর্তীকালে সংযোজন করছেন, ‘নিঃসন্তানা বিধবা তার স্বামীর সমস্ত সম্পত্তির নিঃশর্ত অধিকার পাবেন।’ কানে যথার্থই অনুমান করেছেন যে, পাছে বিধবা তার স্বামীর সম্পত্তির অধিকার চেয়ে বসে সেই ভয়ে তাকে সক্রিয় প্রেরণা দিয়ে এবং প্রচ্ছন্ন ভাবে ভয় দেখিয়ে স্বামীর চিতায় মৃত্যুবরণ করতে বাধ্য করা হয়। ব্যবসায়ী আর উদ্যোগপতিরা যেহেতু বেশির ভাগই ছিলেন কলকাতাবাসী, তাই এখানে সতীর সংখ্যা এত নির্মম ভাবে বেশি–যাতে আইনানুযায়ী বিধবারা বিশাল সম্পত্তির অধিকারিণী হয়ে বসতে না পারে।”পঞ্চমত, স্বামীর মৃত্যুর পরেও বেঁচে থাকলে নারীর সতীত্ব বিঘ্নিত হবে, নারী ব্যভিচারিণী হবে, এইধরণের মানসিকতা কাজ করতো তৎকালীন পিতৃতান্ত্রিক সমাজে।নারীর সনাতন সতীত্ব রক্ষার দায়িত্ব নিয়ে তাই বলপূর্বক বিধবাকে পুড়িয়ে মারা হত।রামমোহন রায়ের রচিত প্রবর্তক ও নিবর্তকের সম্বাদে রক্ষনশীল হিন্দুদের মানসিকতা ফুটে উঠেছে- “এরূপ সহমরণে কিংবা অনুমরণে পাপই হউক কিংবা যাহা হউক আমরা এ ব্যবহারকে নিবর্ত করিতে দিব না ইহার নিবৃত্তি হইলে হঠাৎ লৌকিক এক আশঙ্কা আছে যে স্বামীর মৃত্যু হইলে স্ত্রী সহগমন না করিয়া বিধবা অবস্থায় রহিলে তাহার ব্যভিচার হইবার সম্ভাবনা থাকে কিন্তু সহমরণ করিলে এ আশঙ্কা থাকে না জ্ঞাতি কুটুম্ব সকলেই নিঃশঙ্ক হইয়া থাকেন এবং পতিও যদি জীবৎকালে জানিতে পারে তবে তাহারো মনে স্ত্রীঘটিত কলঙ্কের কোনো চিন্তা হয় না ইতি।” বলা হয় স্বামীর প্রতি প্রেম থেকে নারীরা মৃত স্বামীর চিতায় আত্মহত্যা করতো।”ষষ্ঠ শতকে বরাহমিহির, তার বৃহৎসংহিতা-য় বলেন, ‘অহো নারীর প্রেম কি সুদৃঢ়, তারা স্বামীর দেহ ক্ৰোড়ে নিয়ে অগ্নিতে প্ৰবেশ করে।’ (৭৪:২৩)” এর জবাবে সুকুমারী ভট্টাচার্য বলেন,“বৃহৎসংহিতা-র যুগ থেকেই সমাজ এই অতিকথা ঘোষণা করে আসছে যে, নারী তার স্বামীর প্রতি ভালবাসার জন্যই সহমরণে যায়। এই মিথ্যার অবসান হওয়া উচিত। যদি স্বামীর প্রতি প্রেমে এত নারী আত্মহত্যা করে তবে কেন আজ পর্যন্ত কোনও স্বামী তার স্ত্রীর চিতায় আত্মহত্যা করেনি? এতো হতে পারে না যে, আজ পর্যন্ত কোনও স্বামী তার স্ত্রীকে ভালবাসেনি। যদি সতীদাহের ভিত্তি হত প্ৰেম, তবে আমরা অবশ্যই কিছু কিছু ঘটনা দেখতে পেতাম যেখানে মৃত স্ত্রীর সঙ্গে স্বামীও সহমরণে গেছেন।” [৪২] এছাড়া আমাদের ভুলে গেলে চলবে না, সতী শব্দটির কোনো পুংলিঙ্গ নেই। সৎ শব্দের অর্থ ভালো, নীতিবান কিন্তু তা সতী শব্দের মত যৌননৈতিকতার দায় বহন করে না। পিতৃতান্ত্রিক হিন্দু সমাজে পুরুষ একের পর এক বিবাহ করেছে।শাস্ত্রে স্ত্রী মারা যাওয়ার পরে বিবাহ করারই বিধান দেওয়া হয়েছে। কিন্তু নারীর ক্ষেত্রে আমরা সম্পূর্ণ ভিন্ন চিত্র দেখি। সে সতী হয়,তাকে পতির মৃত্যুর পর অগ্নিকেই বেছে নিতে শেখানো হয়, বাধ্যও করা হয়। শেষের কথা এই লেখাটি হয়তো অনেক হিন্দু বন্ধুরা পড়ছেন। আপনারা হয়তো সতীদাহের পরিবর্তে সহমরণ শব্দ ব্যবহারে বেশি স্বচ্ছন্দ বোধ করেন, রামমোহন, বিদ্যাসাগরদের নিজের দলের লোক বলেই মনে করেন এবং সহমরণকে গৌরবোজ্জ্বলও মনে করেন। ‘আত্মহত্যা’ যদি ‘মহাপাপ হয়, তবে নারীর ক্ষেত্রে স্বামীর চিতায় আত্মহত্যা পাপ কেন নয়? এটা গৌরবোজ্জ্বলও বা হবে কেন? নারীরা কি মানুষ হিসাবে গণ্য নয়? – – তথ্যসূত্র এবং টিকা [১] “…A girl shall be clean in body and spirit, frugal in her expenses and faithfully nurse the man she has been given to by her father in marriage The widow who practices self control and austerities after the death of her husband, goes to heaven. A widow shall never feel any inclination to dwell in the house of a stranger, nor should she querelous in her disposition. A widow as well as a wife of a man who is absant in a distant country, should never decorate their persons, and live in a temple and worship the gods of their husband’s good. A wife in the latter case shall wear a few ornaments for the good of her husband, while a widow burns herself on the same funeral pyre with her husband also goes to heaven.” [২] “A person who inspite of his being free from all the sins meets with his end at a holy place, he is relieved of all the sins. In case the husband is the killer of a brahmana, ungrateful, besides being a grave sinner, but when a wife enters in the fire with him after his death, she infact redeems him. This is the supreme repentance for the women as per the opinion of the learned people.” [৩] adyaiva= today itself; saa aham= I too; pativrataa = in devotion to my husband; gamishhyaami = will get; dishhTaantam = my appointed end; pravakshhyaami = I shall enter; hutaasham = the fire; aaliN^gya = duly embracing; idam = this; shariiram = body of my husband” “Today itself, I too in devotion to my husband, will meet my appointed end. I shall enter the fire, duly embracing this body of my husband.” 2/66/12 [৪] “…Respecting the worlds of the brahmana, the curse of Durbasas the illustrious krishna sat engaged in meditation, placing his foot upon his knee. Then there came a hunter named Jara, whose arrow was tipped with a blade made of the iron club which had not been reduced to power ; and espying from a distance the foot of krishna he mistook it for a part of a deer, and shooting his arrow, lodged it in the sole….” [ Vishnu Puranam/part 5/ section XXXVII (37) | translation by MN DUTT, printed by H.C Das, Elysium Press, 65/2 Beadon Street, 1896] [৫] ” Parasara said:- Having found the bodies of Krishna and rama, Arjuna performed for them and the rest of the slain obsequil rites. The eight queens of krishna , who had been named with rukmini at the head ,embraced hari and entered the funeral fire. O foremost of the pious , embracing the corpse of Rama , Revati too entered fire which was cool to her happy heart in contract with her lord. Thereupon hearing all this Ugrasena and Vasudeva with devaki and rohini entered fire…” [৬] “If the husband is untraceable,dead or has renounced the world or is impotent or degraded -in these cases of emergency a woman can remarry. [৭] ”A Wife who dies in the company of her husband shall remain in heaven as many years as there are hairs on his person” [৮]“…A woman who has been chaste and faithful to her husband should mount on the pyre after bowing to her (deceased) husband before the funeral rites start. One who gets away from the pyre due to fainting should observe the vow named prajapatya. One who ascends the pyre and follows up her husband stays in heaven for a period equal to the number of hair on the body, three and a half crore. Just as the snake-charmer takes out the snake from the hole so also she takes out her husband from hell and enjoys with him in paradise. She who ascends the pyre goes to heaven. She is praised by the celestial nymphs and enjoys with her husband so long as the fourteen Indras rule in heaven successively. Even if the man has killed a brahmana or a friend or any other person of noble conduct he is purified of sins by his wife who ascends his pyre. A woman who enters fire after the death of her husband prospers in the heaven like Arundhati. Until and unless the woman burns herself after her husband’s death she is never released from the bond of her sex. A woman who follows her husband purifies the three families on her mother’s side, the three families on her father’s side and the three families on her husband’s side.” [৯] Renuka of steadfast holy rites, whose body was overwhelmed with sorrow for her husband , called all her sons togather and spoke these words: 35 [১০] O my sons , I wish to follow your father who has gone to heaven and who was by nature meritorious . It behoves you all to allow me to do so. 36 [১১] The misery of widowhood is unbearable. How can I endure it? I will be heated as I am bereft of my husband. How can I carry my activities thus? 37 [১২] Hence I shall follow my beloved husband so that I shall proceed along with him without interruption for ever in the other world. 38 [১৩] “By entering this burning pyre , I will be slightly after a long time, the dear guest of my husband in the world of the pitrs (manes).” 2/3/30/39 [১৪] “If you wish to do what is pleasing to me, dear sons nothing else should be expressed by you by taking a united stand against me, except your concurrence and support in this act of my self immolation to fire.” 2/3/30/40 [১৫] “After saying these word with firm decision, Renuka decided to follow her husband by entering the fire” 2/3/30/41 [১৬] ”Having raised her, Narada said to the pure one about her dead (husband): ”O innocent one of large eyes, please go to your husband. O you of large eyes, your husband, abandoned by his kinsmen, is dead. O auspicious one, you should not weep. Enter fire (i.e. funeral pyre of your husband). O innocent one of large eyes, please go to your husband. O you of large eyes, your husband abondoned by his kinsmen, is dead.O auspicious one, you should not weep. Enter fire (i.e. funeral pyre of your husband) The brahmana woman said: O age tell me whether i should or should not go, so that the time for entering the fire should not elapse. Narada said V.106.58-62 [১৭] That city is at a distance of hundred yojanas from here. The brahmana (i.e. the body of your husband) will be burnt tomorrow. Avyaya said: O sage i deserve to go to the lord of my body, who is away. hearing her words, Narada said to her: “You sit upon the handle of my lute. I shall go there in a moment.” Saying so he made haste and went there- to the country and abode of the dead brahmana. The sage said to avyaya: “If you will go to (i.e. desire to enter fire there , then do not weep. O daughter , if you have committed a sin like enjoying another man (than your husband) then make an expiation to purify that. On entering into the fire your minor sins will perish. Leaving (except) entering the fire i do not see any other (expiation) for women for the appeasement of all sins. 5/106/64-69A [১৮] ”Rukmaputri with Pradyumna, Usa with Aniruddha and all Yadava ladies honoured the bodies of their husbands and entered fire.” [১৯] “…Once Mâdrî, full of youth and beauty, was staying alone in a solitary place and Pându seeing her embraced her and due to the curse, died. When the funeral pyre was ablaze, the chaste Mâdrî entered into the fire and died a Satî. Kuntî was prevented from doing so, as she was to nurse and look after her young children….” [২০] ” …Then those Munis, practising great vows, knew that Pandu was dead and performed duty, on the banks of the Ganges, the ceremony of burning the dead. At that time Madri gave over to Kunti the charge of her two sons and followed the Sati practice along with her husband to go to Satyaloka…” [২১] 20.The young woman, on seeing her husband seized by the demon, was much frightened and implored him with piteous cries. 21. In spite of repeated importunities the man-eating ruthless wicked demon cut off the head of the brahmin sage and devoured it. 22. The distressed, grief-stricken chaste lady lamented much. She gathered the bones of her husband and lighted a funeral pyre. 23. The brahmin lady desirous of entering the pyre in order to follow her husband cursed the Rakshasa king. 24. The chaste lady entered fire after proclaiming “From now onwards if you become united with any woman in sexual embrace you will die.” [২২] She then prepared a blazing fire with firewood and placed the dead body of her husband upon it. When this was finished, she lamented severely and prepared herself to perish in the fire with her husband. [২৩] “It is the long-standing tradition of the Vedic system that a faithful wife dies along with her husband. This is called saha-marana. In India this system was prevalent even to the date of British occupation. At that time, however, a wife who did not wish to die with her husband was sometimes forced to do so by her relatives. Formerly that was not the case. The wife used to enter the fire voluntarily. The British government stopped this practice, considering it inhuman. However, from the early history of India we find that when Maharaja Pandu died, he was survived by two wives-Madri and Kunti. The question was whether both should die or one should die. After the death of Maharaja Pandu, his wives settled that one should remain and the other should go. Madri would perish with her husband in the fire, and Kunti would remain to take charge of the five Pandava children. Even as late as 1936 we saw a devoted wife voluntarily enter the fire of her husband. This indicates that a devotee’s wife must be prepared to act in such a way. Similarly, a devoted disciple of the spiritual master would rather die with the spiritual master than fail to execute the spiritual master’s mission. As the Supreme Personality of Godhead comes down upon. this earth to reestablish the principles of religion, so his representative, the spiritual master, also comes to reestablish religious principles. It is the duty of the disciples to take charge of the mission of the spiritual master and execute it properly. Otherwise the disciple should decide to die along with the spiritual master. In other words, to execute the will of the spiritual master, the disciple should be prepared to lay down his life and abandon all personal considerations. [২৪] ‘’In the Vedic culture there is a system known as satī or saha-maraṇa, in which a woman dies with her husband. According to this system, if the husband dies, the wife will voluntarily die by falling in the blazing funeral pyre of her husband. Here, in this verse, the feelings inherent in this culture are expressed by the wife of the brāhmaṇa. A woman without a husband is like a dead body. Therefore according to Vedic culture a girl must be married. This is the responsibility of her father. A girl may be given in charity, and a husband may have more than one wife, but a girl must be married. This is Vedic culture. A woman is supposed to be always dependent—in her childhood she is dependent on her father, in youth on her husband, and in old age on her elderly sons. According to Manu-saṁhitā, she is never independent. Independence for a woman means miserable life. In this age, so many girls are unmarried and falsely imagining themselves free, but their life is miserable. Here is an instance in which a woman felt that without her husband she was nothing but a dead body.’’Swami Prabhupada on Bhagwad Purana 9.9.32 [২৫] While outside observing her husband who will burn in the fire of mystic power along with his thatched cottage, his chaste wife will enter the fire with rapt attention. [২৬] Gandhari was an ideal chaste lady, a life companion of her husband, and therefore when she saw her husband burning in the fire of mystic yoga along with his cottage of leaves, she despaired. She left home after losing her one hundred sons, and in the forest she saw that her most beloved husband was also burning. Now she actually felt alone, and therefore entered the fire of her husband and followed her husband to death. This entering of a chaste lady into the fire of her dead husband is called the sati rite, and the action is considered to be most perfect for a woman. In a later age, this sati rite became an obnoxious criminal affair because the ceremony was forced upon even an unwilling woman. In this fallen age it is not possible for any lady to follow the sati rite as chastely as it was done by Gandhli and others in past ages. A chaste wife like Gandhari would feel the separation of her husband to be more burning than actual fire. Such a lady can observe the sati rite voluntarily, and there is no criminal force by anyone. When the rite became a formality only and force was applied upon a lady to follow the principle, actually it became criminal, and therefore the ceremony was to be stopped by state law. This prophecy of Narada Muni to Maharaja Yudhishthira forbade him to go to his widow aunt. [২৮] ”Ere long thereafter, King Manojava abandoned his body and went to the world of Siva, due to the power of that Tirtha. O Brahmanas, his wife Sumitra embraced his body then and ascended his funeral pyre. She too attained the same world.” [২৯] 53. A chaste woman who follows her husband from the house to the cremation ground for self-immolation undoubtedly attains the merit of a horse-sacrifice at every step. 54. Just as a snake-catcher forcibly retrieves a snake from its hole, so also a chaste woman retrieves her husband from the messengers of Yama and goes to heaven. 55-58. On seeing a chaste woman the messengers of Yama flee. On seeing the splendour of a chaste woman even the sun feels burning sensation, even the fire gets burnt and all other luminaries begin to tremble. A chaste woman sportingly enjoys heavenly pleasures along with her husband for as many crores and ten thousand years as there are hairs on her body. [৩০] 38-41.His wife was very beautiful with excellent features. She was chaste and of noble qualities. She used to smile pleasantly. She was of firm mental resolve. When her husband was killed, she became miserable. She was badly distressed due to the separation from her husband. She was left in the lurch in the terrible forest. The beautiful woman gathered fuel and twigs together and kindled the funeral pyre which she ascended along with her husband. She was mentally pleased in doing so. [৩১]The Santiparva (chap. 148 ) describes how a kapoti (female pigeon ) entered fire on the death of her husband the bird. [Pv kane- History of dharmashastra vol 2 part 1/ sati] [৩২] বিদ্যাসাগরের রচনাবলী-১ম খণ্ড/বিধবা বিবাহ প্রচলিত হওয়া উচিত কিনা এতদ্বিষয়ক প্রস্তাব; লিখেছেন, ইশ্বরচন্দ্র বিদ্যাসাগর; এস.বি.এস. পাবলিকেশন [৩৩]“Thus the wife of the brahmana cursed King Saudasa, known as Mitrasaha. Then, being inclined to go with her husband, she set fire to her husband’s bones, fell into the fire herself, and went with him to the same destination.” [৩৪]“They have to bathe, sanctify themselves, have to put on ornaments and apply unguents , have to apply sandal (paste) , have to put on flowers, have to have incense, turmeric and sacred rice grains. They have to wear an auspicious thread and apply red lac to their feet. They should give gifts according to their capacity, they should speak agreeable words, and should have a pleasing face. They should listen to (the sound of ) many auspicious musical instruments and songs. When a sin of (the nature of) infidelity is commited ,then with reference to that old sin (i.e. sin commited previously) , that is said to be an expiation for the appeasement of that sin. Then she should put on the ornaments and offer them to a brahmana. In the absence of such ornaments she should not make the brahmana perform the rite of expiation. In no other way and nowhere, can that sin perish.” 5/106/70b-75a [৩৫]85-90. Then having burnt (i .e. consigned to :fire the body of)the briihmai}.a, Narada said to her : “0 Avyayii, go, and enter the :fire if you so desire.’ ‘ Then the chaste lady decorated (herself), and having saluted Niirada after going round him three times keeping him to her right, dedicated her mind to Gauri (i.e. Parvati) . Desiring to please Piirvati, she separately (i.e. one by one) touched her very :fine auspicious thread, turmeric, so also sacred grains and flowers, garments, musk, sandal, golden comb, various fruits, from presents to her garments-gave all (these) to elderly married women. The chaste woman went three times round the :fire which was, as it were, burning the sky with rows of flames, by keeping it to her right, and stood in front of it. Then with the palms of her hands folded and with a smiling face she said these words : [৩৬]91-98. Oregents of the quarters like Indra, 0 mother Earth, 0 Sun, 0 all gods like Dharma (i .e. Yama), hear my words : “If, from (the day of) marriage till today I have, day and night, devoutly served my husband by words, thought, and by acts, and if in the three states (of youth, adulthood and old age) I have not transgressed (in my duties to him) , then truly grant me going with my husband.” Saying so, she quickly dropped the flower from the tip of her hand (and) entered the blazing fire. Then she saw an aeroplane, which was excellent like the Sun and graced with the music of celestial nymphs. She got into the aeroplane and went to heaven with her husband. Then Yama, having honoured that chaste wife, said to her : “You will have (i.e. live in) heaven eternally; (now) no sin of you remains. In hell your sin was washed off (by staying there) for two crore years . There is no doubt about it. But (still) there is’a sin. One is committed by eating the ghee of the lamp (kept in honour) of Siva. There may not be a fall into hell, but will be hundred existences as a dog.” [৩৭] সতীদাহ, লেখক- কুমুদনাথ মল্লিক [৩৮]suttee- Edward Thompson [৩৯]women in hindu civilization- altekar [৪০] pv kane- history of dharmashastra, vol 2, part 1/sati [৪১]রাজর্ষি রামমোহন জীবনী ও রচনা – শ্রী অনিলচন্দ্র ঘোষ [৪২] প্রাচীন ভারতে নারী ও সমাজ/সতী , লেখিকা- সুকুমারী ভট্টাচার্য...See more

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[01/10, 19:18] दोलत दास चंडीगड़: Similarly, the Almighty KavirDev (Supreme God Kabir) created three other lower Loks (places), Agam Lok, Alakh Lok & Satlok) with Shabd (word). This Almighty KavirDev (Supreme God Kabir) only then appeared in Agam Lok and is also the Master of Agam lok and there His title (of the position) is Agam Purush i.e. Agam Prabhu. This Agam God's human-like visible body is very bright. The light of whose one hair follicle is more than the combined light of kharab2 suns. This Complete God KavirDev (Kabir Dev = Supreme God Kabir ) appeared in Alakh Lok and He Himself is also the Master of Alakh Lok, and the title (of the position) 'Alakh Purush' also belongs to this Supreme God only. This God's human-like visible body is very effulgent (swarjyoti), is self-illuminated. The light of his one hair follicle is more than the light of arab3 suns. This very Supreme God appeared in Satlok and He only is also the Master of Satlok. Therefore, His title (of the position) only is SatPurush (the Immortal/Eternal God). He alone is also known as Akaalmurti - Shabd Swaroopi Ram - Purna Brahm - Param Akshar Brahm etc. This SatPurush KavirDev's (God Kabir's) human-like visible body is very bright whose one hair follicle's brightness is more than the combined light of crore suns and moons. This KavirDev (God Kabir), appearing in SatPurush form in Satlok and sitting there, first did other creation in Satlok. With one shabd (word), He created sixteen dweeps (islands). Then with sixteen shabds (words), gave rise to sixteen sons. He created one Mansarover (a very big lake in Satlok named Maansarover) and filled it with nectar. The names of the sixteen sons are: - (1) "Kurm", (2) "Gyani", (3) "Vivek", (4) "Tej", (5) "Sahaj", (6) "Santosh", (7) "Surati", (8) "Anand", (9) "Kshma", (10) "Nishkaam", (11) "Jalrangi", (12) "Achint", (13) "Prem", (14) "Dayaal", (15) "Dhairya", (16) "Yog Santayan" alias "Yogjit". SatPurush4 KavirDev entrusted the rest of Satlok's creation work to His son, Achint, and gave him power. Achint created Akshar Purush (Param Brahm) with shabd (word) and asked him for help. Akshar Purush went to Mansarover 5 to take bath, started enjoying there and fell asleep. He did not come out for a long time. Then, on Achint's request, to wake Akshar Purush from sleep, KavirDev (Su- preme God Kabir) took some nectar from that Mansarover and made an egg out of it. He inserted a soul into it and put that egg in the 'nectar' water of Mansarover. The thunder of the egg disturbed Akshar Purush's sleep. He looked at the egg in anger, due to which the egg broke into two halves. From it, came out Jyoti Niranjan (Kshar Purush) who later came to be known as 'Kaal'. Actually, his name is 'Kael'. Then, SatPurush (KavirDev) spoke through an ethervoice, "You may both come out and live in Achint's dweep. Af- ter getting the permission, both Akshar Purush and Kshar Purush (Kael) started living in Achint's dweep (children's foolishness was shown to them only, so that they should not crave for power because nothing can be successful without the Almighty). Then the Supreme God KavirDev Himself did all the creation. With His shabd shakti (word power), created a Rajeshwari (Rashtri) Shakti 6 , with which He established all the brahmands7 . This is also known as Parashakti / Paranandni. Purna Brahm (Supreme God) then pro- duced all the souls in human form like Himself from within Him, by the power of His word. He created the body of every soul similar to (God) Himself and its brightness is equivalent to that of sixteen suns and is in human like form only. But God's body's one hair follicle has the brightness more than that of crore suns. After a long time, Kshar Purush (Jyoti Niranjan) thought that we three (Achint - Akshar Purush - Kshar Purush) are living in one dweep and others are living in their own separate dweeps. I will also acquire a separate dweep by meditation. Having planned this, he meditated by standing on one leg for 70 yugas (ages). How were the Souls Caught in Kaal's Trap? Important: - When Brahm (Jyoti Niranjan) was meditating, we all souls who now live in Jyoti Niranjan's twenty-one (21) brahmands, got attracted towards his meditation and started loving him from the core. We got separated from our happiness-giving God. As a result of which, we failed in our loyalty towards our Master. Even on being repeatedly warned by the Supreme God, we did not get distracted from Kshar Purush. {This effect is present even today in creation of Kaal. Like young chil- dren get attracted towards the fake acts of filmstars (actors and actresses) and the role played by them for their living. They do not even stop on being restrained. If any actor or actress comes in a nearby city, then see how a huge crowd of those foolish youngsters gathers there just to have a glimpse of them; when they have nothing to do with them. Actors are earning their livelihood, and youngsters are getting ruined. No matter how much their parents may try to discourage them, but the children do not pay heed and keep going somewhere sometime secretively}. [01/10, 19:18] दोलत दास चंडीगड़: Purna Brahm KavirDev (God Kabir) asked Kshar Purush, "Tell me, what do you want?" Kshar Purush said, "Father, this place is insufficient for me. Kindly grant me a separate dweep (island)". Hakka Kabir (Sat Kabir) gave him 21 (twenty-one) brahmands. Af- ter some time, Jyoti Niranjan thought that some construction should be done in it. What is the use of vacant brahmands (plots)? Thinking this, he meditated for 70 yugas and requested Supreme God KavirDev (God Kabir) for some construction material. SatPurush 8 gave him three qualities and five elements with which Brahm (Jyoti Niranjan) did some construction in his brahmands. Then he thought that there should also be some living beings in these brahmands, as I feel lonesome. With this intention, he again meditated for 64 (sixty- four) yugas. On being asked by Supreme God Kavir Dev, he said that give me some souls, I feel very lonely here. Then SatPurush Kaviragni (Supreme God Kabir) said, "Brahm, I can give you more brahmands for yourTap (meditation), but cannot give you My souls in return for any Jap 9 -Tap10 . Yes, if any of the souls wants to go with you willingly, then one can go. On hearing Yuva Kavir's (All-Ca- pable Kabir) words, Jyoti Niranjan came to us. We all hans-souls were already attracted towards him. We surrounded him. Jyoti Niranjan said, "I have obtained 21 separate brahmands from Fa- ther. There, I have built several luring places. Will you come with me?" We all souls who are today suffering in these 21 brahmands said that we are ready, if Father permits. Then Kshar Purush went to Purna Brahm Maha? Kavi? (All-Capable Kabir God) and told Him everything. Then Kaviragni (Supreme God Kabir) said that I will allow those who will give consent in front of me. Kshar Purush11 and Param Akshar Purush12 (Kaviramitauja13 ) both came to all of us souls (hans-aatmas14). Sat KavirDev15 said that whichever soul wants to go with Brahm should give his consent by raising his hand. Nobody dared in front of Father. Nobody gave consent. There was pin drop silence for a long time. Thereafter, one soul dared and said, "Father, I want to go". And then in imitation of him, all of us souls [who are now trapped in Kaal's (Brahm's) 21 brahmands] gave con- sent too. Supreme God Kabir Ji told Jyoti Niranjan that you go to your place. I will send all those souls who have given consent to go with you, to you. Jyoti Niranjan went to his 21 brahmands. Till then, these 21 brahmands were in Satlok only. Later, Purna Brahm16 gave a girl's appearance to the soul who gave the first consent, but did not create any female genitals. He inserted all the souls (who had consented to go with Jyoti Niranjan/ Brahm) in that girl's body and named herAshtra (Aadi Maya / Prakriti Devi / Durga), and said that daughter, I have granted you 'word power' (shabd shakti). You may produce as many living beings as Brahm says. KavirDev (God Kabir) sent Prakriti Devi to Kshar Purush through His son Sahaj Das. Sahaj Das told Jyoti Niranjan that Fa- ther has inserted all those souls who had consented to go with you in this sister's body and has granted 'word' power to her. Prakriti will produce as many living beings as you want with her word (shabd). After saying this Sahaj Das returned to his dweep. The girl, being young, looked beautiful. Sexual desires arose in Brahm and he started misbehaving with Prakriti Devi 17 . Durga said that Jyoti Niranjan I have the power of word, granted by Fa- ther. I will produce as many living beings as you will say. Please do not start the custom of intercourse. You have also originated from the same Father's word, from an egg, and I have also originated from that same Supreme Father's word after that. You are my elder brother. This act between a brother and a sister will lead to a hei- nous sin. But Jyoti Niranjan ignored all appeals of Prakriti Devi and by his word-power made female genitals on her body with his nails and tried to rape her. Immediately, Durga, in order to save herself and finding no other way out, made a miniature form of her and via Jyoti Niranjan's opened mouth, entered into his stomach. From there, she requested Purna Brahm Kavir Dev to save her. Instantly, KavirDev (Kavir Dev / God Kabir), acquiring the ap- pearance of His own son Yog Santayan alias Jogjot, appeared there, took the girl out of Brahm's stomach and said that Jyoti Niranjan, from now on you will be called 'Kaal'. You will have births and deaths and therefore, your name will be Kshar Purush. You will eat one lakh human beings and produce a lakh and a quarter daily. You both, along with the 21 brahmands, are expelled from here. Immediately, 21 brahmands started moving from there like an aircraft, passed Sahaj Das's dweep18 and came 16 sankh Kos (one Kos is approxi- mately 3 k.m.) away from Satlok and stopped. Special description: - Until now there has been a description of three powers. [01/10, 19:18] दोलत दास चंडीगड़: Creation of Nature (A Conclusive Description of 'Creation of Nature' from Sukshm Ved) When God loving souls will read the following 'Creation of Na- ture' for the first time, they will feel that this is a baseless story. But on reading the evidence from all the holy true scriptures they will bite their fingers between their teeth that where was this authentic nectar-like knowledge hidden uptil now? Please keep reading with patience and keep this sacred knowledge safe. It will be useful for your next hundred and one generations. Holy souls! Kindly read the original knowledge of the creation of nature by the SatyaNarayan (the immortal God i.e. 'SatPurush'). 1. Purna Brahm: - In this Nature's Creation, SatPurush - Mas- ter (Lord) of Satlok, Alakh Purush - Master (Lord) of Alakh lok, Agam Purush - Master (Lord) of Agam lok, and Anami Purush - Master (Lord) of Anami lok is only one Purna Brahm, who is the Eternal (immortal) God in reality; who by acquiring different-differ- ent forms lives in all of His four loks, and who is the controller of infinite brahmands. 2. ParBrahm: - He is the Master (Lord) of only seven sankh brahmands. He is also known as Akshar Purush. But in reality he as well as his brahmands are not eternal. 3. Brahm: - He is the Master (Lord) of only twenty-one brahmands. He is known by Kshar Purush, Jyoti Niranjan, and Kaal etc names. He and all of his brahmands are perishable. (The evidence of the abovementioned three Purushs (gods) is also in Shri Madbhagvat Gita Adhyay 15 Shlok 16-17.) 4. Brahma: - He is the eldest son of this Brahm only. Vishnu is the middle son and Shiv is the last, the third son. These three sons of Brahm are the masters (Lord) of only one department (guna) each in one brahmand and are perishable. For vivid description, please read the 'Creation of Nature' mentioned below. {KavirDev (Supreme God Kabir) has Himself given the knowl- edge of the nature created by Him in Sukshm Ved i.e. Kabirbaani (Kabir Speech) which is as follows-} In the beginning, there was only one place 'Anami (Anamay) Lok', which is also known as Akah Lok. The Supreme God used to live alone in the Anami lok. The real name of that God is KavirDev i.e. God Kabir. All the souls were contained in the body of that Purna Dhani (Supreme God). This KavirDev's designated (of the Post) name is Anami Purush ('Purush' means God. God has created man in His own image/form. That is why a man is also known as 'Purush'.) The brightness of one hair follicle of Anami Purush is more than the combined light of sankh1 suns. Important: - For instance, the name of the body of a country's Prime Minister is different, and the title of his post is 'Prime Minis- ter'. Many times, the Prime Minister also keeps many departments with him. Then whichever department's documents he signs, at that time he writes the same post. Like, if he signs the documents of Home Ministry, then he writes himself as the Home Minister. There the power of the signature of the same person is less. Likewise, there is difference in the brightness of God Kabir (KavirDev) in different loks. [01/10, 19:18] दोलत दास चंडीगड़: The three gunas (qualities) are Rajgun-Brahma Ji, Satgun- Vishnu Ji, and Tamgun Shiv Ji. They have taken birth from Brahm (Kaal) and Prakriti (Durga) and all three are perishable." Evidence: - Shri Shiv Mahapuran, published from Gitapress Gorakhpur, edited by Shri Hanuman Prasad Poddar, Page no. 24 to 26, Vidhveshwar Sanhita, and page no. 110, Adhyay 9, Rudra Sanhita "In this way, Brahma, Vishnu, and Shiv, the three gods have qualities, but Shiv (Brahm-Kaal) is said to be beyond qualities." Second evidence: - Shrimad devibhagwat Puran, published from Gitapress Gorakhpur, edited by Shri Hanuman Prasad Poddar and Chiman Lal Goswami, Skand 3, Adhyay 5, page no.123 :- God Vishnu prayed to Durga: said that I (Vishnu), Brahma, and Shankar are existing by your grace. We have birth (aavirbhaav) and death (tirobhaav). We are not eternal (immortal). Only you are eternal, are the mother of the world (jagat janani), are Prakriti, and Goddess Sanatani (existing for time immemorial). God Shiv said: If god Brahma and god Vishnu have taken birth from you, then am I, Shankar, who was born after them and perform Tamoguni leela (divine play), not your son? Henceforth, you are my mother too. Your gunas are always present everywhere in this world's creation, preservation, and destruction. Born of these three gunas (qualities), we, Brahma, Vishnu, and Shankar, remain devoted to work according to the regulations. The above-mentioned description is from Shri Devimahapuran which is only translated in Hindi, in which some of the facts have been concealed. Therefore, see this very evidence in Shrimad devibhagwat Mahapuran Sabhashtikam Smahatyam, Khemraj Shri Krishna Das Prakashan Mumbai. In this, Hindi translation is writ- ten along with Sanskrit. Skand 3, Adhyay 4, Page no. 10, Shlok 42:- Brahma Aham MaheshwarH fil te prabhawatsarve vyaM jani yuta na yada tu nityaH, Ke anye suraH shatmakh pramukhaH ch nitya nitya twamev janani PrakritiH Purana ||(42)|| Translation :- Oh Mother! Brahma, I, and Shiv take birth from your influence only, are not eternal i.e we are not immortal, then how can other Indra etc, gods be eternal. Only you are immortal, are Prakriti and Sanatani Devi (42). Page no. 11-12 Adhyay 5, Shlok 8: - Yadi dayardramna na sadambike kathamhaM vihitH ch tamogunaH Kamaljshch rajogunsambhavH suvihitH kimu satvguno HariH | |(8)|| Translation :- God Shankar said, "Oh Mother! If you are kind to us then why did you make me Tamogun, why did you make Brahma, who has originated from lotus, Rajgun, and why did you make Vishnu, Satgun?" i.e. why did you engage us in the evil deed of the birth and death of the living beings? [01/10, 19:18] दोलत दास चंडीगड़: Shlok 12: - Ramayse swapatiM purushM sada tav gatiM na hi vih vid am shive || (12)|| Translation: - You are always doing sexual intercourse with your hus- band purush i.e. Kaal God. Nobody knows your state. Conclusion: It has been proved from the above-mentioned evi- dence that - Rajgun is Brahma, Satgun is Vishnu and Tamgun is Shiv. These three are perishable. Durga's husband is Brahm (Kaal). He does sexual intercourse with her. Brahm's (Kaal) Vow to Remain Unmanifested Remaining Creation of Nature from Sukshm Ved..... After the birth of the three sons, Brahm said to his wife, Durga (Prakriti), "I pledge that in future, I will not appear before anyone in my real form. As a result of which, I will be considered unmanifested/invisible." He said to Durga, "Do not disclose my secret to anyone. I will remain hidden." Durga asked, "Will you not appear before your sons too?" Brahm said, "I will not appear be- fore my sons and anyone else by any way of worship. This will be my permanent policy." Durga said, "This policy of yours that you will remain hidden from your sons too is not good." Then Kaal said, "Durga, I am helpless. I have been cursed to eat one-lakh human beings. If my sons (Brahma, Vishnu, and Mahesh) will become aware of this then they will not perform the task of creation, preservation, and destruction. Therefore, this bad policy of mine will remain for- ever. When these three sons grow up a little, make them uncon- scious. Do not tell them about me; otherwise, I will punish you." Fearful of this, Durga does not tell the truth. Therefore, in Gita Adhyay 7, Shlok 24, it is said that these fool- ish people are unfamiliar with my bad policy that I never appear before anyone and remain hidden by my Yog Maya. Therefore, they consider the unmanifested me as having come in human form i.e. consider me Krishna. (AbuddhyH) foolish people (mm ) my (anuttamm ) bad i.e. inferior (avyyam') eternal (param bhavam ) main character (ajaanantH) not know- ing (mam avyaktam') the unmanifested me (vyaktim ) in human form (aapannam ) having come (manyante) consider i.e. I am not Krishna. Translation: Foolish people, not knowing my bad i.e. inferior, eternal, main character, consider the unmanifested/invisible me as having come in human form i.e. I am not Krishna. (Gita Adhyay 7 Shlok 24) In Gita Adhyay 11, Shlok 47 and 48, it is said that - this is my actual Kaal form. Nobody can see this i.e. attain Brahm by any method mentioned in the Vedas, or by jap22 , tap23, or by any other activity. When the three children became young, then mother Bhavani (Durga/Prakriti/Ashtangi) said, "You may churn the ocean". When churned the ocean for the first time, (Jyoti Niranjan created four Vedas with his breaths and ordered them by secret speech to reside in the ocean) fourVedas came out and Brahma took them all. When the three children brought the Vedas to mother, she said that Brahma may keep the four Vedas and read them. [01/10, 19:18] दोलत दास चंडीगड़: Translation : I, hidden by Yogmaya, do not appear before everyone i.e. remain invisible i.e. unmanifested, therefore, this ignorant world does not know me and my eternal character of not taking birth i.e. consider me having come in incarnation form. Because Brahm makes his numerous forms with his word power; he is Durga's husband, therefore is saying in this Shlok that I do not take birth from Durga like Sri Krishna etc. Brahma's Endeavour to Search His Father Brahm Then Durga said to Brahma Ji that Alakh Niranjan is your fa- ther but he will not appear before you. Brahma said, "I will return only after seeing him." Mother asked, "What will you do if you don't get to see him?" Brahma said, "I pledge that if I do not see father, then I will not come in front of you." On saying this, Brahma anxiously left towards North where there is darkness everywhere. There, Brahma meditated for four yugas (ages), but did not achieve anything. Through an ethervoice Kaal said, "Durga, why has the creation not been done?" Bhavani said that your eldest son, Brahma has adamantly gone in search of you. Brahm (Kaal) said, "Call him back". I will not appear before him. The entire task of creation of living beings is impossible without Brahma." Then Durga (Prakriti), with her word power, created a girl called 'Gayatri' and ordered her to bring Brahma back. Gayatri went to Brahma but he was meditat- ing and did not feel her presence. Then Aadi Kumari (Prakriti), by telepathy, told Gayatri to touch Brahma's feet and Gayatri did the same. Brahma's meditation got disturbed and he furiously said, "Who is this sinner who has interrupted my meditation, I will curse you." Gayatri said, "It is not my fault. First, listen to me and then you may curse me. Mother has sent me to bring you back because living beings cannot be created without you." Brahma said, "How can I return? I have not seen father and will be ridiculed if I return like this. If you say in front of mother that Brahma has seen father (Jyoti Niranjan) and be my eyewitness then I will return with you." Gayatri said that if you will have sex with me, then I will be your false wit- ness. Brahma thought that I could not see father and will feel ashamed in front of mother if I return like this. Seeing no other way out, he did sex with Gayatri. Then Gayatri said, "Let us prepare one more witness." Brahma said, "That would be good." Gayatri created another girl named 'Puhapvati' by her word power. Both told her to testify that Brahma saw his father. Puhapvati said, "Why should I give false statement? [01/10, 19:18] दोलत दास चंडीगड़: Note: In reality, Purna Brahm24 had given five Vedas to Brahm i.e. Kaal. But Brahm manifested only four Vedas. He hid the fifth Ved, which Supreme God, by Himself appearing, has manifested through KavirgirbhiH i.e Kavir Vaani (Kabir Vaani / /Kabir Speech) by means of proverbs and couplets. On churning the ocean the second time, got three girls. Mother distributed all the three. Prakriti (Durga) acquired her own three other forms (Savitri, Lakshmi and Parvati) and hid in the ocean. Then came out during churning of the ocean. That same Prakriti acquired three forms and was given in the form of 'Savitri' to god Brahma, 'Lakshmi' to god Vishnu and 'Parvati' to god Shankar, as wives. The three couples did intercourse and gave birth to both gods and demons. {When the ocean was churned the third time, Brahma got four teen gems; Vishnu and other gods got 'nectar'. Demons got alcohol and the righteous Shiva stored the 'venom' in his throat. All this happened a lot afterwards.} When Brahma started reading the Vedas, he found that the Master (Purush) God of the lineage, the Creator of all the brahmands is someone else. Brahma Ji told Vishnu Ji and Shiv Ji that Vedas describe some other God as the Creator, but Vedas also say that even they do not know the mystery. For that there is an indication to ask some Tatvdarshi Saint 25. Brahma came to mother and nar- rated everything to her. Mother used to say that there is no one else other than me. I am the sole doer. I am the Almighty, but Brahma said that Vedas have been created by God, they cannot be untrue. Durga said that your father has sworn that he will never appear before you. Then Brahma said, "Mother, I do not trust you now. I will surely find out that Purush (God)." Durga said, "What will you do if he would not appear before you?" Brahma said that I will not show you my face. On the other hand, Jyoti Niranjan has pledged that I would remain unmanifested; I would never appear before any- one i.e. I would never appear in form in my actual 'Kaal' form in the 21 brahmands. Gita, Adhyay no. 7, Shlok no. 24 Avyaktam , vyaktim , aapannm , manyante, mam , abuddhyaH, Param , bhaavam , ajaanantH, mm, avyyam , anuttamm ||24 || Translation : (AbuddhyaH) foolish people (mm) my (anuttamm ) bad/ inferior (avyyam) permanent (param ) prime (bhaavam ) character (ajaanantH) being unaware of (avyaktam ) unmanifested/invisible (mam ) me, Kaal (vyaktim ) in form incarnated as Krishna (aapannm ) to have attained (manyante) consider. Translation : Foolish people being unaware of my bad, permanent and prime character, consider the unmanifested/invisible me, Kaal, to have incarnated in form as Krishna. Gita Adhyay no. 7 Shlok no. 25 Na, aham , prakashH, sarvasya, yogmayasmavrtH, MoodH, ayam ,na, abhijanati, lokH, mam , ajam , avyyam || 25| Translation: (Aham) I (yogmaya smavrtH) hidden by Yogmaya (sarvasya) everyone (PrakashH) appear before (na) do not i.e. remain in- visible i.e. unmanifested, therefore (ajam ) of not taking birth (avyyam ) eternal character (ayam ) this (moodH) ignorant (lokH) living beings of the world (mam) me (na) not (abhijanati) knows i.e. consider me as having come in incarnation form. [01/10, 19:18] दोलत दास चंडीगड़: Yes, if Brahma does intercourse with me, then I can be his false witness." Gayatri persuaded Brahma that there was no other way out. Brahma did sex with Puhapvati, and then the three came to Durga (Aadi Maya / Prakriti). The two women had kept the above- mentioned condition because they knew that if Brahma would dis- close their false statements to mother, then mother would curse them. Therefore, they made him a culprit too. (Here, Maharaj Garib Das Ji says Das Garib, Yeh Chook Dhuron Dhur) Mother's (Durga) Curse to Brahma Mother Durga asked Brahma, "Did you see your father?" Brahma said, "Yes, I have seen father." Durga said, "Tell me any witness." Then Brahma said, "I saw him in front of these two." The Goddess asked those two girls, "Did he see Brahm in front of you?" Then the two said, "Yes, we have seen with our own eyes." Bhavani (Prakriti) became suspicious. She thought that Kaal told me that he would never appear before anyone, but these three are saying that they have seen him! Ashtangi meditated and asked Kaal (Jyoti Niranjan) by telepathy, "What is this story?" Jyoti Niranjan said, "These three are lying." Then, mother told the three of them, "You are lying. An ethervoice (aakashvaani) has declared that these three have not obtained any audience." On hearing this, Brahma said, "Mother, I had sworn to go in search of father (Brahm). But I did not see him (Brahm). I was ashamed of returning to you. Therefore, we lied." Then Mother (Durga) said, "Now I will curse you." Curse on Brahma : You will not be worshipped in the world. Your descendents will be frauds. They will con people by their dishonest and untrue talks. They will appear to be doing religious ceremonies from outside, but will commit vices from inside. They will tell tales from the Purans27, but themselves will have no knowledge about the truth stated in the Satgranths (true scriptures / holy books). Inspite of that they will become gurus to gain respect and money and will narrate lokved 28 (hearsay/baseless stories as opposed to the true scriptures) to their followers. They will bear hardships by worship- ping and making others worship gods and goddesses and by criticising others. They will not guide the right path to their followers. They will deceive the world for money. They will consider themselves to be superior and others as inferiors. When Brahma heard all this from mother, he fainted and fell on the ground. He came into con- sciousness after a long time. Curse on Gayatri : You will become cow in Mritlok (Earth) and will have many bulls as your male partners. Curse on Puhapvati : You will grow in swamp. Nobody will use your flowers for worshipping. You will have to experience this hell for your false statement. Your name will be 'Kevra Ketki' (in Haryana, it is called 'Kusaundhi'. This grows in a marshyland). Mother Bhavani (Durga) repented after cursing the three of them. {Similarly, a human being first performs a wrong deed under the effect of mind (Kaal Niranjan), and when later realises under the effect of soul (part of SatPurush29), then repents. Like, parents beat their children for a small mistake because of anger, but later repent a lot. This phenomenon is present in all the human beings because of the effect of mind (Kaal Niranjan)}. Yes, here one thing is important that Niranjan (Kaal-Brahm) has also made his law that if any living being will hurt a weaker living being, then he will have to pay for it. When Aadi Bhavani (Prakriti / Durga / Ashtangi) cursed Brahma, Gayatri and Puhapvati, then Alakh Niranjan (Brahm - Kaal) said, "Oh, Bhavani (Prakriti/Durga/Ashtangi)! What you did was not right." Now, I (Niranjan) curse you that you will have five hus- bands in Dwaparyug. (Draupadi was an incarnation of Aadi Maya only). Aadi Maya, on hearing this ethervoice, said that Jyoti Niranjan (Kaal), I am at your pity now, do whatever you wish. Vishnu's Departure in Search of His Father Brahm and Being Blessed by His Mother Durga [01/10, 19:18] दोलत दास चंडीगड़: In Vedas, there is a evidence of chanting (Sumiran) 'Om ' man- tra, which is only sadhna34 of Brahm. With this aim, considering the 'Om ' mantra as of the Purna Brahm, the sages (Rishis) tried to attain God by meditating (hath yog) for thousands of years. But did not see God, just gained supernatural powers (siddhis). By playing with those siddhis-like toys, the sages remained in the cycle of life and death and wrote God as 'formless' in the books based on their own experiences. Brahm (Kaal) has pledged that I will never appear before anyone in my real form. I will be considered 'invisible' ('invisible' means that somebody is in form but does not manifest personally in physical form. Like, in the daytime the sun disappears as the sky becomes cloudy. It is not visible, but in reality, is present as it is behind the clouds; this state is called 'invisible'/unmanifested). [For evidence see Gita, Adhyay 7, Shloka 24 -25; Adhyay 11, Shloka 48 and 32]. Brahm (Kaal), the narrator of the Holy Gita Ji, by entering into Shri Krishan ji's body like a ghost, is saying, "Arjun, I am an en- larged Kaal and have come here to eat everyone (Gita Adhyay 11 Shlok 32). This is my original appearance, which neither could any- body see before you, nor would anyone be able to see in future. This means that nobody can see this original form of mine by the method of yagya-jap-tap35 and the 'Om ' naam etc. mentioned in the Vedas (Gita Adhyay 11 Shlok 48). I am not Krishna; these foolish people are considering the invisible/unmanifested me, as being visible/mani- fested (in human form) as Krishna because they are unaware of my bad policy that I never appear before anyone in this original Kaal form of mine. I remain hidden by my Yogmaya (Gita Adhyay 7 Shlok 24, 25). Please think: - Why is he himself calling his policy of re- maining hidden as bad/inferior (anuttam)? If a father does not even appear before his sons, then there is a fault in him because of which he is hidden, and is also providing all the facilities to them. Kaal (Brahm) has to daily eat one-lakh human beings because of the curse on him. He has created 84 lakh births/ life forms (yoni) to fix the extra 25 percent born daily and to make them bear the punishment of their actions (karmas). If Brahm eats someone's daughter, someone's wife, someone's son, and mother- father in front of him or her then everybody will start hating him, and whenever the Supreme God Kaviragni (God Kabir) comes him- self or sends any messenger (sandeshvaahak) of his, then all the human beings, by doing true devotion (Sat-bhakti) will get out of Kaal's trap. Therefore, Brahm deceives everyone. He also men- tions the salvation (mukti) from his devotion as 'the worst' (Anuttamam ) and his policy as 'worst' (Anuttam ) in Holy Gita, Adhyay 7, Shlok 18, 24 and 25. In the Brahmlok in every brahmand, he has built a Mahaswarg . In a Mahaswarg36 (Great Heaven), at one place he has created a fake Satlok - fake Alakh lok - fake Agamlok and fake Anami lok through Prakriti (Durga / Aadi Maya) to deceive the hu- man beings. There is a shabd (hymn) of God Kabir "Kar naino deedaar mahal mein pyaara hai". In it there is a speech that "Kaaya bhed kiya nirvaara, yeh sab rachna pind manjhaara hai Maya avigat jaal pasaara, so kaarigar bhaara hai Aadi Maya kinhi chaturaai, jhuthi baaji pind dikhaai, avigat rachna rachi and maahi, vaaka pratibimb daara hai " In a brahmand, there is creation of other loks also, like Shri Brahma ji's lok, Shri Vishnu ji's lok and Shri Shiv ji's lok. From here, the three gods become the master of and govern, one region in each of the three lower loks [(Swarg lok) Heaven which is Indra's lok, (Prithvi lok) Earth and (Patal lok) Nether world] and hold the responsibility of creating, preserving and destroying the living be- ings for the food of their father. The three gods also have births and deaths. Then Kaal eats them too. In this very brahmand [a brahmand is also known as 'and' (egg-shaped) because a brahmand has an elliptical shape. It is also known as 'pind37' because a brahmand's creation can be seen in lotuses (kamal) in the body (pind) as in a television], there is also a Mansarover38 and Dharmrai's (justice) lok. Like every country has an embassy, the Supreme God also lives in a different form, in a secret place, in every brahmand. Nobody can go there. Those souls live there whose Satlok's bhakti39 is balance yet. When bhakti Yug40 comes, then at that time, Supreme God Kabir ji sends His representative Complete Saint Satguru41 . At that time, these pious souls are born as human beings on earth and they soon acquire Sat bhakti (true devotion) and after taking initiation from Satguru at- tain complete salvation. The earlier earned bhakti of the pious souls (Hans-aatmas42) in that place does not get expended. All the facili- ties are provided from God's repository. Whereas, the bhakti earn- ings of Brahm's (Kaal) worshippers are utilized in the Swarg43 - Mahaswarg because in this Kaal lok (Brahm lok) and Parbrahm's lok, the living beings only get returns for what they have done. Kshar Purush (Brahm) has divided his twenty brahmands into four Mahabrahmands. In one Mahabrahmand, he has grouped five brahmands and has blocked them by encircling from all four sides in an elliptical shape. He has then blocked the four Mahabrahmands by encircling them in elliptical shape. He has created the twenty-first brahmand in the space of one Mahabrahmand. On just entering the twenty-first brahmand, he has built three pathways. In the twenty-first brahmand also, on the left hand side, has built fake Satlok, fake Alakh lok, fake Agam lok and fake Anami lok with the help of Aadi Maya (Durga), to deceive living beings. And on the right hand side, keeps the twelve greatest Brahm worship- pers (Bhakts). Then, in every yug44 sends them on Earth as his messen- gers (sant satguru), who impart ways of worship and knowledge which are not in accordance with the Holy Scriptures, and who themselves be- come devotionless (bhaktiless) and also entangle their followers in Kaal's web. Then both that Guruji and his followers go to hell. In the front, Kaal has put a lock (kuluf). That pathway goes to Kaal's (Brahm's) own lok where this Brahm (Kaal) lives in his actual human-like form. In this place there is a griddle-like piece of rock (which itself remains hot) on which, he roasts the subtle bodies of one-lakh human beings and taking out grime (mael) from them eats it. At that time all the living beings suffer from excruciating pain and start screaming and then after sometime become uncon- scious. The living beings do not die. Then after going to Dharmrai's45 lok obtain different births based on their karmas (deeds) and the cycle of life and death goes on. Brahm opens the aforesaid lock in front for fractions of a second for only those living beings who are his food. This lock itself opens up by Purna Parmatma's (Supreme God's) Satyanaam46 and Saarnaam47 [01/10, 19:18] दोलत दास चंडीगड़: In this way Supreme God KavirDev (God Kabir) Himself ex- plained the Kaal's trap to his own devote Dharmdas Ji. The Establishment of ParBrahm's Seven Sankh Brahmands Supreme God Kabir (KavirDev) has later mentioned that ParBrahm (Akshar Purush) committed a breach in his duty because he fell asleep in Mansarovar and when Supreme God (I i.e. God Kabir) left the egg in that lake then ParBrahm (Akshar Purush) looked at it in anger. Because of these two offences he, along with seven sankh brahmands, was also expelled from Satlok. The sec- ond reason was that ParBrahm (Akshar Purush) became restless after departure of his friend Brahm (Kshar Purush). He started miss- ing Brahm, forgetting the Supreme Father KavirDev (Supreme God Kabir). ParBrahm thought that Kshar Purush (Brahm) must be en- joying a lot and I am left behind. The other souls who along with ParBrahm are experiencing the punishment of their actions as birth- death in the seven-sankh brahmands, got lost in the thoughts of the departure of those Hans-aatmas (souls), who are trapped in Brahm's (Kaal's) twenty-one brahmands and forgot the Supreme God, KavirDev who is the giver of all happiness. Even on being repeat- edly advised by God Kavir Dev their yearning did not lessen. ParBrahm (Akshar Purush) thought it would be good if I also obtain a separate place. Thinking this, with the purpose of obtaining a king- dom he started reciting Saarnaam. Similarly, the other souls (who are trapped in ParBrahm's seven sankh brahmands) thought that those souls who have gone with Brahm will make merry and we are left behind. ParBrahm made an assumption that Kshar Purush must be very happy after separating. Thinking this, he decided in his inner self to obtain a separate place. ParBrahm (Akshar Purush) did not do Hath Yog (meditation), but kept doing simple meditation (Sahaj Samadhi48) with great passion only to obtain a separate kingdom. To obtain a separate place, he started roaming frantically and even gave up eating and drinking. Other souls got attracted towards his renunciation and started lov- ing him. On being asked by Supreme God, ParBrahm asked for a separate place and also requested for some souls. Then KavirDev said that I will send the souls who willingly want to go with you. Supreme God asked that whichever Hans-aatma49 (soul) wants to go with ParBrahm, please give consent. After a long time one Hans gave consent and many other souls in imitation of that gave consent too. God made the soul who gave consent first, a girl, named her Ishwri Maya (Prakriti Surati). He put all other souls in that Ishwari Maya and sent her to Akshar Purush (ParBrahm) with Achint. (They got the punishment for failing in loyalty towards their Master.) For many yugas, both lived in seven sankh brahmands, but ParBrahm did not misbehave with her. ParBrahm married Ishwari Maya50 with her consent. He then by his word power made female genitals in her with his nails and reproduced offsprings on Ishwari Devi's approval. Therefore, in ParBrahm's lok (seven sankh brahmands) living be- ings do not have the suffering of tapatshila51 . Even the animals and birds over there have a better character than the gods of Brahm lok. The life span is also very long, but still there is life-death, pun- ishment according to karmas (deeds), and bread can only be earned by doing hard work. Heaven and hell are also built in a similar fash ion. God granted seven sankh brahmands to ParBrahm (Akshar Purush) in return for his wishful simple meditation (Sahaj Samadhi), and blocking the brahmands at a different place from Satlok in a circular shape, expelled Akshar Brahm and Ishwari Maya along with seven sankh brahmands. Purna Brahm (SatPurush52 ) is the Master (God) of the infinite (asankh) brahmands in Satlok, twenty-one brahmands of Brahm and ParBrahm's seven sankh brahmands. This means that Purna Brahm KavirDev (Supreme God Kabir) is the Master of the lineage. Shri Brahma ji, Shri Vishnu ji and Shri Shiv ji have four arms each and have 16 Kalaas (arts/skills). Prakriti Devi (Durga) has eight arms and 64 Kalaas (arts/skills). Brahm (Kshar Purush) has one thousand arms, one thousand Kalaas and is God of twenty-one brahmands. ParBrahm (Akshar Purush) has ten thousand arms, has ten thousand Kalaas and is God of seven sankh brahmands. Purna Brahm (Param Akshar Purush / SatPurush) has infinite Kalaas and along with Brahm's twenty-one brahmands and ParBrahm's seven sankh brahmands, is the God of infinite brahmands. Every God, af- ter gathering his arms can keep only two arms and can also make all his arms appear whenever he wishes. Supreme God also lives secretively in different forms, building different places in every brahmand of ParBrahm. For instance, a moving camera is fixed outside and a TV is kept inside. On the in- side TV, all the outside views can be seen. Now, a second TV is placed outside and a stationary camera inside. On the second TV outside, only the picture of the organiser sitting inside is visible and because of this all the workers remain alert. Similarly, Purna Parmatma (the Supreme God) is controlling everyone, sitting in His Satlok and Satguru KavirDev is also present in every brahmand. Like, the sun, even when far away is maintaining its effect on other loks. Evidence of Nature's Creation in Holy AtharvaVed Atharvaved Kaand no. 4 Anuvaak no.1 Mantra no.1 Brahm jagyanM prathmM purastaad vi seematH surucho ven aavH| SaH budhanyaH upma asya vishthaH satashch yonimsatashch vi vaH ||1|| Brahm - ja - gyanm - prathmm - purastaat - visimatH - suruchH - venH - aavH - saH - budhanyaH - upma - asya - vishthaH - satH - ch - yonim´ - asatH - ch - vi vaH|| Translation : (Prathmm ) Primordial i.e. Eternal (Brahm) God (ja) mani- festing/appearing (gyanm ) by His wisdom (purustaat ) on the summit i.e. Satlok etc (suruchH) by His own desire, with great passion, self-illuminated (visimatH) boundless i.e. different loks with vast boundaries, that (venH) weaver, weaving like a warp i.e. cloth (aavH) secured (ch) and (saH) that Purna Brahm only does all the creation (asya) therefore that (budhanyaH) same Original God (yonim ) has created the original place Satyalok (asya) to this (upma) similar (satH) the loks of Akshar Purush i.e. ParBrahm; some- what permanently (ch) and (asatH) the temporary loks etc of Kshar Purush (vi vaH) residing places separately (vishthaH) established. Translation :The Primordial i.e. Eternal God by appearing, that weaver on the summit secured Satlok etc self-illuminated and boundless loks i.e. the different loks with vast boundaries, by His own desire, wisdom and with great passion by weaving like a warp i.e. cloth. And that Supreme God only does all the creation. Therefore that same Original Master has created the original place Satyalok. Similar to this, He separately estab- lished the residing places, the somewhat permanent loks of Akshar Purush i.e. ParBrahm and the temporary loks etc of Kshar Purush. Meaning: - The narrator of the Holy Vedas, Brahm (Kaal) is saying that the Eternal God on Himself appearing in Satlok from Anamay (Anami) lok, by His wisdom, weaving like a cloth, secured the upper loks, Satlok etc. as boundless, self-illuminated and eter- nal. And the same God has temporarily established the lower seven sankh brahmands of ParBrahm and twenty-one brahmands of Brahm and also the smallest creation in them. Atharvaved Kaand no. 4 Anuvaak no.1 Mantra no. 2 IyaM pitrya rashtryetvagre prathmaay janushe bhuvneshthaH | Tasma etaM suruchM hvarmhyaM dharmM shrinantu prathmaay dhaasyave ||2 || Iyam - pitrya - rashtri - etu - agre - prathmaay - janushe - bhuvneshthaH - tasma - etam - surucham - hvarmhyam - dharmm - shrinantu - prathmaay - dhaasyave || Translation : (Iyam ) this same (pitrya) Universal Father God (etu) this (agre) supreme (prathmaay) the First Maya, Paranandni (rashtri) Rajeshwari Shakti i.e. Parashakti, who is also known as the attractive force (janushe) by giving rise to (bhuvneshthaH) established the lok. (tasma) that same Supreme God (surucham ) with great passion, by His own wish (etam ) this (prathmaay) by the Shakti of first origin i.e by Parashakti (hvarmhyam ) stopping the separation of each other i.e. attractive force (shrinantu) God ordered the gravitational attraction to prevail forever. With that never-end- ing (dharmm ) character (dhaasyave) maintaining, has secured by weaving like a warp i.e. cloth. Translation: This same Universal Father God, by giving rise to this su- preme First MayaParanandni53 / Rajeshwari Shakti i.e. Parashakti, who is also known as the attractive force, established the loks. That same Supreme God ordered this Shakti of the first origin i.e. Parashakti, which stops the separation of each other i.e. the gravitational attraction, to prevail forever. He, by His own desire and with great passion, is holding in place by weaving like warp i.e. cloth by maintaining with that never-ending character. Meaning: - The Universal Supreme Father God with His word power created Rashtri, the First Maya Rajeshwari. Through that Parashakti only, He has established all the aforesaid brahmands with the never-ending quality of holding each other with an attrac- tive force. Atharvaved Kaand no. 4 Anuvaak no.1 Mantra no. 3 Pr yo jagye vidwanasya bandhurvishwa devanaM janima vivakti | Brahm Brahmn ujjbhaar madhyatneechaeruchchaeH swadha abhi pra tasthou |3| Pr - yaH - jagye - vidwanasya - bandhuH - vishwa - devanam - janima - vivakti - BrahmH - BrahmnH - ujjbhaar - madhyat - nichaeH - uchchaeH - swadha - abhiH - prtasthou || Translation : (Pr) first of all (devanam ) of the gods and the brahmands (jagye) the knowledge of the origin (vidwanasya) of a curious devotee (yaH) who (bandhuH) the real companion i.e. Supreme God only, to His per- sonal servant (janima) whatever has been created by Him (vivakti) Himself tells correctly in detail that (BrahmnH) Supreme God (madhyat ) from within Him i.e. by word power (brahmH) Brahm / Kshar Purush i.e. Kaal (ujjbhaar) by giving rise to (vishwa) the whole world i.e. all the loks (uchchaeH) above Satyalok etc (nichaeH) below all the brahmands of ParBrahm and Brahm (swadha) by His acquirable (abhiH) attractive force (pr tasthau) properly established both of them. Translation : Supreme God who is the real companion of a curious devotee, first of all, Himself correctly tells in detail the knowledge of the origin of the gods and the brahmands and whatever has been created by Him to His personal servant (disciple) that, Supreme God, giving rise to Brahm / Kshar Purush i.e. Kaal from within Him i.e. by His word power, properly established the whole world i.e. all the loks, both the Satyalok etc above and all the brahmands of ParBrahm and Brahm below by His ac- quirable attractive force. Meaning: - Supreme God Himself correctly tells the knowledge of the nature created by Him, and the knowledge of the origin of all the souls to His personal Das (servant/disciple) that, the Supreme God gave rise to Brahm (Kshar Purush / Kaal) from within Him i.e. from His body by His word power and has secured all the brahmands, the Satlok, Alakh lok, Agam lok, and Anami lok above and the ParBrahm's seven sankh brahmands and Brahm's 21 brahmands below with His acquirable attractive force. Like, Supreme God Kabir (KavirDev) Himself told the knowl- edge of the nature created by Him to His personal servants/dis- ciples i.e. friends, Shri Dharam Das Ji, Respected Garib Das Ji etc. The above-mentioned Ved Mantra is also supporting this. Atharvaved Kaand no. 4 Anuvaak no.1 Mantra no. 4 Sa hi divH sa prthivya ritstha mahi kshemM rodsi askbhaayat | Mahaan mahi askbhaayad vi jaato dhyaM sadam paarthivM ch rajH||4|| Sa - hi - divH - sa - prthivya - ritstha - mahi - kshemm - rodsi - askabhaayat - mahaan - mahi - askbhaayad - vijaatH - dhaam - sadam - paarthivm - ch - rajH|| Translation : (Sa) that same Almighty God (hi) undoubtedly (divH) the upper four divine loks like, Satyalok, Alakh lok, Agam lok, and Anami lok/Akah lok i.e. the loks equipped with divine qualities (ritstha) estab- lished in true form i.e. eternally (sa) similar to them (prthivya) all the lower loks of the Earth like, the seven sankh brahmands of ParBrahm and the twenty-one brahmands of Brahm/Kaal (mahi) with the element of Earth (kshemm ) with safety (askbhaayat ) set in place/established (rodsi) with the element of Sky and the element of Earth, the upper and lower brahmands {like, sky is a subtle element; the quality of sky is shabd/sound; Supreme God created the upper loks in form of shabd, which He has made from masses of light, and created the lower seven sankh brahmands of ParBrahm/ Akshar Purush and the twenty-one brahmands of Brahm/Kshar Purush in a temporary form with the element of Earth} (mahaan ) Supreme God (paarthivm ) of the Earth (vi) different-different (dhaam ) loks (ch) and (sadam ) the residential places (mahi) with the element of Earth (rajH) small- small loks in every brahmand (jaatH) by creating (askbhaayat ) fixed them. [01/10, 19:18] दोलत दास चंडीगड़: After this, Mother Durga (Prakriti) asked Vishnu, "Son, you may also search for your father." Vishnu, in search of his father (Kaal-Brahm), went to Patal lok (Nether world), where there was 'Sheshnaag'. On seeing Vishnu entering into his jurisdiction, he sprayed his venom furiously on Vishnu. Vishnu's skin colour turned black under the effect of the venom, as if he was spray-painted. Vishnu thought of fixing that snake. Jyoti Niranjan (Kaal) thought of pacifying Vishnu and through an ethervoice, ordered Vishnu that now you go back to your mother and tell her the entire true account, and whatever trouble Sheshnaag has caused you now, you may take its revenge from him in Dwaparyug. In Dwaparyug, you (Vishnu) will incarnate as 'Krishna', and Sheshnaag will incarnate as a snake named 'Kalindri' in Kalideh (a river). Unch hoi ke neech sataave, taakar oel (revenge) mohi so paavae | Jo jeev deyi peer puni kahoon, hum puni oel divaavein taahoon || Then, Vishnu came to his mother and told the truth that I did not see father. Mother Durga (Prakriti) was very much pleased with this and said, "Son, you are truthful. Now I will introduce you to your father by my power and will remove all your doubts." Kabir dekh putra tohi pita bhitaun, tore man ka dhokha mitaun | Man swaroop karta keh jaano, man te dooja aur na maano | Swarg patal daur man kera, man asthir man ahae anera | Nirankar man hi ko kahiye, man ki aas nish din rahiye | Dekh hoon palti sunya meh jyoti, jahan par jhilmil jhalar hoti || In this way, Mother Durga (Ashtangi/Prakriti) told Vishnu that man (mind) is the Doer of the world (which governs the world); this only is Jyoti Niranjan. The thousand lights, which you see in medita- tion, only is his appearance. The sound of conch shells and bells etc. which you hear are Brahm's only, and are ringing in Mahaswarg. Mother Durga (Ashtangi/Prakrti) said that son, you are the king of all gods and I will fulfil all your wishes and tasks. You will be wor- shipped in the whole world because you have told me the truth. It is a particular habit of all the living beings in Kaal's twenty- one brahmands that they try to uselessly glorify themselves. Like, Durga is telling Vishnu Ji that you will be worshipped in the world. I have shown your father to you. Durga misled Vishnu by only show- ing him the light. Shri Vishnu Ji also started explaining this state of God to his followers that only God's light is visible. God is formless. After this, Aadi Bhavani (Durga) went to Rudra (Mahesh Ji) and said that Mahesh, you may also search for your father. Both of your brothers did not get to see your father. I have given them what- ever I had to. Now you may ask whatever you want. Mahesh said, "Oh, mother! If both of my elder brothers did not get to see father, then it will be useless for me to try. Please give me such a blessing that I may become immortal (mrityunjay/win over death). Mother said, "I cannot do this. Yes, I can tell you a method by which you will attain the longest life. The method is meditation (therefore, Mahadev Ji mostly remains in meditation)." In this way, Mother Durga (Ashtangi / Prakriti) distributed the departments to her three sons - God Brahma, to create bodies of 84 lakh species of life in Kaal lok30 i.e. gave him the department of producing living beings by compelling them for reproduction of offsprings under the effect of Rajogun31 . To god Vishnu, the department of nurturing these living beings (according to their actions), and maintaining the state by developing love and affection. To god Shiv Shankar (Mahadev), the department of destruc- tion because their father Niranjan has to daily consume one-lakh human beings. Here a question will arise in the mind that how do creation, pres- ervation and destruction occur by Brahma, Vishnu and Shankar Ji. These three live in their own loks. Like, these days to run the communication system, satellites are launched above in the sky, and they run the communication system on the Earth. Similarly, wher- ever these three gods live, the subtle (sukshm) waves of the gunas (qualities) radiating from their bodies automatically maintain an effect on every living being in the three loks. The above-mentioned description is of Brahm's (Kaal) creation in one Brahmand. There are twenty-one such brahmands of Kshar Purush (Kaal). But Kshar Purush (Brahm/Kaal) himself never appears before anyone in his visible i.e actual bodily form. The three gods (Brahma Ji, Vishnu Ji, and Shiv Ji) did not see Brahm (Kaal) despite doing worship to the best of their ability based on the methods mentioned in the Vedas to achieve him (Kaal). Later, Rishis (sages) read the Vedas. In it, it is written that "AgneH Tanur Asi" (Holy Yajurved, Adhyay 1, Mantra 15) - the Supreme God has a body. And in Holy Yajurved, Adhyay 5, Mantra 1, it is written that "AgneH Tanur Asi Vishnve Tva Somasya Tanur Asi". In this mantra, Ved is stating twice that the omnipresent and preserver of all, Sat Purush32, has a body. In Holy Yajurved, Adhyay 40, Mantra 8, it is said that (Kavir Manishi) the God for whom every living being is yearning, He is Kavir i.e. Kabir. His body is without blood vessels (Asanaaviram ) and is devoid of a physical body (Akaayam ) made up of the five elements formed from seminal fluid (Shukram´). That Master of all is seated in the topmost Satlok. That Supreme God has a self-illu- minated (Swarjyoti) body made up of the masses of lights (tejpunj), which is in shabd/word-form i.e. is eternal. He is the same KavirDev (Supreme God Kabir) who is the creator of all the brahmands (Vyaddhata), (SwayambhuH) who appears Himself i.e. is self-exis- tent (Yatha tathya arthan ) in reality (Shashvat´) is eternal (this is also evident in Gita, Adhyay 15, and Shlok 17). It means that the name of the body of Purna Brahm33 is Kabir (Kavir Dev). The body of that Supreme God is made up of the element of light. The body of God is very subtle and becomes visible to only that worshipper whose divine vision has opened up. Similarly, the living being also has a subtle body which is covered by a layer i.e. body made up of the five elements which is formed from the seminal fluid (shukram ) by the union of mother-father. Even after leaving the body, the subtle body remains with a living being. That body is only visible to a worshipper whose divine vision has opened up. Understand the state of the Su preme God and a living being in this way. [01/10, 19:18] दोलत दास चंडीगड़: Acharya Bhavani62 to be the fulfiller of all wishes. She is known as Prakriti and has inseparable relationship with Brahm. Like, a wife is also known as 'the other half', which means that Durga is Brahm's (Kaal's) wife. On being asked about the subject of the creation of nature in one brahmand by king Parikshit, Shri Vyas Ji said that I had asked Shri Narad Ji that Oh, Devrishi (godly sage)! How was this brahmand created? In answer to this question of mine, Shri Narad Ji said that I had asked my father, Shri Brahma Ji that Oh, father! Have you created this brahmand or Shri Vishnu Ji is the creator or Shiv Ji has created it? Please tell me the truth. Then my revered father told me that Son Narad, I found myself sitting on a lotus flower. I did not know from where I appeared on that vast area of water? I explored the earth for one thousand years but did not find any end of that water. Then an ethervoice said, "Do medita- tion". I meditated for one thousand years. Then an ethervoice or- dered to do creation. Just then, two demons, named Madhu and Kaitabh, came there. In fear of them, I got down holding the stalk of the lotus flower. There, god Vishnu Ji was lying unconscious on a snake bed (shesh shaiya). A woman came out of his body (Durga who had entered into his body like a ghost). She became visible in the sky adorned with jewellery. Then god Vishnu became conscious. Now, there were two of us, Vishnu ji and I. Just then, god Shankar also came there. Goddess made us sit in an aircraft and took us to brahmlok. There we saw another Brahma, Vishnu and Shiv. Then we saw a goddess. On seeing her, Vishnu Ji discerningly gave the following description: (Brahm Kaal provided insight to god Vishnu; he recalled the memories of his childhood, and then told the story of his childhood). On page no. 119-120 of Devi MahaPuran in Third Skand, Adhyay 1-3 god Vishnu Ji said to Shri Brahma Ji and Shri Shiv Ji that she is the mother of us, three. She only is the Universal mother/ Jagat Janni, goddess Prakriti. I had seen this goddess, when I was a small child and she was rocking my cradle. In the Third Skand, Adhyay 5 on page no. 123; Shri Vishnu Ji praising Durga Ji said - you are a pure figure. This whole world is arising from you only. I (Vishnu), Brahma and Shankar, we all exist by your grace. We take birth (aavirbhaav) and die (tirobhaav); which means, we three gods are mortal. Only you are eternal. You are the universal mother/Jagat Janni / goddess Prakriti. God Shankar said - Goddess, if the greatly fortunate Vishnu has taken birth from you, then Brahma who was born after him, must also be your son only, and then am I, Shankar, who does Tamoguni leela, not your child i.e. you only are my mother too. Please think: - It is clear from the above-mentioned description that Shri Brahma Ji, Shri Vishnu Ji and Shri Shiv Ji are mortal . They are not Mrityunjai (changeless-eternal) or the greatest gods. They are Durga's (Prakriti) sons and Brahm (Kaal- SadaShiv) is their father. In Third Skand, Adhyay 4 to 5 on page no. 125; on being asked by Brahma Ji that Oh mother! Are you the Brahm who has been mentioned in Vedas or is it someone else?" Here, in its answer Durga is saying that I and Brahm are one only. Then in this very Skand, Adhyay 6 on page no. 129, she is saying that now to accom- plish my task, you all sit in the aircraft and go quickly. When in presence of any difficult situation you will remember me, then I will appear before you. gods! You must always keep remembering Brahm and me (Durga). If you will keep remembering us both, then there is no doubt why your tasks should not be accomplished. It is self-evident from the aforesaid description that Durga (Prakriti) and Brahm (Kaal) only are the mother and father of the three gods. And Brahma, Vishnu and Shiv are mortal and are not all-powerful. Durga married off the three gods (Shri Brahma Ji, Shri Vishnu Ji and Shri Shiv Ji). (In the Third Skand, Adhyay 6 on Page no 128-129). Gita Adhyay no. 7 Shlok no. 12 Ye, ch, ev, satvikaH, bhavaH, rajsaH, tamsaH, ch, ye,|| MatH, ev, iti, taan , viddhi, na, tu, aham , teshu, te, myi |12| Translation: (Ch) and (ev) also (ye) that (satvikaH) preservation from Satvgun Vishnu Ji (bhavaH) characteristic and (ye) that (rajsaH) creation from Rajogun Brahma Ji (ch) and (tamsaH) destruction from Tamogun Shiv Ji (taan ) all those, you (matH, ev) happening from me alone in a well-planned manner and according to the rules (iti) thus (viddhi) consider (tu) but, in real- ity (teshu) in them (aham ) I and (te) they (myi) in me (na) are not. Translation: And also the characteristics, of preservation from Satvgun Vishnu Ji and that of creation from Rajogun Brahma Ji and destruction from Tamogun Shiv Ji, consider all of them to be happening from me alone in a well-planned manner and according to the rules; but, in reality, neither am I in them, nor are they in me. Evidence of Nature's Creation in Holy Shiv Mahapuran (Birth of Vishnu, Brahma and Shiv from Kaal-Brahm and Durga) In its evidence in holy Shri Shiv Puran, published from Gita Press Gorakhpur, translator Shri Hanuman Prasad Poddar, Adhyay 6 Rudra Sanhita on page no. 100, it is said that ParBrahm, who is without a bodily form, God SadaShiv is his bodily form only. A Shakti came out of his body. That Shakti became known as Ambika, Prakriti (Durga), Tridev Janni/Mother of the three (the mother who gives birth to Shri Brahma Ji, Shri Vishnu Ji and Shri Shiv Ji), who has eight arms. He, who is SadaShiv, is also called Shiv, Shambhu and Maheshwar. (On page no. 101) He smears ash on all of his body parts. That Kaal-form Brahm built an area named Shivlok. Then they both behaved like husband-wife; as a result of which, a son was born. They kept his name Vishnu (on page no. 102). Then in Rudra Sanhita Adhyay no. 7, on page no. 103, Brahma Ji said that even I was born from the union, i.e. by the act of hus- band-wife ofGod SadaShiv (Brahm-Kaal) and Prakriti (Durga). Then I was made unconscious. Then in Rudra Sanhita, Adhyay no. 9, on page no. 110, it has been said that - In this way Brahma, Vishnu and Rudra, these three Gods have gunas (qualities), but Shiv (Kaal-Brahm) has been con- sidered to be beyond the gunas. Here four have been proved; which means, Brahma, Vishnu and Shiv have originated from SadaShiv (Kaal-Brahm) and Prakriti (Durga) only. The mother of the three gods (Shri Brahma Ji, Shri Vishnu Ji and Shri Shiv Ji) is Shri Durga Ji and father is Shri Jyoti Niranjan (Brahm). These three gods only are Rajgun-Brahma Ji, Satgun-Vishnu Ji and Tamgun-Shiv Ji. Evidence of Nature's Creation in Shrimad bhagwat Gita Ji Its evidence is also in Holy Gita Ji, Adhyay 14 Shlok 3 to 5. Brahm (Kaal) is saying that Prakriti (Durga) is my wife and I, Brahm (Kaal), am her husband. The three gunas (qualities) [Rajgun-Brahma Ji, Satgun-Vishnu Ji, and Tamgun-Shiv Ji] along with all the living beings have originated from the union of us two. I (Brahm) am the father of all the living beings and Prakriti (Durga) is their mother. I place the seed in her womb from which all beings are produced. The three gunas (Rajgun Brahma, Satgun Vishnu and Tamgun Shiv) origi- nated from Prakriti bind the living being to a body based on its deeds. This evidence is also present in Adhyay 15, Shlok 1-4 and 16, 17. Gita Adhyay no. 15 Shlok no. 1 Oordhvmoolam , adhHshaakham , ashvttham , praahuH, avyyam,| Chhandaasi, yasya, parnaani, yaH, tam , ved, saH, vedvit ||1|| Translation : (Oordhvmoolam ) with the roots above in the form of Purna Parmatma Aadi Purush Parmeshwar63 (adhHshaakham ) the branches below (avyyam ) eternal (ashvttham) is extensive tree, strong like a horse (yasya) whose (chhandaasi) smaller divisions, twigs (parnaani) are leaves (praahuH) are said to be (tam ) that tree of world (yaH) who (ved) knows along with all the parts (saH) he (vedvit ) is completely knowledge- able i.e. is Tatvdarshi. [01/10, 19:18] दोलत दास चंडीगड़: Evidence of Nature's Creation in Holy Rigved Rigved Mandal 10 Sukt 90 Mantra 1 Sahasrsheersha PurushH sahasrakshH sahasrpaat Sa bhumiM vishwatoM vritwatyatishthatdashangulam |1| Sahasrsheersha - PurushH - sahasrakshH - sahasrpaat - sa - bhumim - vishwatH - vritwa - atyatishthat - dashangulam || Translation: (PurushH) Viraat-form Kaal God i.e. Kshar Purush (sahasrsheersha) who has thousand hands (sahasrakshH) who has thou- sand eyes (sahasrpaat ) thousand feet (sa) that Kaal (bhumim ) the twenty- one brahmands of the Earth (vishwatH) from all sides (dashangulam ) with the ten fingers i.e. by fully controlling (vritwa) by encircling them (atyatishthat) is also situated above this i.e. lives separately in his Kaal lok in the twenty- first brahmand. Translation: The Viraat-form Kaal God i.e. Kshar Purush, who has thousand heads, thousand eyes, thousand feet, that Kaal encircling the twenty-one brahmands of the Earth from all sides with the ten fingers i.e. fully controlling them, is also situated above this i.e. lives separately in his separate lok in the twenty-first brahmand. Meaning : - In this Mantra, there is description of Viraat (Kaal/ Brahm). [In Gita, Adhyay 10 -11 also, there is a similar description of this Kaal/Brahm. In Adhyay 11 Mantra 46, Arjun is saying that oh Sahasrbaahu i.e one with thousand arms, you may appear in your chaturbhuj form/four-armed form.] One who has thousand hands, feet, thousand eyes and ears etc., that Viraat (huge) form Kaal God, keeping all those who are under him in his full control i.e. blocking the 20 brahmands by encircling them, is himself sitting above them (separately) in the 21st brahmand. Rigved Mandal 10 Sukt 90 Mantra 2 Purush evedM sarvM yad bhootM yachch bhaavyam Utaamrtatvasyeshaano yadannenaatirohti ||2 || Purush - ev - idam - sarvam - yat - bhootam - yat - ch - bhaavyam- ut - amrtatvasya - ishaanH - yat - annen - atirohti || Translation: (Ev) similarly, he who is somewhat (Purush) God, he is Akshar Purush i.e. ParBrahm (ch) and (idam ) he (yat ) who (bhootam ) has taken birth (yat ) who (bhaavyam ) will be born in the future (sarvam ) all (yat ) by effort i.e. hardwork (annen) through food grain (atirohti) devel ops. This Akshar Purush also (ut) doubtful (amrtatvasya) of salvation (ishaanH) is master; which means that, even Akshar Purush is somewhat God, but is not a giver of complete salvation. Translation: Similarly he, who is somewhat God, is Akshar Purush i.e. ParBrahm. And he who has taken birth or who will be born in the future, all develop through foodgrain by effort i.e. hardwork. This Akshar Purush also is a doubtful master of salvation; which means that, even Akshar Purush is somewhat God, but is not a giver of complete salvation. Meaning: - In this Mantra, there is description of ParBrahm (Akshar Purush) who is equipped with some of the qualities of God. But by worshipping him also, one cannot achieve complete salva- tion (mukti). Therefore, he is called as doubtful giver of salvation. He is said to have some qualities of God because, like Kaal, he does not eat after roasting on tapatshila. But in this ParBrahm's lok also, living beings have to work hard and are paid according to their actions (karmas), and the bodies of the living beings develop with food grain only. Although, the time period of birth and death is more than that of Kaal's (Kshar Purush's) lok, but reproduction, destruction and the sufferings in the lives of 84 lakh species of life are inevitable. Rigved Mandal 10 Sukt 90 Mantra 3 Etavansya mahimaato jyaayaanshch PurushH Paadoasya vishwa bhootani tripaadasyaamrtM divi ||3 || Etavan - asya - mahima - atH - jyaayaan - ch - PurushH - paadH - asya - vishwa - bhootani - tri - paad - asya - amrtam - divi|| Translation: (Asya) this Akshar Purush i.e. ParBrahm has (etavan ) only this much (mahima) supremacy (ch) and (PurushH) that Param Akshar Brahm i.e. Purna Brahm / Supreme God (atH) than him (jyaayaan) is greater (vishwa) all (bhootani) Kshar Purush, Akshar Purush and all the living beings in their loks and in Satyalok (asya) of this Supreme God / Param Akshar Purush (paadH) are one foot i.e. are just a small part of Him (asya) this Supreme God's (tri) three (divi) divine loks like, Satyalok - Alakh lok - Agam lok (amrtam ) eternal (paad ) are the other foot i.e. whosoever has originated in all the brahmands is a part or organ of SatyaPurush / Supreme God only. Translation: This Akshar Purush i.e. ParBrahm has this much su- premacy. And that Param Akshar Brahm i.e. Purna Brahm / Supreme God is greater than him. All, Kshar Purush, Akshar Purush and all the living beings in their loks and in Satyalok, are one foot of this Supreme God Param Akshar Purush i.e. are just a small part of Him. This Supreme God's three divine loks like, Satyalok - Alakh lok - Agam lok, are His other eternal foot i.e. whosoever has originated in all the brahmands is a part or organ of SatyaPurush / Supreme God only. Meaning: - Akshar Purush (ParBrahm) mentioned in the Man- tra 2 above has only this much grandeur, and that Supreme God, Kavir Dev is even greater than him i.e is All-Powerful/Almighty, and all the brahmands are positioned only at a part of His. In this Mantra, there is description of three loks because the fourth Anami (Anamay) lok dates back before all other creation. There is description of these three Gods (Kshar Purush, Akshar Purush and other than these two, Param Akshar Purush) in Shrimad bhagwat Gita Adhyay 15 Shlok 16 - 17. {Respected Garib Das Ji gives the same evidence in his speech: - Garib, jaake ardh room par sakal pasaara | aisa Puram Brahm hamaara| | Garib anant koti brahmand ka, ek rati nahin bhaar | Satguru Purush Kabir hain, kul ke sirjan haar | | In its evidence, Respected Dadu Ji is saying: - Jin moku nij naam diya, soi satguru hamaar | Dadu doosra koi nahin, Kabir sirjanhaar|| Respected Nanak Ji gives its evidence: - Yak arj guftam pesh to dar koon Kartaar || Hakka Kabir karim Tu beaeb Parvardigaar || (Shri Guru Granth Sahib; Page no. 721, Mehla 1, Raag Tilang) The meaning of 'koon Kartaar' is 'the Creator of all' i.e. Shabd Swaroopi54 God who does creation by the power of word/shabd. 'Hakka Kabir' means 'Sat (eternal) Kabir', 'karim' means 'kind', 'Parvardigaar' means 'God'}. Rigved Mandal 10 Sukt 90 Mantra 4 Tripaadoordhv udaitPurushH paadoasyehaabhavtpunH || Tato vishv na vykraamatsaashnaanashne abhi | 4| Tri - paad - oordhvH - udait - PurushH - paadH - asya -ih - abhavat - punH - tatH - vishvana - vyakraamat - saH - ashnaanashne abhi || Translation: (PurushH) this Param Akshar Brahm i.e. Eternal God (oordhvH) above (tri) three loks like, Satyalok - Alakh lok - Agam lok, - like (paad) one foot i.e. the upper part (udait ) appears i.e. is seated. (asya) this very Supreme God's / Purna Brahm's (paadH) one foot i.e. one part, in the form of the Universe, (punar ) then (ih) here (abhavat ) appears (tatH) therefore (saH) that Eternal Supreme God (ashanaanashne) even eater- Kaal i.e. Kshar Purush and non-eater ParBrahm i.e. Akshar Purush (abhi) above (vishva ) everywhere (vyakraamat ) is pervasive; which means, His supremacy is over all the brahmands and all the gods. He is the Master of the lineage who has extended His power over everyone. Translation:This Param Akshar Brahm i.e. Eternal God appears i.e. is seated in the three loks-(Satyalok - Alakh lok - Agam lok)-like foot above i.e. in the upper part. This very Supreme God's / Purna Brahm's55 one foot i.e. one part, in the form of the Universe, then appears here. There- fore that Eternal/Immortal Supreme God is pervasive everywhere even above the eater Kaal i.e. Kshar Purush and the non-eater ParBrahm i.e. Akshar Purush; which means, His supremacy is over all the brahmands and all the gods. He is the Master of the lineage who has extended His power over everyone. Meaning: - This God, the Creator of the entire Nature, Himself appears in three different forms i.e. is Himself present in the three places (Satlok, Alakh lok, Agam lok) in the upper part of His cre- ation. Here, Anami lok has not been mentioned because there is no creation there, and the Akah (Anamay/Anami) lok existed before the rest of the creation. Then, it is said that, after separation from that God's Satlok, the lower Brahm and ParBrahm's loks arise, and that Supreme God is also present everywhere above the eater Brahm i.e. Kaal (because Brahm-Kaal / Viraat eats one-lakh human beings daily because of the curse on him) and the non-eater ParBrahm i.e. Akshar Purush (ParBrahm does not eat human beings, but birth- death and punishment according to their actions, remain the same in his loks); which means, this Supreme God's supremacy is over everyone. Supreme God Kabir only is the Master of the lineage who has extended His power over everyone. Like, the sun affects every- one by spreading its light. Similarly, the Supreme God has extended the range (capacity) of His power over all the brahmands56 to control them. Like, the tower of a mobile phone even when present in one area, extends its power i.e. the range (capacity) of the mobile in all the four directions. Likewise, Supreme God / Purna Prabhu has ex- tended His invisible power everywhere, by which Supreme God con- trols all the brahmands sitting at one place.Respected Garib Das Ji is giving its evidence: - (Amritvaani Raag Kalyan) Teen charan Chintamani saheb, shesh badan par chhaaye || Maata, pita, kul n bandhu, na kinhe janani jaaye | Rigved Mandal 10 Sukta 90 Mantra 5 Tasmaadviraatajaayat viraajo adhi PurushH | Sa jaato atyarichyat pashchaad abhoomimatho purH || 5|| Tasmaat - viraat - ajaayat - viraajH - adhi - PurushH - sa - jaatH - atyarichyat - pashchaat - bhoomim - athH - purH || Translation: (Tasmaat ) thereafter, from the word-power/shabd-shakti of that Supreme God SatyaPurush (viraat ) Viraat i.e. Brahm who is also known as Kshar Purush and Kaal (ajaayat) originated (pashchaat ) after this (viraajH) than Viraat Purush i.e. Kaal God (adhi) greater (PurushH) Supreme God (bhoomim ) the loks of the Earth, loks of Kaal-Brahm and ParBrahm (atyarichyat) properly created (athH) then (purH) other small- small loks (sa) that Supreme God only (jaatH) created i.e. established Translation: Thereafter, Viraat i.e. Brahm, who is also known as Kshar Purush and Kaal, originated from the word-power/shabd-shakti of that Supreme God . After this, the Supreme God , who is greater than Viraat Purush i.e. Kaal God, properly created the loks of the Earth; loks of Kaal- Brahm and ParBrahm. Then that Supreme God only created other small- small loks i.e. established them. Meaning: - After the creation of the three loks (Agam lok, Alakh lok, and Satlok) mentioned in the aforesaid Mantra 4, the Supreme God gave rise to Jyoti Niranjan (Brahm) i.e. from that All-powerful God Purna Brahm, KavirDev (God Kabir) only, Viraat i.e. Brahm (Kaal) was born. This same evidence is in Gita Adhyay 3 Mantra 15 that Brahm originated from the Akshar God i.e. Eternal God. This very evidence is also in Atharvaved Kaand 4 Anuvaak 1 Sukt 3 that Brahm originated from Purna Brahm57 and that same Purna Brahm created (bhoomim ) all the small and big loks. That Purna Brahm is greater than this Viraat God i.e. Brahm; which means, is also his (Brahm's) Master. Rigved Mandal 10 Sukta 90 Mantra 15 SaptaasyaasanparidhayastriH sapt samidhH krtaH | Deva yadhyagyaM tanvaana abadhnanPurushM pashum || 15 || Sapt - asya - aasan - paridhayH - trisapt - samidhH - krtaH - deva - yat - yagyam - tanvaanaH - abadhnan - Purusham - pashum || Translation: (Sapt) seven sankh brahmands of ParBrahm and (trisapt) the twenty-one brahmands of Kaal/Brahm (samidhH) tortured by the fire of the sufferings of the punishment of sinful deeds (krtaH) which does (paridhayH) in the circular boundary (aasan) is present (yat ) who (Purusham) of the Supreme God (yagyam ) offers religious service accord- ing to the ordinances i.e. worships (pashum ) bound in the trap of Kaal to the bondage of actions like a sacrificial animal (deva) devout souls (tanvaanaH) from the web of the bondage of sinful actions created i.e. spread by Kaal (abadhnan ) liberates i.e. is the liberator of the bondage; is Bandichhor. Translation:The seven sankh brahmands of ParBrahm and the twenty- one brahmands of Kaal/Brahm are present in the circular boundary, which tortures one in the fire of the sufferings of the punishment of sinful deeds. He who offers religious service to i.e. worships the Supreme God accord- ing to the ordinances, Supreme God liberates those devout souls bound like a sacrificial animal to the bondage of actions in the trap of Kaal from the trap of the bondage of actions created i.e. spread by Kaal; which means He is the liberator from the bondage i.e is Bandichhor. Meaning: - The Supreme God tells the true way of worship to the living beings, who are bound in the circular boundary of the seven sankh brahmands of ParBrahm and twenty-one brahmands of Brahm and who are burning in the fire of their sinful actions, and makes them do the correct way of worship. On the basis of which, He liber- ates His devotee souls, who like a sacrificial animal, suffer from the agony of tapatshila58 and births-deaths (for Kaal's food), by break- ing the trap of the bondage of actions, and therefore, is the liberator i.e. Bandichhor. Its evidence also lies in Holy Yajurved Adhyay 5, Mantra 32, that Kaviranghaariasi: (Kavir ) Supreme God Kabir (Asi) is (Ari) the enemy of (Angh) sins, which means that God Kabir is the de- stroyer of all sins. Bambhaariasi: (Bambhaari) the enemy of bond- age i.e. the liberator, Bandichhor (Asi) is Supreme God Kabir. Rigved Mandal 10 Sukta 90 Mantra 16 Yagyen yagyamayajant devaastaani dharmaani prthmaanyaasan | Te ha naakaM mahimaanH sachant yatr poorve saadhyaH santi devaH | 16|| Yagyen - yagyam - a - yajant - devaH - taani - dharmaani - prthmaani -aasan - te - ha - naakam - mahimaanH- sachant - yatr - poorve - saadhyaH - santi - devaH|| Translation:Who (devaH) flawless god-like devout souls (ayagyam) in place of the incomplete wrong religious worship (yagyen) on the basis of the religious act of true bhakti59 (yajant) worship (taani) they (dharmaani) enriched with the religious power (prthmaani) are main i.e. superior (aasan) are (te ha) they only in reality (mahimaanH) equipped with the great power of bhakti (saadhyaH) successful devout souls (naakam ) the complete hap- piness-giving Supreme God (sachant) on the basis of bhakti i.e. the earn- ings of true bhakti, attain. They go there (yatr) where (poorve) of the earlier creation (devaH) sinless god-like devout souls (santi) live. Translation: Those flawless god-like devout souls, who in place of the incomplete wrong way of worship, worship on the basis of the religious act of true bhakti, they, enriched with the religious power, are main i.e. superior. They i.e. the successful devotees, in reality, by being equipped with the great power of bhakti, attain the complete happiness-giving Su- preme God on the basis of the bhakti i.e. the earnings of the true bhakti. They go there where the sinless god-like devout souls of the earlier cre- ation live. Meaning: - Those flawless (who have given up consumption of meat, alcohol, tobacco and are free from other vices) god-like de- vout souls who abandoning the way of worship against the injunc- tions of the scriptures, do scripture-based sadhna60, they becoming rich with the earnings of bhakti and free from the debt of Kaal, be cause of the earnings of their true bhakti, attain that all-happiness giving God i.e. they go to Satlok where the sinless god-like hans souls of the first creation live. Like, some souls came here after being caught in Kaal's (Brahm's) trap; some came with ParBrahm in seven sankh brahmands. But even then infinite souls, whose faith in the Supreme God remained unchanged and who did not fail in their loyalty to- wards their Master, remained there in Satlok. Therefore, here even the Vedas have proved this description to be true. This evidence is also given in Gita Adhyay 8 Shlok 8 to 10 that a devotee who does true sadhna of Supreme God according to the injunctions of the scrip- tures, he by the power of the earnings of bhakti attains that Su- preme God i.e. goes to Him. This proves that there are three Gods Brahm, ParBrahm and Purna Brahm. These are also known by syn- onyms like (1) Brahm - Ish - Kshar Purush, (2) ParBrahm - Ishwar - Akshar Purush - Akshar Brahm (3) Purna Brahm - Param Akshar Brahm - Parmeshwar - SatPurush - and Param Akshar Purush. It is also evident in RigVed Mandal 9 Sukta 96 Mantra 17 to 20, that the Supreme God KavirDev (Kabir Parmeshwar) appears by ac- quiring the form of a child and delivers His pure knowledge i.e. Tatvgyan to His followers through (KavirgirbhiH) Kabir Vaani by telling aloud. That KavirDev (Supreme God Kabir) is seated in human form in the third Ritdhaam (Satlok) of Purna Brahm61 (Param Akshar Purush), which is different from Brahm's (Kshar Purush's) abode/ Dhaam and ParBrahm's (Akshar Purush's) abode. The fourth lok from Satlok is Anami lok, in that also this same KavirDev (Supreme God Kabir) is seated in visible human-like form as Anami Purush. Evidence of Nature's Creation in Holy Shrimad Devi Mahapuran "Mother-Father of Brahma, Vishnu and Shiv" (Birth of Brahma, Vishnu and Shiv from the union of Durga and Brahm) Holy Shrimad Devi Mahapuran, Third Skand Adhyay 1 to 3 (pub- lished from Gitapress Gorakhpur, translator: Shri Hanuman Prasad Poddar and Chiman Lal Goswami Ji, from Page no. 114 onwards) From Page no 114 to 118, it is mentioned, "Many consider the [01/10, 19:18] दोलत दास चंडीगड़: Translation : That same Almighty God, undoubtedly, established all the four upper divine loks like, Satyalok, Alakh lok, Agam lok and Anami / Akah lok i.e. the loks equipped with divine qualities, in a true form i.e. in an eternal form. Just like them, safely established all the lower loks of Earth like, the seven sankh brahmands of ParBrahm and the twenty-one brahmands of Brahm/Kaal with the element of Earth. Supreme God cre- ated both the upper and lower brahmands with the element of the sky and earth respectively. {Like, sky is a subtle element; the quality of sky is shabd/ sound. Supreme God created the upper loks in form of shabd, which He has made from masses of light, and created the lower seven sankh brahmands of ParBrahm/Akshar Purush and the twenty-one brahmands of Brahm/ Kshar Purush in a temporary form with the element of Earth}. Supreme God by creating the different-different loks and residential places of the Earth with the element of Earth and the small-small loks in every brahmand fixed them. Meaning :- The Supreme God has permanently i.e. eternally created the upper four loks, Satlok, Alakh lok, Agam lok and Akah/ Anami lok. The same God has also temporarily created and secured the lower Brahm and ParBrahm's loks and the other smaller loks. Atharvaved Kaand no. 4 Anuvaak no.1 Mantra no. 5 Sa budhnyaadaashtr janushoabhyagrM brhaspatirdevta tasya samraat | AharyachchhukrM jyotisho janishtath dhyumanto vi vasantu vipraH ||5|| Sa - budhanyaat - Aashtr - janusheH - abhi - agram - brhaspatiH - devta - tasya - samraat - ahH - yat - shukram - jyotishH - janisht - ath dhyumantH - vi - vasantu - vipraH || Translation : (SaH) that same (budhanyaat ) from the Original Mas- ter (abhi-agram ) on the very first place (Aashtr) Ashtangi/Maya/Durga i.e. Prakriti Devi (janusheH) originated; because the first place of the lower loks of ParBrahm and Brahm is Satlok; it is also known as the Third Abode (tasya) even the master of this Durga is also this (samraat) King of the kings (brhaspatiH) the Greatest Lord and Jagatguru / Guru of the universe (devta) is Supreme God (yat ) from whom (ahH) everyone got separated (ath) after this (jyotishH) from Jyoti-roop Niranjan i.e. Kaal (shukram ) seminal fluid i.e. by the power of seed (janisht) arising from the stomach of Durga (vipraH) devout souls (vi) separately (dhyumantH) in the world of Men and Heaven world, by the order of Jyoti Niranjan, Durga said, " (vasantu) live, i.e. they started living. Translation: From that same Original Master, Ashtangi/Maya/Durga i.e. Prakriti Devi originated in the very first place because the first place of the lower loks of ParBrahm and Brahm is Satlok; it is also known as the Third Abode/Dhaam. Even the Master of Durga is also this King of the kings, the Greatest Lord and the Guru of the Universe, Supreme God, from whom everybody got separated. After this, having born from the se- men i.e. the power of seed of Jyoti Niranjan / Kaal through Durga's womb, the devout souls started living separately in the world of men (Earth) and heaven. By the orders of Jyoti Niranjan, Durga said, "Live." Meaning: - The Supreme God gave rise to Aashtra i.e. Ashtangi (Prakriti Devi / Durga) in Satyalok, the first from below (lowermost) among the upper four loks. He only is the King of kings, Guru of the Universe and the Complete/Supreme God (SatPurush) from whom everybody got separated. After that, all the living beings, having born from Jyoti Niranjan's (Kaal's) seed (semen) through Durga's (Aashtra) womb, started living in Heaven lok and Earth lok. Atharvaved Kaand no. 4 Anuvaak no.1 Mantra no.6 NoonaM tadasya kaavyo hinoti maho devasya poorvyasya dhaam | Esh jagye bahubhiH saakamittha poorve ardhe vishite sasan nu |6 | Noonam - tat - asya - kaavyaH - mahH - devasya - poorvyasya - dhaam - hinoti - poorve - vishite - esh - jagye - bahubhiH - saakam - ittha - ardhe - sasan - nu | Translation : (Noonam ) undoubtedly (tat ) that Supreme God i.e. Tat Brahm only (asya) this (kaavyaH) devout soul, who does bhakti of Supreme God according to the ordinances, back (mahH) Almighty (devasya) of Supreme God (poorvyasya) former (dhaam) lok i.e. Satyalok (hinoti) sends. (Poorve) former (vishite) specially desired for (esh) this Supreme God and (jagye) after knowing the knowledge of the creation of nature (bahubhiH) lot of happiness (saakam ) with (ardhe) half (sasan ) asleep (ittha) thus properly (nu) prays from a true soul. Translation: Undoubtedly, that Supreme God i.e. Tat Brahm only sends this devout soul, who does the bhakti of Supreme God according to the ordinances, back to the former lok i.e. Satyalok of the Supreme God. After knowing this former Supreme God, who is specially desired for and the knowledge of the creation of nature, while half asleep in lot of happiness, thus properly prays from the true soul. Meaning: - That same Supreme God takes a devotee, who does true sadhna, to the same first place (Satlok) from where we all got separated. On attaining that real happiness-giving God there, he (devo- tee) being carried away by happiness prays with joy that Oh God, the wanderers of infinite births have now found the real living place. Its evidence is also present in Holy Rigved, Mandal 10, Sukt 90, and Mantra 16. In the same way, Supreme God KavirDev (God Kabir) Himself, granting true bhakti (way of worship) to Respected Garibdas Ji, took him to Satlok. Then in his sacred speech Respected Garibdas Ji Maharaj said: - Garib, ajab nagar mein le gaye, hamkun Satguru aan | Jhilke bimb agaadh gati, soote chaadar taan|| Atharvaved Kaand no. 4 Anuvaak no.1 Mantra no. 7 YoatharvanM PitraM DevbhandhuM BrahspatiM namsaav ch gachchhaat TvaM vishweshaM janita yathaasaH KavirDevo na dabhaayat swadhaavaan ||7|| YaH - atharvanm - Pitram - Devbandhum - Brahspatim - namsa - av - ch -gachchhaat - tvam - vishwesham - janita - yatha - saH - KavirdevH - na - dabhaayat - swadhaavaan || Translation: (YaH) who (atharvanm ) unchanging i.e. eternal (Pitram ) Father of the Universe (Dev bandhum ) the real companion of the devo- tees i.e. the basis of the soul (brahspatim ) Guru of the universe (ch) and (namsa) polite worshipper i.e. a worshipper who worships according to the injunctions of scriptures (av) with safety (gachchhaat ) who takes those who have gone to Satlok, to Satlok (vishwesham ) of all the brahmands (janita) Creator, Jagdamba i.e. who is also endowed with the qualities of a mother (na dabhaayat ) who does not betray like Kaal (swadhavan ) who has the nature i.e. qualities of (yatha) as it is (saH) He (tvam ) Himself (KavirDevH / Kavir DevH) is KavirDev i.e. in different language is also called Supreme God Kabir . Translation: He, who is unchanging i.e. eternal, Father of the uni- verse, the real companion of the devotees i.e. the basis of the soul, Guru of the universe, and who takes a polite worshipper, i.e. worshipper who wor- ships according to the injunctions of scriptures, who has gone to Satlok, to Satlok with safety; the Creator of all the brahmands, Jagdamba i.e. who is also endowed with the qualities of a mother, who has the nature i.e. quali- ties of not betraying like Kaal, He is, as it is, Himself KavirDev i.e. in different language He is also called Supreme God Kabir. Meaning: - In this Mantra, it has also been made clear that the name of that God, who has done all the Creation, is KavirDev (Su- preme God Kabir). Supreme God who is unchanging i.e. is 'eternal' in reality, (it is also evident in Gita Adhyay 15 Shlok 16 -17), the Guru of the uni- verse (Jagat Guru), the basis of the soul; who takes those, who have gone to Satlok after becoming completely liberated, to Satlok, the Creator of all the brahmands, who does not betray like Kaal (Brahm), is, as it is, Himself KavirDev i.e. God Kabir. This very Supreme God , because of creating all the brahmands and living beings by His word power, is also called (Janita) Mother and (Pitram ) Father and in reality, is (Bandhu) Brother also and He only (Dev) is the Supreme God. Therefore, only this Kavir Dev (God Kabir) has to be worshipped. "Tvamev Maata ch Pita Tvamev, Tvamev Bandhu ch Sakha Tvamev, Tvamev vidhya ch dravinM Tvamev, Tvamev sarvM mm Dev Dev" (You only are my Mother and Father, you only are my Brother and friend, You are my knowl- edge and wealth, You are my God of all gods.) The magnificence of this very God has been described in detail in Holy Rigved Mandal no. 1, Sukt no. 24. [01/10, 19:18] दोलत दास चंडीगड़: Acharya Bhavani62 to be the fulfiller of all wishes. She is known as Prakriti and has inseparable relationship with Brahm. Like, a wife is also known as 'the other half', which means that Durga is Brahm's (Kaal's) wife. On being asked about the subject of the creation of nature in one brahmand by king Parikshit, Shri Vyas Ji said that I had asked Shri Narad Ji that Oh, Devrishi (godly sage)! How was this brahmand created? In answer to this question of mine, Shri Narad Ji said that I had asked my father, Shri Brahma Ji that Oh, father! Have you created this brahmand or Shri Vishnu Ji is the creator or Shiv Ji has created it? Please tell me the truth. Then my revered father told me that Son Narad, I found myself sitting on a lotus flower. I did not know from where I appeared on that vast area of water? I explored the earth for one thousand years but did not find any end of that water. Then an ethervoice said, "Do medita- tion". I meditated for one thousand years. Then an ethervoice or- dered to do creation. Just then, two demons, named Madhu and Kaitabh, came there. In fear of them, I got down holding the stalk of the lotus flower. There, god Vishnu Ji was lying unconscious on a snake bed (shesh shaiya). A woman came out of his body (Durga who had entered into his body like a ghost). She became visible in the sky adorned with jewellery. Then god Vishnu became conscious. Now, there were two of us, Vishnu ji and I. Just then, god Shankar also came there. Goddess made us sit in an aircraft and took us to brahmlok. There we saw another Brahma, Vishnu and Shiv. Then we saw a goddess. On seeing her, Vishnu Ji discerningly gave the following description: (Brahm Kaal provided insight to god Vishnu; he recalled the memories of his childhood, and then told the story of his childhood). On page no. 119-120 of Devi MahaPuran in Third Skand, Adhyay 1-3 god Vishnu Ji said to Shri Brahma Ji and Shri Shiv Ji that she is the mother of us, three. She only is the Universal mother/ Jagat Janni, goddess Prakriti. I had seen this goddess, when I was a small child and she was rocking my cradle. In the Third Skand, Adhyay 5 on page no. 123; Shri Vishnu Ji praising Durga Ji said - you are a pure figure. This whole world is arising from you only. I (Vishnu), Brahma and Shankar, we all exist by your grace. We take birth (aavirbhaav) and die (tirobhaav); which means, we three gods are mortal. Only you are eternal. You are the universal mother/Jagat Janni / goddess Prakriti. God Shankar said - Goddess, if the greatly fortunate Vishnu has taken birth from you, then Brahma who was born after him, must also be your son only, and then am I, Shankar, who does Tamoguni leela, not your child i.e. you only are my mother too. Please think: - It is clear from the above-mentioned description that Shri Brahma Ji, Shri Vishnu Ji and Shri Shiv Ji are mortal . They are not Mrityunjai (changeless-eternal) or the greatest gods. They are Durga's (Prakriti) sons and Brahm (Kaal- SadaShiv) is their father. In Third Skand, Adhyay 4 to 5 on page no. 125; on being asked by Brahma Ji that Oh mother! Are you the Brahm who has been mentioned in Vedas or is it someone else?" Here, in its answer Durga is saying that I and Brahm are one only. Then in this very Skand, Adhyay 6 on page no. 129, she is saying that now to accom- plish my task, you all sit in the aircraft and go quickly. When in presence of any difficult situation you will remember me, then I will appear before you. gods! You must always keep remembering Brahm and me (Durga). If you will keep remembering us both, then there is no doubt why your tasks should not be accomplished. It is self-evident from the aforesaid description that Durga (Prakriti) and Brahm (Kaal) only are the mother and father of the three gods. And Brahma, Vishnu and Shiv are mortal and are not all-powerful. Durga married off the three gods (Shri Brahma Ji, Shri Vishnu Ji and Shri Shiv Ji). (In the Third Skand, Adhyay 6 on Page no 128-129). Gita Adhyay no. 7 Shlok no. 12 Ye, ch, ev, satvikaH, bhavaH, rajsaH, tamsaH, ch, ye,|| MatH, ev, iti, taan , viddhi, na, tu, aham , teshu, te, myi |12| Translation: (Ch) and (ev) also (ye) that (satvikaH) preservation from Satvgun Vishnu Ji (bhavaH) characteristic and (ye) that (rajsaH) creation from Rajogun Brahma Ji (ch) and (tamsaH) destruction from Tamogun Shiv Ji (taan ) all those, you (matH, ev) happening from me alone in a well-planned manner and according to the rules (iti) thus (viddhi) consider (tu) but, in real- ity (teshu) in them (aham ) I and (te) they (myi) in me (na) are not. Translation: And also the characteristics, of preservation from Satvgun Vishnu Ji and that of creation from Rajogun Brahma Ji and destruction from Tamogun Shiv Ji, consider all of them to be happening from me alone in a well-planned manner and according to the rules; but, in reality, neither am I in them, nor are they in me. Evidence of Nature's Creation in Holy Shiv Mahapuran (Birth of Vishnu, Brahma and Shiv from Kaal-Brahm and Durga) In its evidence in holy Shri Shiv Puran, published from Gita Press Gorakhpur, translator Shri Hanuman Prasad Poddar, Adhyay 6 Rudra Sanhita on page no. 100, it is said that ParBrahm, who is without a bodily form, God SadaShiv is his bodily form only. A Shakti came out of his body. That Shakti became known as Ambika, Prakriti (Durga), Tridev Janni/Mother of the three (the mother who gives birth to Shri Brahma Ji, Shri Vishnu Ji and Shri Shiv Ji), who has eight arms. He, who is SadaShiv, is also called Shiv, Shambhu and Maheshwar. (On page no. 101) He smears ash on all of his body parts. That Kaal-form Brahm built an area named Shivlok. Then they both behaved like husband-wife; as a result of which, a son was born. They kept his name Vishnu (on page no. 102). Then in Rudra Sanhita Adhyay no. 7, on page no. 103, Brahma Ji said that even I was born from the union, i.e. by the act of hus- band-wife ofGod SadaShiv (Brahm-Kaal) and Prakriti (Durga). Then I was made unconscious. Then in Rudra Sanhita, Adhyay no. 9, on page no. 110, it has been said that - In this way Brahma, Vishnu and Rudra, these three Gods have gunas (qualities), but Shiv (Kaal-Brahm) has been con- sidered to be beyond the gunas. Here four have been proved; which means, Brahma, Vishnu and Shiv have originated from SadaShiv (Kaal-Brahm) and Prakriti (Durga) only. The mother of the three gods (Shri Brahma Ji, Shri Vishnu Ji and Shri Shiv Ji) is Shri Durga Ji and father is Shri Jyoti Niranjan (Brahm). These three gods only are Rajgun-Brahma Ji, Satgun-Vishnu Ji and Tamgun-Shiv Ji. Evidence of Nature's Creation in Shrimad bhagwat Gita Ji Its evidence is also in Holy Gita Ji, Adhyay 14 Shlok 3 to 5. Brahm (Kaal) is saying that Prakriti (Durga) is my wife and I, Brahm (Kaal), am her husband. The three gunas (qualities) [Rajgun-Brahma Ji, Satgun-Vishnu Ji, and Tamgun-Shiv Ji] along with all the living beings have originated from the union of us two. I (Brahm) am the father of all the living beings and Prakriti (Durga) is their mother. I place the seed in her womb from which all beings are produced. The three gunas (Rajgun Brahma, Satgun Vishnu and Tamgun Shiv) origi- nated from Prakriti bind the living being to a body based on its deeds. This evidence is also present in Adhyay 15, Shlok 1-4 and 16, 17. Gita Adhyay no. 15 Shlok no. 1 Oordhvmoolam , adhHshaakham , ashvttham , praahuH, avyyam,| Chhandaasi, yasya, parnaani, yaH, tam , ved, saH, vedvit ||1|| Translation : (Oordhvmoolam ) with the roots above in the form of Purna Parmatma Aadi Purush Parmeshwar63 (adhHshaakham ) the branches below (avyyam ) eternal (ashvttham) is extensive tree, strong like a horse (yasya) whose (chhandaasi) smaller divisions, twigs (parnaani) are leaves (praahuH) are said to be (tam ) that tree of world (yaH) who (ved) knows along with all the parts (saH) he (vedvit ) is completely knowledge- able i.e. is Tatvdarshi. Translation: With the roots above in the form of Purna Parmatma Aadi Purush Parmeshwar and the branches below, it is an eternal and extensive tree strong like a horse, whose smaller divisions are said to be twigs and leaves. One, who knows that tree of world along with all the parts, is com- pletely knowledgeable i.e. is Tatvdarshi. Gita Adhyay 15 Shlok 2 AdhH, ch, oordhvam , prsrtaH, tasya, shaakhaH, gunprvrddhaH, VishayprvaalaH, adhH, ch, moolani, anusanttani, karmanubandheeni, manushyaloke ||2 || Translation : (Tasya) that tree's (adhH) below (ch) and (oordhvam ) above (gunprvrddhaH) in the form of the three gunas, Brahma-Rajgun, Vishnu-Satgun, Shiv-Tamgun (prsrtaH) extended (vishayprvaalaH) defects- lust, anger, attachment, greed, arrogance in the form of shoots (shaakhaH) branches - Brahm, Vishnu, Shiv (karmanubandheeni) of binding the soul to actions (moolani) are the root cause (ch) and (manushyaloke) in the world of men - i.e. Earth (adhH) below - in Hell, 84 lakh births, (oordhvam ) above - in heaven etc (anusanttani) have been arranged. Translation :That tree's three gunas (Brahma-Rajgun, Vishnu-Satgun and Shiv-Tamgun) -like defects (lust, anger, attachment, greed, arrogance) in the form of shoots and branches - Brahma, Vishnu and Shiv, extended below and above, are the root cause of binding the soul to actions64, and have been arranged in the world of men - i.e. Earth, below - in hell, 84 lakh births and above in heaven etc. Gita Adhyay 15 Shlok 3 Na, roopam , asya, ih, tatha, uplabhyate, na, antH, na, ch, aadiH, na, ch, Samprtishtha, ashvattham , enam , suvirudmoolam , asangshastren, drden, chhitva ||3|| Translation: (Asya) this creation (na) neither (aadiH) beginning (ch) and (na) nor (antH) end (na) nor (tatha) such / as described above (roopam) form (uplabhyate) is perceived / found (ch) and (ih) here in this discussion i.e. in the knowledge of Gita being imparted by me, even I do not have full information (na) not (samprtishtha) because even I do not know the proper state of the creation of all the brahmands (enam) this (suvirudmoolam) hav- ing a properly stabilized state (ashvattham) the knowledge of the world- like tree with a strong form (asangshastren) is equipped with complete knowl- edge (drden) by knowing through the Sukshm Ved i.e. Tatvgyan (chhitva) by slashing i.e. considering the bhakti of Niranjan to be short-lived, one should search beyond Brahma, Vishnu, Shiv, Brahm and ParBrahm, for Purna Brahm. Translation :This Creation has neither a beginning nor an end and it is also not perceived like its real form. And here in this discussion i.e. in the knowledge of Gita being imparted by me, even I do not have full informa- tion because even I do not know about the proper state of the creation of all brahmands. By knowing i.e. slashing the knowledge of this world-like tree which has a properly stabilized state, and a strong form through the complete knowledge of firm Suksham Ved i.e. Tatvgyan which means by knowing that the bhakti of Niranjan is short-lived, one should search be yond Brahma, Vishnu, Shiv, Brahm and ParBrahm, for the Purna Brahm i.e. the Supreme God. Gita Adhyay 15 Shlok 4 TatH, padam , tat , parimargitvyam , yasmin , gataaH, na, nivartanti, bhooyH, Tam , ev, ch, aadhyam , purusham , prpadhye, yatH, prvrttiH, prsrta, puraani|| 4 Translation: When one finds the Tatvdarshi saint (tatH) after that (tat) of that Supreme God (padam ) place i.e. Satlok (parimargitvyam) should properly search (yasmin ) in which/where (gataaH) having gone, devotees (bhooyaH) again (na, nivartanti) do not return to the world (ch) and (yatH) Parmatma - Param Akshar Brahm, from whom (puraani) an- cient (prvrttiH) creation-nature (prsrta) has originated (tam ) ignorant (Aadhyam ) Aadi Yam i.e. I, Kaal Niranjan (Purusham ) of Supreme God (ev) only (prpadhyate) I am in the refuge, and worship Him alone. Translation:When one finds the Tatvdarshi saint, after that one should properly search for the place i.e. Satlok of that Supreme God. Having gone where, devotees do not return to the world, and the Supreme God/ Parmatma-Param Akshar Brahm, from whom the ancient creation-nature has originated, Ignorant Aadi Yam i.e. I, Kaal Niranjan also am in the ref- uge of that Supreme God only, and worship Him alone. Gita Adhyay 15 Shlok 16 Dwau, imau, purushau, loke, ksharH, ch, aksharH, ev, ch, KsharH, sarvani, bhootani, kootasthH, aksharH, uchyate ||16|| Translation: (Loke) in this world (dwau) two types of (KsharH) per- ishable (ch) and (AksharH) imperishable (purushau) Gods (ev) likewise (imau) in the loks of these two Gods (sarvani) all (bhootani) the bodies of the living beings (ksharH) perishable (ch) and (kootasthH) the soul (aksharH) imperishable (uchyate) is said to be. Translation: In this world, there are two types of Gods, Perishable and Imperishable. Likewise, in the loks of these two Gods, the bodies of all the living beings are said to be perishable and the soul, imperishable. Gita Adhyay 15 Shlok 17 UttamH, PurushH, tu, anyaH, Parmatma, iti, udahrtH, YaH, loktryam , aavishya, bibharti, avyyaH, iishwarH ||17|| Translation: (UttamH) Supreme (PurushH) God (tu) however (anyaH) is someone else other than the two aforesaid Gods "Kshar Purush and Akshar Purush" (iti) in reality this (Parmatma) God (udahrtH) is called (yaH) who (loktryam ) into the three loks (aavishya) entering (bibharti) maintains / sustains everyone and (avyyaH) eternal (iishwarH) is God (Ishwar means greatest) among the gods i.e. is the Almighty God). Translation:The Supreme God is, however, someone else other than the two aforesaid Gods "Kshar Purush and Akshar Purush". In reality, He is called God/Parmatma, who by entering into the three loks, nurtures and protects everyone, and is Eternal God (Ishwar means the greatest among the gods i.e. is the Almighty God). Meaning: God, the giver of the knowledge of Gita, has only told this much that consider this world to be an upside-down tree. The root above (base) is Purna Parmatma. Know the branches etc below as the other parts. A saint, who distinctly knows the descrip- tion of every part of this world-like tree, is a Tatvdarshi Saint about whom there is a mention in Gita Adhyay 4 Shlok no. 34. In Gita Adhyay 15 Shlok 2, 3, only this much has been told that the three gunas are in the form of branches. Here in this discussion i.e. in Gita, I (the giver of the knowledge of Gita) cannot give you the full information because I do not have knowledge about the beginning and the end of the creation of this world. For that it is said in Gita Adhyay 4 Shlok no. 34 that, gain knowledge about that Purna Parmatma from a Tatvdarshi Saint. In this Gita Adhyay 15 Shlok 1, the identity of that Tatvdarshi Saint has been mentioned that he will give knowledge about every part of the world-like tree. Ask him only. In Gita Adhyay 15 Shlok 4, it is said that after finding that Tatvdarshi Saint, one should search for that Param Pad Parmeshwar (the Supreme God with Supreme State) i.e. one should do sadhna according to the directions of that Tatvdarshi Saint, by which one attains complete salvation (eternal salvation). It has been clarified in Gita Adhyay 15 Shlok 16, 17 that, there are three Gods; one is Kshar Purush (Brahm), second is Akshar Purush (ParBrahm), and third is Param Akshar Purush (Purna Brahm). Kshar Purush and Akshar Purush are actually not eternal/immortal. That Eternal/Im- mortal God is someone else other than these two. He only by enter- ing into the three worlds/loks, sustains and nurtures everyone. It has been proved in the above-mentioned Shrimad bhagwat Gita Adhyay 15, Shlok 1 - 4 and 16, 17 that the root of this upside- down worldly tree is Param Akshar Brahm i.e. Purna Brahm from whom the whole tree gets nourishment. The part of the tree seen just above the ground is called 'trunk' and consider this to be 'Akshar Brahm' i.e. ParBrahm. From that trunk, several bigger branches arise. Consider, one of the bigger branches to be Brahm i.e. Kshar Purush. And from that bigger branch, arise other three smaller branches; consider them to be Brahma, Vishnu and Shiv. Beyond the branches, are the leaves and consider them to be the living be- ings of this world. In the aforementioned Gita Adhyay 15, Shlok 16 and 17, it is clear that Kshar Purush (Brahm) and Akshar Purush (ParBrahm) and the material bodies of all the living beings in their loks are per- ishable and their souls are imperishable; which means that the afore- said Gods and the living beings under them are perishable. Even though, Akshar Purush (ParBrahm) has been called as imperish- able, but, in reality, the Eternal God is someone else other than these two. He, on entering into the three worlds, nurtures and sus- tains everyone. In the above description, a distinct description of three Gods has been given. Evidence of Nature's Creation in Holy Bible and Holy Quran Sharif Its evidence is also present in Holy Bible and Holy Quran Sharif. In Quran Sharif, there is also knowledge of Holy Bible; there- fore, these two scriptures have together proved that who is the Cre- ator of universe and what is He like, and what is His real name? Holy Bible (Genesis, on page no. 2, A. 1:20 - 2:5) Sixth Day: - Living beings and Man: After creating the other living beings, 26. Then God said, "Let us make man in our own image, in our likeness, who will rule over all the creatures. 27. Then, God created man in His own image, in His own image God created him; He created human beings as male and female. 29. God has given human beings, every seed-bearing plant on the face of the whole earth and every tree that has fruit with seed in it, as food. (He has not allowed them to eat meat.) Seventh day: - Day of Rest. God created the entire nature in six days and took rest on the sev- enth day. Holy Bible has proved that God has a man-like visible body; who created the entire nature in six days and then took rest. Holy Quran Sharif (Surat Furqani 25, Aayat no. 52, 58, 59) Aayat 52: - Fala tutiyal - kafiran va jahid hum bihi jihaadan Kabira (Kabiran) 52 This means that Hazrat Muhammad's Khuda (God) is saying that Oh Prophet! Do not listen to the kafir (disbelievers, who in- stead of worshipping one God, worship other gods-goddesses and idols etc) because those people do not consider Kabir as the Su- preme God. You may remain firm on the basis of this knowledge of Quran given by me that, Kabir only is the Supreme God, and may struggle (Do Not Fight) i.e. remain rigid forAllah Kabir. Aayat 58: - Va tavakkal alal - harulliji la yamutu va sabbih bihm dihi va kafaa bihi bijunoobi ibadihi Khabira (Kabira) 58 It means that whom Hazrat Muhammad Ji regards as his God, that Allah (God) is referring to some other Supreme God that Oh Prophet! Have faith in that God Kabir, who met you in the form of a Jinda Mahatma65. He is never going to die i.e. is eternal in reality. And celebrate His sacred glory with praise; that Kabir Allah (God Kabir/ KavirDev) is worthy of being worshipped and is the destroyer of all the sins of His worshippers. Aayat 59: - All ji khalakassmaavaati val arj va ma bainhuma fi sittati ayyaamin summastwa alal arshi arrh maanu fs al bihi Khabiran (Kabiran) ||59|| It means that the God (Allah), who is narrating Quran Sharif, is telling Hazrat Muhammad that, He is the same God Kabir, who cre- ated the entire nature, whatever is between the Earth and Sky in six days, and on the seventh day, sat on the throne in His Satlok above. Ask a (Baakhabar one who is fully acquainted with Him) Tatvdarshi Saint for the information about Him. To know about the real knowledge of that Supreme God and how one can attain Him, ask a Tatvdarshi Saint (Baakhabar); I do not know. The Holy Scriptures of both the above-mentioned religions (Christianity and Islam) have also jointly proved that the Creator of the entire nature, the Destroyer of all sins, the Almighty, Eternal God is in visible human-like form and resides in Satlok. His name is Kabir, and is also called 'Allahu Akbiru'. Respected Dharam Das Ji asked worshippable God Kabir that Oh Almighty! To date, no one ever gave this Tatvgyan (true spiri- tual knowledge). Even the connoisseurs of the Vedas did not tell anything. It proves that the four Holy Vedas and the four Holy Kateb (Quran Sharif etc) are fallacious. Supreme God said: - Kabir, bed kateb jhoothe nahin bhaai, jhoothe hain jo samjhe nahin|| It means that the four Vedas (Rigved - Atharvaved - Yajurved - Samved) and the four Holy Kateb (Quran Sharif - Jabur - Tauraat - Angel) are not wrong. But those who could not comprehend them are ignorant. Nature's Creation in Worshippable Supreme God Kabir (Kavir Dev) Ji's Sacred Speech Important: - The following sacred speech was delivered by the most worshippable Supreme God Kabir Ji (KavirDev) between year 1403 {when Venerable KavirDev (Supreme God Kabir) turned five in His divine body} and year 1518 {when KavirDev (Supreme God Kabir) went to Satlok with His body from Maghar place}, approxi- mately 600 years ago, to His personal servant (Das-devotee) Re- spected Dharamdas Ji, and Dhani Dharmdas Ji had written it. But the ignorant gurus (quacks) of the holy Hindus and holy Muslims of that time said, "This weaver (Dhaanak) Kabir is a lier. The names of the mother-father of Shri Brahma Ji, Shri Vishnu Ji and Shri Shiv Ji are not given in any of the true scriptures. These three gods are immortal; they do not have birth and death. Nor is there any evi- dence of God Kabir in Holy Vedas and Holy Quran Sharif etc and it is written that God is formless. We read it daily." The innocent souls believed those cunning gurus, thinking that they must be definitely telling the truth, because this weaver Kabir is illiterate and our gurujis are literate. Today the same truth is coming into light and the true Holy Scrip tures of all the religions are its proof. This proves that the Purna Parmeshwar/Supreme God, the Creator of the entire nature, the Master of the lineage and the Omniscient God, is KavirDev (Su- preme God Kabir) only, who appeared on a lotus flower in a pond in Kashi (Banaras) city. He wore a lesser bright human-like body over His real effulgent body and lived for 120 years, and after giving the authentic (real-Tatv) knowledge about the nature created by Him, went to Satlok with His body. Dear Readers, please read the following sacred speech, deliv- ered by Supreme God Kabir Ji. Dharmdas yeh jag bauraan | koi na jaane pad nirvana || Yahi kaaran main katha pasaara | jagse kahiyo Ram niyaara || Yahi gyan jag jeev sunaao | sab jeevon ka bharam nashaao || Ab main tumse kahon chitaai | treydevan ki utpatti bhaai || Kuchh sankshep kahon guhraai | sab sanshay tumhre mit jaai || Bharam gaye jag ved puraana | Aadi Ram ka bhed na jaana || Ram Ram sab jagat bakhaane | Aadi Ram koi birla jaane || Gyaani sune so hirdae lagaai | murkh sune so gamya na paai || Maa Ashtangi pita Niranjan | ve jam daarun vanshan anjan || Pahile kinh Niranjan raai | peechhe se Maya upjaai || Maya roop dekh ati shobha | Dev Niranjan tan man lobha || Kaamdev Dharmrai sataaye | Devi ko turatahi dhar khaaye|| Pet se Devi kari pukaara | Sahab mera karo ubaara || Ter suni tab hum tahaan aaye | Ashtangi ko band chhudaaye || Satlok mein kinha durachaari | Kaal Niranjan dinha nikaari || Maya samet diya bhagaai | solanh sankh kos doori par aai || Ashtangi aur Kaal ab doi | mand karam se gaye bigoi || Dharmrai ko hikmat kinha | nakh rekha se bhag kar linha || Dharmrai kinhaan bhog vilaasa | Maya ko rahi tab aasa || Teen putr Ashtangi jaaye| Brahma Vishnu Shiv naam dharaaye|| Teen Dev vistaar chalaaye | in mein yeh jag dhokha khaaye || Purush gamya kaise ko pave | Kaal Niranjan jag bharmaavae|| Teen lok apne sut dinha | sunn Niranjan baasa linha || Alakh Niranjan sunn thikaana | Brahma Vishnu Shiv bhed na jaana|| Teen Dev so unko dhaavein | Niranjan ka ve paar na paavein || Alakh Niranjan bada batpaara| teen lok jiv kinh ahaara || Brahma Vishnu Shiv nahin bachaaye | sakal khaaye pun dhoor udaaye || Tinke sut hain teeno deva | aandhar jeev karat hain sewa|| Akaal Purush kaahu nahin chinha | Kaal paaye sabhi gah linha|| Brahm Kaal sakal jag jaane | Aadi Brahm ko na pahichaane || Teeno Dev aur autaara | taako bhaje sakal sansaara || Teeno gun ka yeh vistaara | Dharmdas main kahon pukaara || Gun teeno ki bhakti mein, bhool paro sansaar || Kahae Kabir nij naam bin, kaise utrain paar || In the aforesaid sacred speech, Supreme God Kabir Ji is saying to His personal disciple, Shri Dharmdas Ji that Dharmdas, this whole world is perplexed because of lack of the Tatvgyan (true spiritual knowledge). No one is aware of the true path of complete salvation or has the complete knowledge of the creation of nature. Therefore, let me tell you the true story of the nature created by me. The wise men will understand quickly. But, those who will not accept it even after seeing all the evidence are ignorant and are influenced by Kaal's force; they are not worthy of doing bhakti (devotion). Now I will tell you how were the three gods (Brahma Ji, Vishnu Ji and Shiv Ji) born? Their mother is Ashtangi (Durga) and father is Jyoti Niranjan (Brahm-Kaal). At first, Brahm was born from an egg. Then, Durga was created. On getting attracted towards Durga's looks, Kaal (Brahm) misbehaved with her. Durga (Prakrit) then took ref- uge in his stomach. I went there, where Jyoti Niranjan Kaal was present. I took out Bhavani (Durga) from Brahm's stomach and sent them 16 sankh66 Kos67 away along with the 21 brahmands. Jyoti Niranjan did intercourse with Prakriti Devi (Durga). From their union, the three gunas [Shri Brahma Ji, Shri Vishnu Ji and Shri Shiv Ji] were born. All the living beings are held in Kaal's trap because of worshipping these three Gunas only (Rajgun - Brahma Ji, Satgun - Vishnu Ji, and Tamgun - Shiv Ji). How can they achieve complete salvation unless they get the real Mantra? Important: Dear readers, please think that the unknowledge- able saints described the state of Shri Brahma Ji, Shri Vishnu Ji and Shri Shiv Ji as eternal. The entire Hindu society todate kept consid ering these three gods to be changeless, eternal and free from birth- death; whereas, these three are perishable. Their father is Kaal- form Brahm and mother is Durga (Prakriti/Ashtangi) as you have read in the previous evidence. This knowledge is also present in our scriptures, but the unknowledgeable gurus, rishis and saints of the Hindu society do not have knowledge. A teacher, who is not even acquainted with the syllabus, is not right (is not learned); he is the enemy of the future of the students. Similarly, the gurus (spiritual leaders) who uptil now did not even know that who the mother-fa- ther of Shri Brahma, Shri Vishnu and Shri Shiv Ji are, those gurus, rishis, and saints are unknowledgeable. Because of which, by nar- rating knowledge opposite to the scriptures (lokved i.e. baseless stories), filled the entire devotee community with ignorance. By making them do worship opposite to the injunctions of the scrip- tures, kept them devoid of the real benefit (complete salvation) of the Supreme God and ruined everyone's human birth because this only is evident in Shrimad bhagwat Gita Adhyay 16 Shlok 23, 24 that he who, abandoning the injunctions of the scriptures, follows arbitrary way of worship, he does not obtain any benefit. Since 1403 only, Supreme God Kabir Ji had started telling the knowledge of all the scriptures in His sacred speech (Kavir Vaani/Speech). But those unknowledgeable gurus did not let this knowledge go to the devotee society, which is now coming out. It has been proved from this that Supreme God KavirDev (God Kabir) had Himself come in the form of a Tatvdarshi Saint (Satguru). Evidence of Nature's Creation in Respected Garibdas Ji's Sacred Speech Aadi Ramaini (Sad´Granth, page no. 690 to 692) Aadi ramaini adli saara | ja din hote dhundhukaara ||1|| Sat Purush kinha prakaasha | ham hote takhat Kabir khawaasa ||2|| Man mohini sirji Maya | SatPurush ek khyaal banaaya ||3|| Dharmrai sirje darbaani | chausath jugtap sewa thaani ||4|| Purush prithvi jaaku dinhi raaj karo| deva aadhini ||5|| Brahmand ikees raaj tumh dinha | man ki ichchha sab jug linha ||6|| Maya mool roop ek chhaaja | mohi liye jinhu dharmraja ||7|| Dharm ka man chanchal chit |dhaarya man Maya ka roop bichaara|| 8|| Chanchal cheri chapal chiraaga | ya ke parse sarbas jaaga || 9|| Dharmrai kiya man ka bhaagi | vishya vaasna sang se jaagi ||10|| Aadi Purush adli anraagi | Dharmrai diya dil se tyaagi ||11 || Purush lok se diya dhahi agam deep chali aaye bhaai ||12 || Sahaj das jis deep rehnta | kaaran kaun kaun kul pantha ||13 || Dharmrai bole darbaani | suno Sahaj das brahmgyaani ||14 || Chausath jug hum sewa kinhi | Purush prithvi hum kun dinhi ||15|| Chanchal roop bhya man baura | manmohini thagiya bhaunra||16|| SatPurush ke na man bhaaye | Purush lok se hum chali aaye ||17 || Agar deep sunat badbhaagi | Sahaj das meto man paagi ||18 || Bole Sahajdas dil daani | hum to chaakar Sat Sahdaani ||19|| SatPurush se araj gujaarun | jab tumhara bivaan utaarun || 20|| Sahaj das ko kiya piyaana | Satyalok liya pravaana ||21 || SatPurush Sahib sarbangi | avigat adli achal abhangi ||22 || Dharmrai tumhra darbani | agam deep chali gaye praani ||23 || Kaun hukam kari awaaja | kahan pathaavau us dharmraja ||24 || Bhai awaaj adli ik saacha | vishya lok ja tinyu baacha ||25 || Sahaj vimaan chale adhikaai | chhin mein agar deep chali aai ||26|| Humto araj kari anraagi | tumh vishya lok jaavo badbhaagi ||27|| Dharmrai ke chale | vimaana maansarover aaye praana ||28 || Maansarover rahan na paaye | darae Kabira thaana laaye ||29 || Banknaal ki vishmi baati | tahaan Kabira roki ghaati ||30|| In paanchon mili jagat bandhaana | lakh chauraasi jeev sataana ||31|| Brahma Vishnu Maheshwar Maya |Dharmrai ka raaj pathaaya ||32|| Yauh khokha pur jhoothi baaji | bhisti baikunth dgaasi saaji ||33|| Krtim jeev bhulaane bhaai | nij ghar ki to khabri na paai ||34|| Sawa laakh upjein nit hansa | ek laakh vinshein nit ansa ||35|| Upti khapti parlay feri | harsh shok jaura jam jeri ||36 || Paanchon Tatv hain parlay maanhi | satvagun rajgun tamgun jhaanyi ||37|| Aathon ang mili hai Maya | pind brahmand sakal bharmaaya || 38|| Ya mein surati shabd ki dori | pind brahmand lagi hai khori ||39|| Shwaasa paaras man gah raakho | kholhi kapaat amiras chaakho||40|| Sunaau hans shabd sun daasa | agam deep hai ag hai baasa||41|| Bhawsaagar jam dand jamaana | dharmrai ka hai talbaana ||42|| Paancho oopar pad ki nagri | baat bihangam banki dagri ||43|| Humra dharmrai so daava | bhawsaagar mein jeev bharmaava||44 Hum to kahain agam ki baani | jahaan avigat adli aap binaani ||45|| Bandi chhor hamaara naamam | ajar amar hai asthir thaamam || 46 || Jugan jugan hum kehte aaye | jam jaura se hans chhutaaye ||47|| Jo koi maane shabd hamaara | bhawsaagar nahin bharmein dhaara || 48|| Ya mein surati shabd ka lekha | tan andar man kaho kinhi dekha ||49|| Das Garib agam ki baani | khoja hansa shabd sehdaani ||50|| The meaning of the aforesaid sacred speech is that Respected Garib Das Ji is saying that earlier there was only darkness here and the Supreme God Kabir Ji was sitting on a throne in Satlok. We were His servants there. God gave rise to Jyoti Niranjan. Then, He gave him 21 brahmands in return for his meditation. After that, He created Maya (Prakriti). Jyoti Niranjan (Brahm) got attracted towards young Durga's (Prakriti) looks, and tried to rape her. Brahm got its punish- ment. He was expelled from Satlok and was also cursed that he would eat one-lakh human beings and produce a lakh and a quarter daily. Here, all the living beings are suffering from the agony of birth and death. If anybody will obtain the real Mantra (Sachcha naam/ true naam jaap Mantra) of the Supreme God from us, then we will liberate him from Kaal's bondage. Our name is 'Bandichhor' (Lib- erator from prison). Respected Garibdas Ji is saying on the behalf of his Guru and God, Kabir Sahib Ji that, obtain the true Mantra i.e. Satyanaam and Saarshabd; you will achieve complete salvation. Otherwise, snared by the sweet talks of fake saints and priests, you will remain held in Kaal's trap by doing worship against the scrip- tures. And then will bear hardships one after another. Speech of Garibdas Ji Maharaj (Excerpt from Sat Granth Sahib, Page no. 690) Maya Aadi Niranjan bhaai, apne jaaye aape khaai || Brahma Vishnu Maheshwar chela, om sohM ka hai khela || Sikhar sunn mein Dharm anyaayi, jin shakti daayan mehal pathaai || Laakh graas nit uth dooti, Maya Aadi takhat ki kooti || Sawa laakh ghadiye nit bhaande, hansa utpati parlay daande || Ye teeno chela batpaari, sirje purusha sirji naari || Khokhapur mein jeev bhulaaye, swapna bahist vaikunth banaaye|| Yo harhat ka kua loi, ya gal bandhya hai sab koi || Kidi kunjar aur avtaara, harhat dori bandhe kai baara || Arab aleel indra hai bhaai, harhat dori bandhe sab aai || Shesh Mahesh ganeshwar taahi, harhat dori bandhe sab aahi || Shukradik brahmadik deva, harhat dori bandhe sab khewa || Kotik karta firta dekhya, harhat dori kahoon sun lekha || Chaturbhuji bhagwan kahaavain, harhat dori bandhe sab aavain || Yo hai khokhapur ka kua, ya mein pada so nishchay muwa || The three gods (Rajgun-Brahma, Satgun-Vishnu, Tamgun-Shiv) under the influence of Jyoti Niranjan (Kaal), by glorifying them- selves, make the living beings wander in heaven, hell and in this Bhavsagar 68 (in the 84 lakh births of various living beings). Jyoti Niranjan produces living beings through his Maya like a female snake and then kills them. Just as a female snake makes a coil with its tail around its eggs and then hits the eggs with its hood. Because of which the egg breaks and the offspring comes out of it. The female snake eats it. Many eggs break while hitting with the hood because the fe- male snake has many eggs. Offsprings come out of the broken eggs, and if any offspring gets out of the snake's coil, then that offspring is saved; otherwise, the female snake does not spare it inside the coil. The female snake eats all the offsprings within its coil. Maya kaali nagini, apne jaaye khaat Kundali mein chhode nahin, sau baton ki baat Kaal's trap is like this. Even if we do bhakti upto Niranjan after taking naam from a Complete Saint, we cannot get out of his coil (twenty-one brahmands). Even, Brahma, Vishnu, Mahesh and Aadi Maya Sheranwali, themselves are in Niranjan's coil (trap). These poor souls come as incarnations and keep revolving in birth and death. Therefore, think that Dhruv, Prahlad and Sukhdev Rishi chanted 'SohM' Mantra, but even they did not get liberated. Be- cause in Vishnu Puran, Part One, Adhyay 12, Shlok 93, on Page 51, it is written that Dhruv got liberated only for one Kalp i.e. for only one thousand Chaturyug. Therefore, all these remained in Kaal lok only. Even, the devotees who chant 'Om Bhagwate VasudevayH NamH' are doing bhakti upto Shri Krishna only, and they too cannot save themselves from the cycle of 84 lakh births of various living beings. The speeches of the Most Worshippable God Kabir Ji and Respected Garib Das Ji Maharaj give a clear evidence of this. Anant koti avtar hain, Maya ke Govind Karta ho ho avtare, bahur pade jag fandh A living being can become liberated only by doing bhakti69 of SatPurush Kabir Ji. Until a living being returns to Satlok, he will keep performing actions in Kaal lok in this very way and after spending his earnings of Naam and meritorious acts like charity etc in heaven-like restau- rants, on the basis of his actions will again keep revolving in Kaal lok to suffer in the bodies of 84 lakh types of living beings. Crores of Govinds (Brahma, Vishnu and Shiv) have died after being born from Maya (Durga). They had come as incarnations of God. Then binding in the bondage of actions, bearing the results of their deeds went into the 84 lakh births of various living beings. Like, god Vishnu was cursed by Devrishi Narad. Vishnu then took birth as Ramchandra in Ayodhya and killed Baali in that lifetime. To bear the punishment of that deed, Krishna was born (another incarnation of Vishnu only). Then the soul of Baali became a hunter and took his revenge from Shri Krishna. He hit Shri Krishna ji in his foot with a venomous arrow and killed Krishna ji. Maharaj Garibdas Ji Sahib says in his speech: - Brahma Vishnu Maheshwar Maya, aur Dharmrai kahiye || In paancho mil parpanch banaaya, vaani humri lahiye || In paancho mil jeev atkaaye, jugan-jugan hum aan chhutaaye || Bandichhor hamaara naamam, ajar amar hai asthir thaamam || Peer paigambar kutub auliya, sur nar munijan gyaani || Yeta ko to raah na paaya, jam ke bandhe praani || Dharmrai ki dhooma-dhaami, jam par jang chalaaun || Jora ko to jaan na doonga, baandh adal ghar lyaaun || Kaal Akaal dohun ko mosun, Mahakaal sir mundun || Main to takht hazoori hukmi, chor khoj koon dhoondhu || Moola Maya mag mein baithi, hansa chun-chun khaayi || Jyoti swaroopi bhya Niranjan, main hi karta bhaai || Sahas athaasi deep munishwar, bandhe moola dori || Etyan mein jam ka talbaana, chaliye Purush kishori || Moola ka to maatha daagun, sat ki mohar karoonga || Purush deep koon hans chalaaoon, daraa na rokan doonga || Hum to Bandichhor kahaavan, dharmrai hai chakvae || Satlok ki sakal sunaava, vaani hamri akhvae || Nau lakh pattan oopar khelun, saahdarey koon rokoon || Dwaadas koti katak sab kaatoon, hans pathaaun mokhu || Choudah bhuvan gaman hai mera, jal thal mein sarbangi || Khaalik khalak khalak mein khaalik, avigat achal abhangi || Agar aleel chakra hai mera, jit se hum chal aaye || Paancho par parwaana mera, bandhi chhutaavan dhaaye || Jahaan omkaar Niranjan naahi, Brahma Vishnu Ved nahi jaahin || Jahaan karta nahin jaan bhagwaana, kaaya Maya pind nahin praana || Paanch tatv teeno gun naahi, jora Kaal deep nahin jaahin || Amar karoon Satlok pathaoon, taatain Bandichhor kahaaoon || Respected Garibdas Ji, describing the glory of Supreme God Kabir (KavirDev) is saying that our God Kavir (KavirDev) is 'Bandi Chhor' (the Liberator from prison). The meaning of Bandi Chhor is, one who rescues from Kaal's jail. All the living beings in the twenty-one brahmands of Kaal-Brahm are the captives of Kaal because of their sins. Supreme (Kavirdev) God Kabir destroys all the sins. Neither can Brahm obliterate the sins, nor ParBrahm, nor Brahma, Vishnu and Shiv. They can only give the results of one's actions. Therefore, it is written in Yajurved Adhyay 5, Mantra 32: 'Kaviranghaariasi', KavirDev is the enemy of sins; 'Bhambhaariasi', is the enemy of bond- age i.e. is Bandi Chhor (the Liberator from prison). SatPurush KavirDev (God Kabir) is above all these five (Brahma- Vishnu-Shiv-Maya and Dharmrai) and is the Master of Satlok. All the rest of the gods, ParBrahm, Brahm, and Brahma, Vishnu, Shiv Ji and Aadi Maya, are perishable gods. All these and their loks will finish in Mahapralay (the great destruction). Their age is several thousand times more than that of a common living being. But the time, which has been predetermined, will definitely come to an end one day. [01/10, 19:18] दोलत दास चंडीगड़: Translation: With the roots above in the form of Purna Parmatma Aadi Purush Parmeshwar and the branches below, it is an eternal and extensive tree strong like a horse, whose smaller divisions are said to be twigs and leaves. One, who knows that tree of world along with all the parts, is com- pletely knowledgeable i.e. is Tatvdarshi. Gita Adhyay 15 Shlok 2 AdhH, ch, oordhvam , prsrtaH, tasya, shaakhaH, gunprvrddhaH, VishayprvaalaH, adhH, ch, moolani, anusanttani, karmanubandheeni, manushyaloke ||2 || Translation : (Tasya) that tree's (adhH) below (ch) and (oordhvam ) above (gunprvrddhaH) in the form of the three gunas, Brahma-Rajgun, Vishnu-Satgun, Shiv-Tamgun (prsrtaH) extended (vishayprvaalaH) defects- lust, anger, attachment, greed, arrogance in the form of shoots (shaakhaH) branches - Brahm, Vishnu, Shiv (karmanubandheeni) of binding the soul to actions (moolani) are the root cause (ch) and (manushyaloke) in the world of men - i.e. Earth (adhH) below - in Hell, 84 lakh births, (oordhvam ) above - in heaven etc (anusanttani) have been arranged. Translation :That tree's three gunas (Brahma-Rajgun, Vishnu-Satgun and Shiv-Tamgun) -like defects (lust, anger, attachment, greed, arrogance) in the form of shoots and branches - Brahma, Vishnu and Shiv, extended below and above, are the root cause of binding the soul to actions64, and have been arranged in the world of men - i.e. Earth, below - in hell, 84 lakh births and above in heaven etc. Gita Adhyay 15 Shlok 3 Na, roopam , asya, ih, tatha, uplabhyate, na, antH, na, ch, aadiH, na, ch, Samprtishtha, ashvattham , enam , suvirudmoolam , asangshastren, drden, chhitva ||3|| Translation: (Asya) this creation (na) neither (aadiH) beginning (ch) and (na) nor (antH) end (na) nor (tatha) such / as described above (roopam) form (uplabhyate) is perceived / found (ch) and (ih) here in this discussion i.e. in the knowledge of Gita being imparted by me, even I do not have full information (na) not (samprtishtha) because even I do not know the proper state of the creation of all the brahmands (enam) this (suvirudmoolam) hav- ing a properly stabilized state (ashvattham) the knowledge of the world- like tree with a strong form (asangshastren) is equipped with complete knowl- edge (drden) by knowing through the Sukshm Ved i.e. Tatvgyan (chhitva) by slashing i.e. considering the bhakti of Niranjan to be short-lived, one should search beyond Brahma, Vishnu, Shiv, Brahm and ParBrahm, for Purna Brahm. Translation :This Creation has neither a beginning nor an end and it is also not perceived like its real form. And here in this discussion i.e. in the knowledge of Gita being imparted by me, even I do not have full informa- tion because even I do not know about the proper state of the creation of all brahmands. By knowing i.e. slashing the knowledge of this world-like tree which has a properly stabilized state, and a strong form through the complete knowledge of firm Suksham Ved i.e. Tatvgyan which means by knowing that the bhakti of Niranjan is short-lived, one should search be yond Brahma, Vishnu, Shiv, Brahm and ParBrahm, for the Purna Brahm i.e. the Supreme God. Gita Adhyay 15 Shlok 4 TatH, padam , tat , parimargitvyam , yasmin , gataaH, na, nivartanti, bhooyH, Tam , ev, ch, aadhyam , purusham , prpadhye, yatH, prvrttiH, prsrta, puraani|| 4 Translation: When one finds the Tatvdarshi saint (tatH) after that (tat) of that Supreme God (padam ) place i.e. Satlok (parimargitvyam) should properly search (yasmin ) in which/where (gataaH) having gone, devotees (bhooyaH) again (na, nivartanti) do not return to the world (ch) and (yatH) Parmatma - Param Akshar Brahm, from whom (puraani) an- cient (prvrttiH) creation-nature (prsrta) has originated (tam ) ignorant (Aadhyam ) Aadi Yam i.e. I, Kaal Niranjan (Purusham ) of Supreme God (ev) only (prpadhyate) I am in the refuge, and worship Him alone. Translation:When one finds the Tatvdarshi saint, after that one should properly search for the place i.e. Satlok of that Supreme God. Having gone where, devotees do not return to the world, and the Supreme God/ Parmatma-Param Akshar Brahm, from whom the ancient creation-nature has originated, Ignorant Aadi Yam i.e. I, Kaal Niranjan also am in the ref- uge of that Supreme God only, and worship Him alone. Gita Adhyay 15 Shlok 16 Dwau, imau, purushau, loke, ksharH, ch, aksharH, ev, ch, KsharH, sarvani, bhootani, kootasthH, aksharH, uchyate ||16|| Translation: (Loke) in this world (dwau) two types of (KsharH) per- ishable (ch) and (AksharH) imperishable (purushau) Gods (ev) likewise (imau) in the loks of these two Gods (sarvani) all (bhootani) the bodies of the living beings (ksharH) perishable (ch) and (kootasthH) the soul (aksharH) imperishable (uchyate) is said to be. Translation: In this world, there are two types of Gods, Perishable and Imperishable. Likewise, in the loks of these two Gods, the bodies of all the living beings are said to be perishable and the soul, imperishable. Gita Adhyay 15 Shlok 17 UttamH, PurushH, tu, anyaH, Parmatma, iti, udahrtH, YaH, loktryam , aavishya, bibharti, avyyaH, iishwarH ||17|| Translation: (UttamH) Supreme (PurushH) God (tu) however (anyaH) is someone else other than the two aforesaid Gods "Kshar Purush and Akshar Purush" (iti) in reality this (Parmatma) God (udahrtH) is called (yaH) who (loktryam ) into the three loks (aavishya) entering (bibharti) maintains / sustains everyone and (avyyaH) eternal (iishwarH) is God (Ishwar means greatest) among the gods i.e. is the Almighty God). Translation:The Supreme God is, however, someone else other than the two aforesaid Gods "Kshar Purush and Akshar Purush". In reality, He is called God/Parmatma, who by entering into the three loks, nurtures and protects everyone, and is Eternal God (Ishwar means the greatest among the gods i.e. is the Almighty God). Meaning: God, the giver of the knowledge of Gita, has only told this much that consider this world to be an upside-down tree. The root above (base) is Purna Parmatma. Know the branches etc below as the other parts. A saint, who distinctly knows the descrip- tion of every part of this world-like tree, is a Tatvdarshi Saint about whom there is a mention in Gita Adhyay 4 Shlok no. 34. In Gita Adhyay 15 Shlok 2, 3, only this much has been told that the three gunas are in the form of branches. Here in this discussion i.e. in Gita, I (the giver of the knowledge of Gita) cannot give you the full information because I do not have knowledge about the beginning and the end of the creation of this world. For that it is said in Gita Adhyay 4 Shlok no. 34 that, gain knowledge about that Purna Parmatma from a Tatvdarshi Saint. In this Gita Adhyay 15 Shlok 1, the identity of that Tatvdarshi Saint has been mentioned that he will give knowledge about every part of the world-like tree. Ask him only. In Gita Adhyay 15 Shlok 4, it is said that after finding that Tatvdarshi Saint, one should search for that Param Pad Parmeshwar (the Supreme God with Supreme State) i.e. one should do sadhna according to the directions of that Tatvdarshi Saint, by which one attains complete salvation (eternal salvation). It has been clarified in Gita Adhyay 15 Shlok 16, 17 that, there are three Gods; one is Kshar Purush (Brahm), second is Akshar Purush (ParBrahm), and third is Param Akshar Purush (Purna Brahm). Kshar Purush and Akshar Purush are actually not eternal/immortal. That Eternal/Im- mortal God is someone else other than these two. He only by enter- ing into the three worlds/loks, sustains and nurtures everyone. It has been proved in the above-mentioned Shrimad bhagwat Gita Adhyay 15, Shlok 1 - 4 and 16, 17 that the root of this upside- down worldly tree is Param Akshar Brahm i.e. Purna Brahm from whom the whole tree gets nourishment. The part of the tree seen just above the ground is called 'trunk' and consider this to be 'Akshar Brahm' i.e. ParBrahm. From that trunk, several bigger branches arise. Consider, one of the bigger branches to be Brahm i.e. Kshar Purush. And from that bigger branch, arise other three smaller branches; consider them to be Brahma, Vishnu and Shiv. Beyond the branches, are the leaves and consider them to be the living be- ings of this world. In the aforementioned Gita Adhyay 15, Shlok 16 and 17, it is clear that Kshar Purush (Brahm) and Akshar Purush (ParBrahm) and the material bodies of all the living beings in their loks are per- ishable and their souls are imperishable; which means that the afore- said Gods and the living beings under them are perishable. Even though, Akshar Purush (ParBrahm) has been called as imperish- able, but, in reality, the Eternal God is someone else other than these two. He, on entering into the three worlds, nurtures and sus- tains everyone. In the above description, a distinct description of three Gods has been given. Evidence of Nature's Creation in Holy Bible and Holy Quran Sharif Its evidence is also present in Holy Bible and Holy Quran Sharif. In Quran Sharif, there is also knowledge of Holy Bible; there- fore, these two scriptures have together proved that who is the Cre- ator of universe and what is He like, and what is His real name? Holy Bible (Genesis, on page no. 2, A. 1:20 - 2:5) Sixth Day: - Living beings and Man: After creating the other living beings, 26. Then God said, "Let us make man in our own image, in our likeness, who will rule over all the creatures. 27. Then, God created man in His own image, in His own image God created him; He created human beings as male and female. 29. God has given human beings, every seed-bearing plant on the face of the whole earth and every tree that has fruit with seed in it, as food. (He has not allowed them to eat meat.) Seventh day: - Day of Rest. God created the entire nature in six days and took rest on the sev- enth day. Holy Bible has proved that God has a man-like visible body; who created the entire nature in six days and then took rest. Holy Quran Sharif (Surat Furqani 25, Aayat no. 52, 58, 59) Aayat 52: - Fala tutiyal - kafiran va jahid hum bihi jihaadan Kabira (Kabiran) 52 This means that Hazrat Muhammad's Khuda (God) is saying that Oh Prophet! Do not listen to the kafir (disbelievers, who in- stead of worshipping one God, worship other gods-goddesses and idols etc) because those people do not consider Kabir as the Su- preme God. You may remain firm on the basis of this knowledge of Quran given by me that, Kabir only is the Supreme God, and may struggle (Do Not Fight) i.e. remain rigid forAllah Kabir. Aayat 58: - Va tavakkal alal - harulliji la yamutu va sabbih bihm dihi va kafaa bihi bijunoobi ibadihi Khabira (Kabira) 58 It means that whom Hazrat Muhammad Ji regards as his God, that Allah (God) is referring to some other Supreme God that Oh Prophet! Have faith in that God Kabir, who met you in the form of a Jinda Mahatma65. He is never going to die i.e. is eternal in reality. And celebrate His sacred glory with praise; that Kabir Allah (God Kabir/ KavirDev) is worthy of being worshipped and is the destroyer of all the sins of His worshippers. Aayat 59: - All ji khalakassmaavaati val arj va ma bainhuma fi sittati ayyaamin summastwa alal arshi arrh maanu fs al bihi Khabiran (Kabiran) ||59|| It means that the God (Allah), who is narrating Quran Sharif, is telling Hazrat Muhammad that, He is the same God Kabir, who cre- ated the entire nature, whatever is between the Earth and Sky in six days, and on the seventh day, sat on the throne in His Satlok above. Ask a (Baakhabar one who is fully acquainted with Him) Tatvdarshi Saint for the information about Him. To know about the real knowledge of that Supreme God and how one can attain Him, ask a Tatvdarshi Saint (Baakhabar); I do not know. The Holy Scriptures of both the above-mentioned religions (Christianity and Islam) have also jointly proved that the Creator of the entire nature, the Destroyer of all sins, the Almighty, Eternal God is in visible human-like form and resides in Satlok. His name is Kabir, and is also called 'Allahu Akbiru'. Respected Dharam Das Ji asked worshippable God Kabir that Oh Almighty! To date, no one ever gave this Tatvgyan (true spiri- tual knowledge). Even the connoisseurs of the Vedas did not tell anything. It proves that the four Holy Vedas and the four Holy Kateb (Quran Sharif etc) are fallacious. Supreme God said: - Kabir, bed kateb jhoothe nahin bhaai, jhoothe hain jo samjhe nahin|| It means that the four Vedas (Rigved - Atharvaved - Yajurved - Samved) and the four Holy Kateb (Quran Sharif - Jabur - Tauraat - Angel) are not wrong. But those who could not comprehend them are ignorant. Nature's Creation in Worshippable Supreme God Kabir (Kavir Dev) Ji's Sacred Speech Important: - The following sacred speech was delivered by the most worshippable Supreme God Kabir Ji (KavirDev) between year 1403 {when Venerable KavirDev (Supreme God Kabir) turned five in His divine body} and year 1518 {when KavirDev (Supreme God Kabir) went to Satlok with His body from Maghar place}, approxi- mately 600 years ago, to His personal servant (Das-devotee) Re- spected Dharamdas Ji, and Dhani Dharmdas Ji had written it. But the ignorant gurus (quacks) of the holy Hindus and holy Muslims of that time said, "This weaver (Dhaanak) Kabir is a lier. The names of the mother-father of Shri Brahma Ji, Shri Vishnu Ji and Shri Shiv Ji are not given in any of the true scriptures. These three gods are immortal; they do not have birth and death. Nor is there any evi- dence of God Kabir in Holy Vedas and Holy Quran Sharif etc and it is written that God is formless. We read it daily." The innocent souls believed those cunning gurus, thinking that they must be definitely telling the truth, because this weaver Kabir is illiterate and our gurujis are literate. [01/10, 19:18] दोलत दास चंडीगड़: Respected Garib Das Ji Maharaj says: Shiv Brahma ka raaj, Indra ginti kahaan chaar mukti vaikunth samajh, yeta lhya Sankh jugan ki juni, umra bad dhaariya ja janani kurbaan, su kaagaj paariya Yeti umr buland maraega ant re Satguru lage na kaan, na bhente sant re || Even if one has a long life of sankh yugas (ages), it will defi- nitely end one day. If we will take Naam-daan70 from Sat Purush God Kabir's (KavirDev) representative Purna Sant (Complete Saint/ Guru), who gives mantra of three words (in which one is Om and Tat´ + Sat´ are coded) and who himself has the permission to give naam-daan from a Complete Saint, and then if we will make the earnings of naam, then we can become the deserving hans of Satlok. A long life is useless without true way of worship because there is nothing but misery in Niranjan's lok. Kabir, jeevna to thoda hi bhala, jae Sat´ sumran hoye | Laakh varsh ka jeevna, lekhe dharey na koye || God Kabir Himself gives His (Purna Brahm's) information that above these gods, there is a SatPurush (True God) who has infinite arms, who lives in Satlok (Sachkhand, Satdhaam) and all the loks, [Brahm's (Kaal's) 21 brahmands and the loks of Brahma, Vishnu, Shiv, and Shakti and the seven sankh brahmands of Parbrahm and all the other brahmands] come under Him. One can go to Satlok with Satnaam and Saarnaam's jaap and these can be obtained from a Purna Guru (a Complete Guru). A soul, which goes to Sachchkhand (Satlok), is never reborn. SatPurush (Purna Brahm) God Kabir (KavirDev) is Himself present in other loks by different-different names. Like, He is sitting in Alakh lok as Alakh Purush; in Agam lok as Agam Purush and in Anami/Akah lok as Anami Purush. These are titles of His Posts, but the real name of that Purna Purush/Su- preme God is Kavir Dev (in different languages is also called Kabir Sahib / God Kabir). Indication of Nature's Creation in Respected Nanak Sahib ji's Speech Shri Nanak Ji's sacred speech, Mehla 1, Raag Bilaavalu, Ansh 1 (Guru Granth Sahib, Page no. 839) Aape sachu keeaa kar jodi, andaj fodi jodi vichhod || Dharti aakaash keeye baisan kau thaau, raati dinantu keeye bhau-bhaau Jin keeye kari vekhanhaara || (3)|| Tritiaa Brahma-Bisnu-Mahesa, Devi Dev upaaye vesa || (4)|| Paoon paani agni bisraaoo, taahi Niranjan saacho naaoo || Tisu mahi manuaa rahiaa liv laai, pranvati Nanaku Kaalu na khaai ||(10)|| The meaning of the aforesaid speech is that the true God (SatPurush) has Himself created the entire nature with His own hands. He Himself created the egg, broke it, and then Jyoti Niranjan came out of it. That same Supreme God created the five elements, earth, sky, air, water etc. for all the living beings to reside in. He Himself is the witness of the nature created by Him. Nobody else can give the correct information. Then after Niranjan, who came out of the broken egg, the three, Shri Brahma Ji, Shri Vishnu Ji and Shri Shiv Ji, were born. Then, other gods and goddesses and infinite liv- ing beings were born. Later, six Shastra (scriptures) and 18 Purans were formed, based on the life histories of other gods and experi- ences of other rishis (sages). Shri Guru Nanak Dev Ji is saying that Kaal does not eat that living being who solely worships the Supreme God by His true naam (Satyanaam) and (pranvati) abides by the rules directed by the Guruji. Raag Maaru (Ansh) sacred speech, Mehla 1 (Guru Granth, Page no.1037) Sunhu Brahma, Bisnu, Mahesu upaaye, sune varte jug sabaaye || Isu pad bichaare so janu pura, tis miliye bharmu chukaaida ||(3)|| Saam vedu, rugu- jujaru-atharbanu, brahme mukh maaiaa hai traigun|| Taa kee keemat kahi na sakae, ko tiu bole jiu bulaaida|| (6)|| The essence of the aforesaid sacred speech is that the Saint, who will narrate the whole story of nature's creation and will tell who came out of the two-halved egg and created the Brahm lok in the vacuum space i.e. gave rise to Brahma, Vishnu and Shiv in a secret place, and who is that God who made Brahm (Kaal) narrate the four Vedas (Holy Rigved, Yajurved, Samved and Atharvaved) and that the Supreme God makes every living being say whatever He wishes, if you find a saint who fully tells about all this knowl edge, then go to him. He who clears up all your doubts, only he is a Complete Saint i.e. is Tatvdarshi. Shri Guru Granth Sahib, page no. 929, sacred speech of Shri Nanak Sahib Ji, Raag Ramkali, Mehla 1, Dakhni Omkaar Omkaari Brahma utpati | omkaaru kiaa jini chit |omkaari sael jug bhaye | omkaari bed nirmaye |omkaari sabdi udhre | omkaari gurumukhi tare | onam akhar sunhu bichaaru | onam akhru tribhuvan saaru | In the aforesaid sacred speech, Shri Nanak Ji is saying that Brahma Ji was born from Omkaar i.e. Jyoti Niranjan (Kaal). After wandering for many yugas, Omkaar (Brahm) produced Vedas, which were obtained by Brahma Ji. Only 'Om ' mantra is the actual man- tra for the devotion of the three loks. One is salvaged by doing jaap of this 'Om ' shabd after taking updesh from a Complete Saint i.e. by acquiring a Guru. Important: Shri Nanak Ji has given secretive description of the three mantras (Om + Tat + Sat ) in several places. Only a Com- plete Saint (Tatvdarshi) can understand this and the method of the jaap of the three mantras is explained only to the Updeshi (follower, disciple). (Page no. 1038) Uttam Satiguru purush niraale, sabdi ratey hari ras matvaale || Ridhi, budhi, sidhi, giaan guru te paaiye, poore bhaag milaaida || (15)|| Satiguru te paaye bichaara, sun samaadhi sache gharbaara || Nanak nirmal naadu sabad dhuni, sachu ramae naami samaaida (17)| 5| 17| The meaning of the aforesaid sacred speech is that the Saguru who imparts the real knowledge is unique. He only chants Naam mantra and does not teach any other Hathyog71 sadhna. Even if you want wealth, position, wisdom or the power of bhakti, then also, only a Complete Saint can fully provide the knowledge of the path of true bhakti. Such a Complete Saint is found with great fortune. Only that Complete Saint will tell that God has already created our real home (Satlok) in the (Sunn) vacuum place above. In that place, a sound of the real Saarnaam is going on. One can achieve that blissful state, which means, can reside in that real happiness-giving place by the Saarshabd of the Eternal God, and not by other naams and incom- plete gurus. Aanshik sacred speech, Mehla 1 (Shri Guru Granth, page no. 359-360) Siv nagri mahi aasni baesau Kalap tyaagi vaadM ||(1)|| Sindi sabad sada dhuni sohae ahinisi poorae naadM ||(2)|| Hari kirti reh raasi hamaari guru mukh panth ateetaM ||(3)|| Sagli joti hamaari samiaa nana varan anekaM || Keh Nanak suni Bharthari jogi Paarbrahm liv ekaM ||(4)|| The essence of the above-mentioned sacred speech is that Shri Nanak Sahib Ji is saying, "Oh, Bharthari Yogi Ji, your sadhna is upto god Shiv, and because of that you have acquired a place in Shiv nagri (city). The 'Singi' shabd etc which is going on in your body is of these lotuses' only, and is being audible in the body from every god's lok like in a television. I (Nanak Ji) focus with undivided mind only on one God PaarBrahm i.e. the Supreme God, who is beyond everyone, and is someone else. I do not show off externally (like, smearing ash on the whole body, holding a wand in hand). I consider all the living beings to be children of one Supreme God (SatPurush). Everyone is functional by His power only. My mudra (revenue) is to chant true Naam after acquiring it from a Complete Guru, and my baana (attire) is forgive- ness. I am a worshipper of the Supreme God and the path of Bhakti of Complete Satguru is different from yours." Amrit Vaani, Raag Aasa, Mehla 1 (Shri Guru Granth, page no. 420) || Aasa Mehla1 || jini naamu visaariaa doojae bharmi bhulaai | moolu chhodi daali lagey kiaa paavhi chhai ||1|| Saahibu mera eku hai avru nahin bhaai | kirpa te sukhu paaiaa saache parthaai ||3|| Guru ki sewa so kare jisu aapi karaaye || Nanak siru de chhutiye dargeh pati paaye || 8 || 18 || The meaning of the above-mentioned sacred speech is that Shri Nanak Ji is saying that those who forgetting the real naam of Su- preme God, are doing jaap of naams of the other gods in misappre- hension, they, as if, instead of the root (Supreme God) are watering (worshipping) the branches (the three Gunas, Rajgun-Brahma, Satgun-Vishnu, Tamgun-Shiv Ji). No happiness can be achieved by that sadhna, which means that if the plant will dry out, then you will not be able to sit in its shade. The essence is that doing baseless bhakti is a useless endeavour. There is no benefit out of it. It is also evident in Holy Gita, Adhyay 16, and Shlok 23-24. To achieve that Supreme God, one has to leave one's imaginary way of worship; surrender to the Complete Gurudev and chant the true Naam/Mantra. Only then, complete salvation is possible. Oth- erwise, one will go to hell after death. (Shri Guru Granth Sahib, page no.843-844) || Bilawalu Mehla 1|| main man chaahu ghanaa saachi vigaasi Ram | mohi prem pire prabhu abinaasi Ram || avigato Hari naathu naathah tisae bhaavae so theeye | kirpaalu sada daiaalu daata jiaa andari tu jeeye | main aadhaaru tera tu khasmu mera main taanu takiaa terao | saachi soocha sada Nanak gursabdi jhagru nibero || 4 || 2 || In the aforesaid sacred speech Shri Nanak Sahib Ji is saying that the Eternal Supreme God is the Naath of all the naaths i.e. is the God of all the gods (is the Lord/ Master of all gods; Shri Brahma Ji, Shri Vishnu Ji, Shri Shiv Ji, Brahm and ParBrahm). I have im- bibed the true naam/mantra (Sachcha Naam) in my heart. Oh Su- preme God! You are the basis of everyone's life. You are my Master and I am dependent on you. You only came in the form of Satguru and by giving the decisive knowledge of true bhakti, settled the whole row i.e. resolved all the doubts. (Shri Guru Granth Sahib, Page no. 721, Raag Tilang, Mehla 1) Yak arj guftam pesh to dar koon kartaar || Hakka Kabir karim tu beaeb Parvardigaar || Nanak bugoyad jan tura tere chaakra paakhaak || It has been clarified in the aforesaid sacred speech that Oh (Hakka Kabir) Sat Kabir, You are (Koon Kartar) Shabd Swaroopi Ram who does creation by the power of shabd i.e. You are the Cre- ator of the entire nature; You only are (beaeb) flawless (Parwardigaar) Nuturer of all and (Karim) the kind God. I am the servant of Your servants. (Shri Guru Granth Sahib, Page no. 24, Raag Siri, Mehla 1) Tera ek naam taare sansaar, main eho aas eho aadhaar || Nanak neech kahe bichaar, yeh dhaanak roop raha Kartar|| It has been proved in the aforesaid sacred speech that the weaver (Dhaanak) in Kashi is the Creator (Kartar) of the entire lineage. With total submission, Shri Nanak Sahib Ji is saying that I am tell- ing the truth that this Dhaanak i.e. Weaver Kabir only is Purna Brahm (SatPurush). Important: - It has been proved from the indicative knowledge of the above-mentioned evidence that how the nature was created. Now we should attain the Supreme God. This is only possible by taking naam from a Complete Saint (Purna Sant). A Baseless Story of Nature's Creation by Other Saints What is the knowledge imparted by the other saints about the nature's creation? Please read below the view points of the saints of Radhaswami Panth and the saints of Dhan-Dhan Satguru Panth regarding the creation of Nature. Holy book "Jeevan Charitra Param Sant Baba Jaimal Singh Ji Maharaj", Page no. 102-103, "Srishti ki Rachna (Nature's Cre- ation)", Sawan Kripal Publication, Delhi): ("Pehle SatPurush nirakaar tha, fir izhaar (aakaar) mein aya to oopar ke teen nirmal mandal (Satlok-Alakhlok-Agamlok) ban gaya tatha prakash tatha mandalon ka naad (dhuni) ban gaya.") "In the beginning, SatPurush was formless, then when He manifested (appeared in form), He became the three pure mandals (Satlok - Alakhlok - Agamlok) above and became light and the sound of mandals." Holy book "Saarvachan (Nasar)", Publisher - Radhaswami Satsang Sabha, Dyalbaag, Agra, "Srishti Ki Rachna (Nature's Creation)", Page no. 81: ("Pratham dhundhukaar tha. Usmein Purush sunn samaadh mein the. Jab kuchh rachna nahin huyi thi. Fir jab mauj huyi tab shabd prakat huya aur usse sab rachna huyi, pehle Satlok aur fir Satpurush ki kala se teen lok aur sab vistaar huya.") "In the beginning, there was darkness. Purush was in silent meditation in it. At that time, there was no creation. Then when He wished, then Shabd appeared and everything was created from it. First of all, Satlok and then with SatPurush's skill, three loks and everything else developed." This knowledge is like once a young man went on an interview for a job. The employer asked, "Have you read 'Mahabharat'?" The young man said, "It is on my finger tips". The employer asked, "Tell me the names of the five Pandavs." The young man said that one was Bheem, one was his elder brother, one was younger to him, there was one more and one's name, I have forgotten. The knowl- edge of the above-mentioned nature's creation is like this. Some conclusions from the books of the saints, who tell the glory of SatPurush and Satlok and who give five naams (Omkaar - Jyoti Niranjan - Raranka - SohM - Satyanaam) and who give three naams (Akaal Murti - SatPurush - Shabd Swaroopi Ram): - In Santmat Prakash, Part 3, on page 76, it is written, "Sachkhand or Satnaam is the fourth lok (place)." Here 'Satnaam' is called a 'Place'. Then on page no. 79 of this holy book, it is written that "One Ram is 'Dashrat's Son', second Ram is 'Man72', third Ram is 'Brahm', fourth Ram is 'Satnaam', and this is the real Ram." Then in holy book "Santmat Prakash", Part 1, on page 17, it is written, "that is Satlok, that only is known as Satnaam." In holy book "Saar Vachan Nasar Yaani Vartik", on page no. 3, it is written that "Now one should consider that Radhaswami is the highest place, which the saints have described as Satlok and Sachkhand and Saarshabd and Satshabd and Satnaam and SatPurush". The aforesaid description is also mentioned as it is in holy book "Saar Vachan (Nasar)", pub- lished from Agra, on page no. 4. Holy book 'Sachkhand Ki Sadak', page no. 226; "The country of saints is Sachkhand or Satlok, it is also known as Satnaam - Satshabd - Saarshabd." Important: - The aforesaid explanation is like if somebody has neither seen a city in his life, nor a car; neither has seen petrol, nor is aware of a driver that who is called a driver. And that person says to other friends that I go to the city, and enjoy sitting in a car. And if the friends ask, "How does a car look like, what is petrol, what is a driver, and how does a city look like? That guruji answers that whether call it a city or a car, it is one and the same thing; city is also a car, petrol is also car only, driver is also the car, and street is also called the car. Let us ponder: - SatPurush is the Purna Parmatma / the Su- preme God; Satnaam is the naam/mantra of those two mantras in which one is Om + Tat is coded. And after this, Saarnaam is given to the worshipper by a Complete Guru. These Satnaam and Saarnaam are both mantras for doing sumiran. Satlok is that place where SatPurush lives. Now, the pious souls should themselves decide what is true and what is false....See more

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#gallery #masterpiece #creative #photooftheday #instaartist #graphic #graphics #artoftheday #beautiful #abstracto #stayabstract #instaabstract#minimalism #minimalist #minimal #photography #instapic #minimalistic #minimalistics #minimalove #minimalobsession #photooftheday #minimalninja #instaminim #minimalisbd #simple #simplicity #keepitsimple #minimalplanet #love #instagood #minimalhunter #minimalista #minimalismo #beautiful #art #lessismore #simpleandpure #negativespace @bruceleetags#hdr #hdriphoneographer #photography #instapic #hdrspotters #hdrstyles_gf #hdri #hdroftheday #hdriphonegraphy #hdrepublic #hdr_lovers #awesome_hdr #instagood #hdrphotography #photooftheday #hdrimage #hdr_gallery #hdr_love #hdrfreak #hdrama #hdrart #hdrphoto #hdrfusion #hdrmania #hdrstyles #ihdr #str8hdr #hdr_edits @bruceleetags#blackandwhite #bnw #monochrome #photography #instapic #instablackandwhite #monoart #insta_bw #bnw_society #bw_lover #bw_photooftheday #photooftheday #bw #instagood #bw_society #bw_crew #bwwednesday #insta_pick_bw #bwstyles_gf #irox_bw #igersbnw #bwstyleoftheday #monotone #monochromaticnoir #fineart_photobw @bruceleetags#abstract #art #abstractart #photography #instapic #abstracters_anonymous #abstract_buff #abstraction #instagood #creative #artsy #beautiful #photooftheday #abstracto #stayabstract #instaabstract @bruceleetags#travel #traveling #photography #instapic #vacation #visiting #instatravel #instago #instagood #trip #holiday #photooftheday #fun #travelling #tourism #tourist #instapassport #instatraveling #mytravelgram #travelgram#cars #car #ride #drive #photography #instapic #driver #sportscar #vehicle #vehicles #street #road #freeway #highway #sportscars #exoticcar #exoticcars #speed #tire #tires #spoiler #muffler #race #racing #wheel #wheels #rims #engine #horsepower#motorcycle #motorcycles #bike #photography #instapic #ride #rideout #bike #biker #bikergang #helmet #cycle #bikelife #streetbike #cc #instabike #instagood #instamotor #motorbike #photooftheday #instamotorcycle #instamoto #instamotogallery #supermoto #cruisin #cruising #bikestagram @bruceleetags#follow #f4f #followme #photography #instapic #followforfollow #follow4follow #teamfollowback #followher #followbackteam #followhim #followall #followalways #followback #me #love #pleasefollow #follows #follower #following @bruceleetags#followme #like4like #liker #likes #l4l #likes4likes #photooftheday #love #likeforlike #likesforlikes #liketeam #likeback #likebackteam #instagood #likeall #likealways#shoutout #shoutouts #shout #out #photography #instapic #shoutouter #instagood #s4s #shoutoutforshoutout #shoutout4shoutout #so #so4so #photooftheday #ilovemyfollowers #love #sobackteam #soback #follow #f4f #followforfollow #followback #followhim #followher #followall#comment #comment4comment #photography #instapic #c4c #commenter #comments #commenting #love #comments4comments #instagood #commentteam #commentback #commentbackteam #commentbelow #photooftheday #commentall #commentalways#love #photography #instapic #photooftheday #me #instamood #cute #igers #picoftheday #girl #guy #beautiful #fashion #instagramers #follow #smile #pretty #followme #friends #hair #swag #photo #life #funny #cool #hot #portrait #baby #girls#selfie #selfienation #selfies #photography #instapic #me #love #pretty #handsome #instagood #instaselfie #selfietime #face #shamelessselefie #life #hair #portrait #igers #fun #followme #instalove #smile #igdaily #eyes #follow @bruceleetags#guys #guy #boy #photography #instapic #boys #love #me #cute #handsome #picoftheday #photooftheday #instagood #fun #smile #dude #follow #followme #swag #hot #cool #kik #igers #instagramers #eyes @bruceleetags#love #couple #cute #adorable #photography #instapic #kiss #kisses #hugs #romance #forever #girlfriend #boyfriend #gf #bf #bff #together #photooftheday #happy #me #girl #boy #beautiful #instalove #loveher #lovehim #pretty #fun #smile @bruceleetags• • 🌿 🔝 🔝 🔝 #photogram #instagood #photooftheday #photoeveryday #instafamous #picture #beautiful #followme #explorationgram #amazing #style #100likes #nofilter #bestoftheday #50likes #life #instagram #swag #funny #baby #webstagram #followback #foodporn #tweegram #hot #makeup #instasize #nature #toptags #theoutdoorfolk • • 👾 #videogames #games #gamer #toptags #gaming #instagaming #instagamer #playinggames #online #photooftheday #onlinegaming #videogameaddict #instagame #instagood #gamestagram #gamerguy #gamergirl #gamin #video #game #igaddict #winning #play #playing • • ⚡️ #pokemon #pokemons #pokemongo #toptags #pokemoncommunity #legendarypokemon #poke #pokemoncollector #pokemoncard #pokemoncards #pokemontcg #amazingmetapod #tcg #pokemonx #pokemony #pokemonoras #oraspokemon #pokemonalphasapphire #pokemonworld #pokemonomegaruby #pokemonalphasapphireomegaruby #pokemonomegarubyalphasapphire • • 🎵 #music #toptags #genre #song #songs #melody #hiphop #rnb #pop #love #rap #dubstep #instagood #beat #beats #jam #myjam #party #partymusic #newsong #lovethissong #remix #favoritesong #bestsong #photooftheday #bumpin #repeat #listentothis • • 🎸 #melody #shredding #toptags #play #gibson #jackson #fender #playmusic #instrument #guitars #guitarist #guitarpick #guitarplayer #guitare #lespaul #guitar #rock #music #guitarhero #guitarsolo #guitaramp #guitarstrings #iloveguitars #ilovemusic #musician #musicflow • • 🎵 #EDM #ElectronicDanceMusic #EDMLifeStyle #EDMfamily #toptags #DanceMusic #HouseMusic #Techno #Electro #Rave #DJ #Rage #partyhard #electronic #Banger #Beats #Bass #Drop #Synths #ravers #festivals #EDC #tomorrowland • • 📖 #books #toptags #book #read #reading #lovebooks #libro #booklove #booklover #instagood #booklovers #bookstagram #library #igreads #epicreads #bookworm #leitura #bookish #instabook #igreads #bookishescape #bookshelf #bookaddict • • 📺 #movies #toptags #theatre #video #movie #film #films #videos #actor #actress #cinema #dvd #amc #instamovies #star #moviestar • • 💭 #quote #quotes #lifequotes #quotestags #toptags #instaquote #quoteoftheday #quotestagram #instaday #instanote #funnyquotes #life #writing #meme #quotesdaily #quotesgram #quotesofinstagram #instamood #instalike #igers #daily #feeling #instadaily #true • • 💼 #work #toptags #working #job #myjob #office #company #bored #grind #mygrind #dayjob #ilovemyjob #dailygrind #photooftheday #business #biz #life #workinglate #computer • • 📚 #school #toptags #schoolday #class #classess #teacher #teachers #student #students #instagood #classmates #classmate #friends #peer #work #homework #bored #books #book #photooftheday #textbook #classroom • • 🚲 #motorcycle #motorcycles #bike #ride #rideout #bike #biker #bikergang #helmet #cycle #bikelife #streetbike #cc #instabike #instagood #instamotor #motorbike #photooftheday #instamotorcycle • • ✈️ #airplane #airplanes #toptags #aviation #avpics #flight #flying #plane #planes #instagramaviation #instaaviation #aviationphotography #aviationlovers • • 👔 #businesspassion #business #toptags #entrepreneurship #grind #hustle #learn #education #startup #success #successquotes #build #startuplife #businessowners #ambition #dream #goals #lifegoals #goforit #nevergiveup #successmindset #businessman #businesswoman #businesslife #entrepreneurlifestyle #goodlife #entrepreneur #motivated #businessowners #motivation • • 🌊 #beach #sun #nature #toptags #water #ocean #lake #instagood #photooftheday #beautiful #sky #clouds #cloudporn #fun #pretty #sand #reflection #amazing #beauty #beautiful #shore • • 🌄 #sky #sun #sunset #toptags #sunshine #sol #red #sunsets_oftheworld #twilightscapes #sky #clouds #sunset_pics #sunsetsniper #ig_sunsetshots #all_sunsets #igsunset #orange #instasunsets #sunset_vision #super_photosunsets #ig_sunset #sunrays #sunsetlovers #sungoesdown #scenicsunset • • 🌳 #trees #tree #toptags #landscape #nature #branches #oldtree #treespleasure #treescape #treeframing #treeshunter #treetops #treestagram #treelove #treelover #treesofinstagram #tree_pictures #tree_love #naturelovers #tree_captures #treescollection #forest #view #tree_shotz #tree_magic #treestyles_gf #tree_lovers #tree_perfection • • 🔝 #photogram #instagood #photooftheday #photoeveryday #instafamous #picture #beautiful #followme #explorationgram #follow #fashion #htfla #picoftheday #like4like #toptags #200likes #instadaily #unlimlikes #instagrammers #lovemyphotos #goodday #igers #instalike #likeforlike #20likes #10likes #pretty #instamood #follow4follow • • 🔝 #amazing #style #100likes #nofilter #bestoftheday #50likes #life #instagram #swag #followforfollow #ig_today #fitness #f4f #l4l #beauty #pretty #music #toptags #tagstagramers #beach #sweet #lol #photo #cool #nice #party • • 🔝 #funny #baby #webstagram #followback #foodporn #tweegram #hot #makeup #instasize #ootd #my #iphonesia #black #instapic #instacool #pink #blue #yummy #instafollow #toptags #instalove #igdaily #healthy #likes • • 🆒 #selfie #selfienation #toptags #selfies #instahub #me #queenselfie #pretty #handsome #instaselfie #selfietime #bestselfiepics #shamelessselefie #selfieaddict #selfiegram #thehub_portraits #like #selfienation #portrait #igers #followme #kings_selfie #smile • • 📷 #selfie #me #toptags #myself #me❤️ #looks #pic #instamood #instapicture #instadaily #instaselfie #mylife #igers #followme #life #like #self #fun #l4l #myway #followme #style #smile #igdaily #onlyme #follow #lovely #pose #igdaily • • 😄 #smile #smiling #toptags #smiles #beautifulsmile #smiley #smilee #pretty #happy #instagood #instasmile #smilesmilesmile #smilez #smilemore #smilealways #like #smileeveryday #allsmiles #igers #fun #followme #instalove #smilefordays #igdaily #keepsmiling #follow • • 👸 #girl #girls #love #me #toptags #cute #picoftheday #beautiful #photooftheday #instagood #fun #smile #pretty #follow #followme #hair #friends #swag #sexy #hot #cool #kik #fashion #igers #instagramers #style #sweet #eyes #beauty #look #thatsmile • • 👱 #guys #guy #boy #toptags #boys #love #me #cute #handsome #picoftheday #photooftheday #instagood #fun #smile #dude #follow #followme #swag #hot #cool #kik #igers • • 💕 #love #couple #toptags #cute #adorable #kiss #kisses #hugs #romance #forever #girlfriend #boyfriend #gf #bf #bff #together #photooftheday #happy #me #girl #boy #beautiful #instagood #instalove #loveher • • 💻 #blogger #bloggerlife #bloggerlifestyle #toptags #bloggerfashion #bloggers #lifestyle #lifestyleblogger #vloger #bloggergirl #bloggersgetsocial #vloggers #vlogging #vloglife #vlogger #vloggerlife #blogpost #vlog #blogueira #thehappynow #blogs #bloggerslife #vlogs #blogdemoda #blogueiras #bloggerlove #travelblogger #fitnessblog #follow • • 🌟 #instagram #instagrammers #toptags #igers #instalove #instamood #instagood #followme #follow #comment #shoutout #photography #iphoneography #androidography #filter #filters #hipster #contests #photo #ig #igaddict #photooftheday #insta #picoftheday #bestoftheday • • 👍 #like4like #toptags #liker #likes #l4l #likes4likes #photooftheday #spamforspam #likeforlike #likesforlikes #100likes #liketeam #likeback #likebackteam #spam4spam #likeall #likealways #liking #doubletap #taptwice #instalike #recentforrecent #recent4recent #tags4likes #likelove #tagsforlikes #20likes • • 🙌 #follow #f4f #toptags #igdaily #followme #followforfollow #follow4follow #teamfollowback #followher #followbackteam #followhim #followher #followall #followalways #followback #me #love #pleasefollow #follows #follower #following #followmeplease • • 👤 #shoutout #shoutouts #shout #toptags #out #shoutouter #instagood #s4s #shoutoutforshoutout #shoutout4shoutout #so #so4so #soforso #ilovemyfollowers #love #sobackteam #soback #follow #f4f #spamforspam #spam4spam #followhim #followher #followall #followme • • 💬 #comment #comment4comment #toptags #c4c #commenter #comments #commenting #love #comments4comments #instagood #commentteam #commentback #commentbackteam #commentbelow #spamforspam #commentall #commentalways #pleasecomment #20likes #spam4spam • • 💥 #fslc #followshoutoutlikecomment #toptags #follow #shoutout #followme #comment #f4f #s4s #l4l #c4c #followback #shoutoutback #likeback #commentback #instagood #pleasefollow #pleaseshoutout #pleaselike #pleasecomment #teamfslcback #fslcback #follows #shoutouts #likes #comments • • ✨ #tumblr #tumblrlife #tumblrphoto #toptags #tumblrphotos #tumblrgirl #tumblrgirls #fun #tumblrlove #tumblrpic #tumblrpics #tumblrposts #tumblrpost #perfect #blog #tumblrpicture #tumblrpictures #tumblrthings #tumblrstuff #instatumblr #beautiful #love #likes #instagood • • ✨ #kik #toptags #kikme #kikmessenger #kikit #kikster #kikmebored #kikmeguys #kikmessanger #boredkikme #kikmeplease #kikmessage #follow #kikmee #kikmemaybe • • ✨ #snapchat #snap #toptags #snapchatme #instasnapchat #snapchatmenow #snapchatit #snapchatster #snapchatmguys #snapchatmegirl #snapchatmeimbored #chat #photooftheday #snapchatmeplease #instagood #snapit #snapchatmemaybe #letssnapchat #instadaily • • 🙌 #networking #networkingevent #toptags #networkingevents #socialnetworking #networkingz #networkingbusiness #networkingparty #networkingbiz #networkingsaveslives #happy #networkingday #instagood #businessowner #like #fun #network #business #entrepreneur #entrepreneurship #leadership #instadaily #marketing #success #events #community #communication • • 👶 #cutest_kiddies #fashionbeautykids #stylishcutefashionkids #justbaby #cutekidsclub #cutekidsfashion #fashionkidsworld #fashionminis #miniroyalz #toptags #spectacularkidz #ig_fashionkiddies #kids_stylezz #kidsfashionforall #kidslookbook #kidzfashion #mini_stylishkids #bcotwig #trendykiddies #stylishigkids #superfashionkids #kidsfashionreview #pk_feature #trendy_tots #igkiddies #trendykidz_fashion #stylish_cubs #kidsfashionistamodel • • 💄 #makeup #instamakeup #toptags #cosmetic #cosmetics #fashion #eyeshadow #lipstick #gloss #mascara #palettes #eyeliner #lip #lips #tar #concealer #foundation #powder #eyes #eyebrows #lashes #lash #glue #glitter #crease #primers #base #beauty #beautiful #kidzmoda #fashionkids_worldwide #contacts #opportunities #worklife #moreonsnapchat #addme #add #kikplease #letskik #instakik #tumblrgram #fslcalways #recent4recent #shout_out #instamood #friends #50likes #likeme #likesback #instadaily #instafamous #popularpage #popular #bloggerslife #lovehim #pretty #fun #smile #xoxo #instagramers #eyes #prettysmile #selfieoftheday #follow #style #best_expression_face #wcw #model #red #awesome #gym #sweet #night #girls #sunset #iphoneonly #photography #ww_nature_trees #scenery #sunsetoftheworld #sunbeam #world_globalsky #sunsetvision #clouds #waterfoam #seashore #waves #wave #aviationgeek #aircraft #aeroplanes #instaviation #instaplane #airlines #aviationdaily #airbus #flighttime #instamoto #instamotogallery #supermoto #cruisin #cruising #bikestagram #textbooks #messingaround #escolar #daily #dailypic #studying #busy #desk #instajob #instalife #instagood #instadaily #wisewords #special #words #photooftheday #hollywood #goodmovie #instagood #flick #flicks #instaflick #instaflicks #literature #lovebooks #bookoftheday #igbooks #readingforfun #concerts #Party #Dance #musicislife #umf #Euphoria #Music #musicismylife #musicnotes #guitartabs #musicislife #goodmusic #instamusic #pokemontrainer#quote #quotes #comment #comments #photography #instapic #tweegram #quoteoftheday #song #funny #life #instagood #love #photooftheday #igers #instagramhub #tbt #instadaily #true#money #cash #green #photography #instapic #dough #bills #crisp #benjamin #benjamins #franklin #franklins #bank #payday #hundreds #twentys #fives #ones #100s #20s #greens #photooftheday #instarich #instagood #capital #stacks #stack #bread #paid#quote #quotes #comment #comments #photography #instapic #tweegram #quoteoftheday #song #funny #life #instagood #love #photooftheday #igers #instagramhub #tbt #instadaily #true #instamood #nofilter #word @bruceleetags @bruceleetags #instamood #nofilter #word @bruceleetags @bruceleetags #pleasecomment @bruceleetags #followme 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#quotes #comment #comments #photography #instapic #tweegram #quoteoftheday #song #funny #life #instagood #love #photooftheday #igers #instagramhub #tbt #instadaily #true #instamood #nofilter #word @bruceleetags @bruceleetags #instamood #nofilter #word @bruceleetags @bruceleetags #pleasecomment @bruceleetags #followme #shout_out @bruceleetags #photography #instapic #liking @bruceleetags @bruceleetags #travelingram #igtravel @bruceleetags @bruceleetags #awesome_hdr @bruceleetags #dog #lfl #pretty #f4f #travel #sky #music #swag #followforfollow #beach #beauty #sun #vscocam #bestoftheday #fitness #life #amazing #follow4follow #nofilter @bruceleetags#flowers #iphonesia #tweetgram #design #instafollow #my #webstagram #followback #christmas #work #blue #instacool #picture #picoftheday #art #photooftheday #gym #motivation #yummy #healthy #instagood #hot #iphoneonly #instapic #funny #instagram #night #baby #ootd#money #cash #green #photography #instapic #dough #bills #crisp #benjamin #benjamins #franklin #franklins #bank #payday #hundreds #twentys #fives #ones #100s #20s #greens #photooftheday#work #working #job #photography #instapic #myjob #office #company #bored #grind #mygrind #dayjob #ilovemyjob #dailygrind #photooftheday #business #biz #life #workinglate #computer #instajob #instalife #instagood #instadaily @bruceleetags #instarich #instagood #capital #stacks #stack #bread #paid @bruceleetags #makeup @bruceleetags #night #baby #ootd #makeup @bruceleetags #teamandroid @bruceleetags #photography #instapic #trees #flower #bloom #colorful @bruceleetags #photography #instapic #trees #flower #bloom #colorful @bruceleetags #iskyhub @bruceleetags #summertimeshine @bruceleetags @bruceleetags #hollywood #goodmovie #instagood #flick #flicks #instaflick #instaflicks @bruceleetags #happy #family #love @bruceleetags #hauntedhouse #haunted @bruceleetags #outfit #funtime #funtimes #happy @bruceleetags #instabirthday #born #family @bruceleetags #instawedding #party @bruceleetags #morning #silhouette #instasky #all_sunsets @bruceleetags #instasBky #all_sunsets @bruceleetags #beautiful #shore #waterfoam #seashore #waves #wave @bruceleetagsCheak roposo post [7/18, 11:24 AM] Am: #love #instagood #photooftheday #fashion #beautiful #happy #cute #tbt #like4like #followme #picoftheday #follow #me #selfie #summer #art #instadaily #friends #repost #nature #girl #fun #style #smile #food #instalike #likeforlike #family #travel #fitness #igers #tagsforlikes #follow4follow #nofilter #life #beauty #amazing #instamood #instagram #photography #vscocam #sun #photo #music #beach #followforfollow #bestoftheday #sky #ootd #sunset #dog #vsco #l4l #makeup #f4f #foodporn #hair #pretty #swag #cat #model #motivation #girls #baby #party #cool #lol #gym #design #instapic #funny #healthy #night #tflers #yummy #flowers #lifestyle #hot #instafood #wedding #fit #handmade #black #pink #일상 #blue #work #workout #blackandwhite #drawing #inspiration #home #holiday #christmas #nyc #london #sea #instacool #goodmorning #iphoneonly [7/18, 11:25 AM] Am: #JustGoShoot #InstaGoodMyPhoto #InstaPhoto #PicOfTheDay #PhotoOfTheDay #Photography #iPhoneography #500px #PictureOfTheDay #Camera #Photoshop #Instadaily #Igers #Sunset #Cityscape #HDR #Instafocus #Igworldclub #Visuals #Aesthetics #TravellingThroughTheWorld [7/18, 11:26 AM] Am: #StreetPhotography #StreetArt #Travelgram #RuleOfThirds #2InstaGoodPortraitLove #LongExposure #Vignette #LightPhotography #VSCO #VSCOcam #Snapseed #Macro #LeadingLines #Symmetry #Viewpoint #Panorama #DepthOfField #GoldenRatio #Monogram #Monochrome #DodgeAndBurn #TravelBlogger #ThroughTheLens #Bokeh #UrbanPhoto #Earthpix #MoodyGrams #FatalFrames #ReflectionGram #Lightroom [7/18, 11:27 AM] Am: 75 Popular Hashtags for Portrait Photography In Portrait by Deb MitzelJanuary 31, 20185 Comments Photo by Deb Mitzel Photography If you’ve been around a while, you might be old enough to remember that the # sign used to be referred to as the “pound” sign. Well, those days are gone, and the # symbol is now most commonly referred to as a hashtag. So, what is a hashtag and why should you care? In this article, I’m going to share a little background information on hashtags and how you can use them to increase your Instagram following, as well as provide you with 75 Popular Hashtags for Portrait Photography that you can use to increase your following. WHAT IS A HASHTAG? The Merriam-Webster online dictionary defines a hashtag as “a word or phrase preceded by the symbol # that classifies or categorizes the accompanying text”. Simply put, posts with hashtags are able to be indexed by social media networks, which allows the post to be searched and discovered by other users. WHY SHOULD YOU CARE? Since hashtags can be used to search for information you are looking for on social media, this also means they can be used by others to find YOUR content. If you’re a photographer looking to get more eyeballs on your photography, using relevant hashtags can be an excellent way to do it. WHAT HASHTAGS SHOULD YOU USE? If you’re in business, you should start by creating and using a branded hashtag in all posts for your business. The hashtag you use must be unique to your business, and can be something as simple as your name, tagline, or something you are known for. Having your own hashtag will help your followers find your content, and allow them to share the content they love with their followers by using your hashtag in their posts. Before you commit to a specific hashtag for your business, do the research to make sure it’s not already being used by someone else. This is very easy to do (just type it in on all social media platforms and see what comes up) and will save you a lot of headaches in the long run, especially if the hashtag is already being used for content that is offensive or not in line with the mission of your business. Hashtags are marketing for your business, so you definitely want to make sure you’re sending the right message. Beyond your brand hashtag, do a little research on similar brands to see what hashtags they’re using, and then look at the content posted with those hashtags to see if it’s a fit for you. Pay attention to the number of posts with each hashtag, and gauge the relevance of the content to your audience. It’s often better to be a big fish in a smaller pond of hashtag content than to get lost in the sea of content that isn’t as relevant to your audience. If you’re struggling to find hashtags, check out the HashMe or Tagomatic apps in your app store to help you generate hashtags based on your content. 75 POPULAR PORTRAIT PHOTOGRAPHY HASHTAGS Below are 75 Popular Portrait Photography hashtags for you to copy and post for use in yoyu and use for your social media content. Most can be used for general portrait photography, but the last few are geared toward more specific genres of photography. #portraitphotographer #portraitphotography #portrait #photooftheday #photographer #posing #instagood #style #oursignaturepose #portrait_perfection #photoshoot #photography #portraitmood #portraits #picoftheday #portraitpage #instadaily #lifestyle #model #life #smile #friends #beautiful #headshots #pursuitofportraits #portraitperfection #posepatch #portrait #photoshoot #makeportraits #portraiture #justgoshoot #liveauthentic #modeling #photo #lifeofadventure #life_portraits #letsgosomewhere #portraits_ig #pursuitofportraits #portraitoftheday #postthepeople #lifestyle #photographyislifee #beauty #instafashion #postmoreportraits #portraitsmag #quietthechaos #people #discoverportrait #bestoftheday #stylish #memories #instalike #people #photoinspiration #portrait_ig #instafamous #pose #closeup #seniorpictures #senioryear #modernteenstyle #engaged #shesaidyes #bride #weddingday #weddinginspiration #momlife #familytime #babylove #mommytobe #instababy #babystyle 10 TIPS TO GAIN AN INSTAGRAM FOLLOWING #1 FOCUS ON QUALITY OVER QUANTITY WITH YOUR HASHTAGS. Some of the most popular hashtags will have so much content tagged with them that your content will fall out of sight when people look at what’s been tagged with that hashtag. If you instead choose a hashtag that is less popular, but appeals directly to your audience, you will likely have more eyeballs on your content for a longer period of time, and ultimately you may experience better engagement. #2 SCHEDULE YOUR POSTS AND BE INTENTIONAL ABOUT YOUR MESSAGING. Using a social media scheduler like Later or Hootsuite will allow you to schedule your posts ahead of time. Later also allows you to save groups of hashtags and attach them to individual posts so you don’t have to copy and paste or manually remember and type the hashtags every time you post. #3 SHARE PERSONAL INFORMATION. Instagram posts that share personal experiences receive higher engagement. Things like travel photos and weight loss journeys have the highest amount of engagement, with pets coming in second, and landscape photos coming in third. #4 CAPTIONS HAVE AN IMPACT ON ENGAGEMENT WITH YOUR POSTS. Short and sweet seems to do the best job, as do posts with a maximum of three emojis. #5 LIKE THE PHOTOS OF OTHERS IN YOUR PHOTOGRAPHY NICHE. Find accounts that you like, and leave several likes and genuine comments on their photos. This helps to get your name out there and allows their like-minded followers to discover you. #6 CREATE A THEME OR STYLE FOR YOUR INSTAGRAM FEED. What are the words or feelings you want people to associate with your account or brand? Do your best to make sure your theme or style feeds into that. #7 INTERACT WITH YOUR FOLLOWERS, AS WELL AS THOSE YOU FOLLOW. If you develop genuine relationships with people, your following will grow. #8 ENCOURAGE FOLLOWERS TO USE YOUR BRAND HASHTAG. #9 ASK YOUR FOLLOWERS TO TAKE ACTION. Encourage them to “like” your photo or quote if they agree with it, ask them to tag a friend, and other actions to increase engagement.. #10 TAG YOUR PHOTO WITH THE LOCATION. This will help people who visited and tagged that same place to see your content. They might find that they have things in common with you and start following. BONUS TIP: FIGURE OUT WHAT YOUR AUDIENCE LIKES. What are your followers engaging with the most? Do more of that! Building up a following on Instagram will take work, but if you post beautiful photos and create genuine connections with people, you’ve already got a fantastic start. I’d love to hear your recommendations for other popular portrait hashtags or tips for building an Instagram following, so please share them below. ABOUT THE AUTHOR Deb Mitzel Facebook Deb is a portrait photographer, specializing in senior portraiture in the beautiful Brainerd Lakes Area of Minnesota. With a full time career in the automotive industry and a part time photography business, "I'll sleep when I'm dead" is her motto. When not busy working on some project at home, she and her husband enjoy traveling and exploring the great outdoors. Find out more about Deb and her photography on her blog at dmitzphoto.com, her website at debmitzelphotography.com, or follow her on Facebook and Instagram. Comments FEBRUARY 1, 2018REPLY Octavia THANKS , this was good information FEBRUARY 7, 2018REPLY Deb Mitzel You’re welcome, Octavia! Thanks for reading. 🙂 JUNE 13, 2018REPLY l Thanks APRIL 5, 2018REPLY Trell Hayes This was very helpful!!!! Thanks MAY 29, 2018REPLY RAY I’M ALWAYS SURPRISED BY THE FACT THAT IN THIS WORLD OF SO MUCH INFORMATION, SO MUCH TO READ…THERE IS ALWAYS SOMEONE WHO MANAGE TO STEER AWAY FROM THE PACK AND BE RELEVANT, BE DIFFERENT BY FAR….THAT’S MY OPINION ABOUT YOU IN THIS ARTICLE. THANK YOU!! I JUST FINISHED READING AROUND 7 WEB PAGES TALKING ABOUT THE SAME SUBJET…AND YOURS IS “A BREATH OF FRESH AIR” Leave a Comment Your Comment * Your Name * Your Email * Your Website Save my name, email, and website in this browser for the next time I comment. Subscribe to comment Unsubscribe Affiliate Disclaimer Terms of Use Privacy Policy Contact Us IMPROVE PHOTOGRAPHY LLC IS A PARTICIPANT IN THE AMAZON SERVICES LLC ASSOCIATES PROGRAM, AN AFFILIATE ADVERTISING PROGRAM DESIGNED TO PROVIDE A MEANS FOR SITES TO EARN ADVERTISING FEES BY ADVERTISING AND LINKING TO AMAZON.COM. WE ALSO PARTICIPATE IN AFFILIATE PROGRAMS WITH BLUEHOST, CLCJ, SHAREASALE, AND OTHER SITES. WE ARE COMPENSATED FOR REFERRING TRAFFIC. COPYRIGHT © 2017 IMPROVE PHOTOGRAPRAPHY LLC Image AN ELITE CAFEMEDIA LIFESTYLE PUBLISHER ×...See more

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#toptags #igers #instalove #instamood #instagood #followme #follow #comment #shoutout #photography #iphoneography #androidography #filter #filters #hipster #contests #photo #ig #igaddict #photooftheday #insta #picoftheday #bestoftheday • • 👍 #like4like #toptags #liker #likes #l4l #likes4likes #photooftheday #spamforspam #likeforlike #likesforlikes #100likes #liketeam #likeback #likebackteam #spam4spam #likeall #likealways #liking #doubletap #taptwice #instalike #recentforrecent #recent4recent #tags4likes #likelove #tagsforlikes #20likes • • 🙌 #follow #f4f #toptags #igdaily #followme #followforfollow #follow4follow #teamfollowback #followher #followbackteam #followhim #followher #followall #followalways #followback #me #love #pleasefollow #follows #follower #following #followmeplease • • 👤 #shoutout #shoutouts #shout #toptags #out #shoutouter #instagood #s4s #shoutoutforshoutout #shoutout4shoutout #so #so4so #soforso #ilovemyfollowers #love #sobackteam #soback #follow #f4f #spamforspam 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#igkiddies #trendykidz_fashion #stylish_cubs #kidsfashionistamodel • • 💄 #makeup #instamakeup #toptags #cosmetic #cosmetics #fashion #eyeshadow #lipstick #gloss #mascara #palettes #eyeliner #lip #lips #tar #concealer #foundation #powder #eyes #eyebrows #lashes #lash #glue #glitter #crease #primers #base #beauty #beautiful #kidzmoda #fashionkids_worldwide #contacts #opportunities #worklife #moreonsnapchat #addme #add #kikplease #letskik #instakik #tumblrgram #fslcalways #recent4recent #shout_out #instamood #friends #50likes #likeme #likesback #instadaily #instafamous #popularpage #popular #bloggerslife #lovehim #pretty #fun #smile #xoxo #instagramers #eyes #prettysmile #selfieoftheday #follow #style #best_expression_face #wcw #model #red #awesome #gym #sweet #night #girls #sunset #iphoneonly #photography #ww_nature_trees #scenery #sunsetoftheworld #sunbeam #world_globalsky #sunsetvision #clouds #waterfoam #seashore #waves #wave #aviationgeek #aircraft #aeroplanes #instaviation #instaplane #airlines #aviationdaily #airbus #flighttime #instamoto #instamotogallery #supermoto #cruisin #cruising #bikestagram #textbooks #messingaround #escolar #daily #dailypic #studying #busy #desk #instajob #instalife #instagood #instadaily #wisewords #special #words #photooftheday #hollywood #goodmovie #instagood #flick #flicks #instaflick #instaflicks #literature #lovebooks #bookoftheday #igbooks #readingforfun #concerts #Party #Dance #musicislife #umf #Euphoria #Music #musicismylife #musicnotes #guitartabs #musicislife #goodmusic #instamusic #pokemontrainer#quote #quotes #comment #comments #photography #instapic #tweegram #quoteoftheday #song #funny #life #instagood #love #photooftheday #igers #instagramhub #tbt #instadaily #true#money #cash #green #photography #instapic #dough #bills #crisp #benjamin #benjamins #franklin #franklins #bank #payday #hundreds #twentys #fives #ones #100s #20s #greens #photooftheday #instarich #instagood #capital #stacks #stack #bread #paid#quote 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#franklin #franklins #bank #payday #hundreds #twentys #fives #ones #100s #20s #greens #photooftheday#work #working #job #photography #instapic #myjob #office #company #bored #grind #mygrind #dayjob #ilovemyjob #dailygrind #photooftheday #business #biz #life #workinglate #computer #instajob #instalife #instagood #instadaily @bruceleetags #instarich #instagood #capital #stacks #stack #bread #paid @bruceleetags #makeup @bruceleetags #night #baby #ootd #makeup @bruceleetags #teamandroid @bruceleetags #photography #instapic #trees #flower #bloom #colorful @bruceleetags #photography #instapic #trees #flower #bloom #colorful @bruceleetags #iskyhub @bruceleetags #summertimeshine @bruceleetags @bruceleetags #hollywood #goodmovie #instagood #flick #flicks #instaflick #instaflicks @bruceleetags #happy #family #love @bruceleetags #hauntedhouse #haunted @bruceleetags #outfit #funtime #funtimes #happy @bruceleetags #instabirthday #born #family @bruceleetags #instawedding #party @bruceleetags #morning #silhouette #instasky #all_sunsets @bruceleetags #instasBky #all_sunsets @bruceleetags #beautiful #shore #waterfoam #seashore #waves #wave @bruceleetagsCheak roposo post [7/18, 11:24 AM] Am: #love #instagood #photooftheday #fashion #beautiful #happy #cute #tbt #like4like #followme #picoftheday #follow #me #selfie #summer #art #instadaily #friends #repost #nature #girl #fun #style #smile #food #instalike #likeforlike #family #travel #fitness #igers #tagsforlikes #follow4follow #nofilter #life #beauty #amazing #instamood #instagram #photography #vscocam #sun #photo #music #beach #followforfollow #bestoftheday #sky #ootd #sunset #dog #vsco #l4l #makeup #f4f #foodporn #hair #pretty #swag #cat #model #motivation #girls #baby #party #cool #lol #gym #design #instapic #funny #healthy #night #tflers #yummy #flowers #lifestyle #hot #instafood #wedding #fit #handmade #black #pink #일상 #blue #work #workout #blackandwhite #drawing #inspiration #home #holiday #christmas #nyc #london #sea #instacool #goodmorning #iphoneonly [7/18, 11:25 AM] Am: #JustGoShoot #InstaGoodMyPhoto #InstaPhoto #PicOfTheDay #PhotoOfTheDay #Photography #iPhoneography #500px #PictureOfTheDay #Camera #Photoshop #Instadaily #Igers #Sunset #Cityscape #HDR #Instafocus #Igworldclub #Visuals #Aesthetics #TravellingThroughTheWorld [7/18, 11:26 AM] Am: #StreetPhotography #StreetArt #Travelgram #RuleOfThirds #2InstaGoodPortraitLove #LongExposure #Vignette #LightPhotography #VSCO #VSCOcam #Snapseed #Macro #LeadingLines #Symmetry #Viewpoint #Panorama #DepthOfField #GoldenRatio #Monogram #Monochrome #DodgeAndBurn #TravelBlogger #ThroughTheLens #Bokeh #UrbanPhoto #Earthpix #MoodyGrams #FatalFrames #ReflectionGram #Lightroom [7/18, 11:27 AM] Am: 75 Popular Hashtags for Portrait Photography In Portrait by Deb MitzelJanuary 31, 20185 Comments Photo by Deb Mitzel Photography If you’ve been around a while, you might be old enough to remember that the # sign used to be referred to as the “pound” sign. Well, those days are gone, and the # symbol is now most commonly referred to as a hashtag. So, what is a hashtag and why should you care? In this article, I’m going to share a little background information on hashtags and how you can use them to increase your Instagram following, as well as provide you with 75 Popular Hashtags for Portrait Photography that you can use to increase your following. WHAT IS A HASHTAG? The Merriam-Webster online dictionary defines a hashtag as “a word or phrase preceded by the symbol # that classifies or categorizes the accompanying text”. Simply put, posts with hashtags are able to be indexed by social media networks, which allows the post to be searched and discovered by other users. WHY SHOULD YOU CARE? Since hashtags can be used to search for information you are looking for on social media, this also means they can be used by others to find YOUR content. If you’re a photographer looking to get more eyeballs on your photography, using relevant hashtags can be an excellent way to do it. WHAT HASHTAGS SHOULD YOU USE? If you’re in business, you should start by creating and using a branded hashtag in all posts for your business. The hashtag you use must be unique to your business, and can be something as simple as your name, tagline, or something you are known for. Having your own hashtag will help your followers find your content, and allow them to share the content they love with their followers by using your hashtag in their posts. Before you commit to a specific hashtag for your business, do the research to make sure it’s not already being used by someone else. This is very easy to do (just type it in on all social media platforms and see what comes up) and will save you a lot of headaches in the long run, especially if the hashtag is already being used for content that is offensive or not in line with the mission of your business. Hashtags are marketing for your business, so you definitely want to make sure you’re sending the right message. Beyond your brand hashtag, do a little research on similar brands to see what hashtags they’re using, and then look at the content posted with those hashtags to see if it’s a fit for you. Pay attention to the number of posts with each hashtag, and gauge the relevance of the content to your audience. It’s often better to be a big fish in a smaller pond of hashtag content than to get lost in the sea of content that isn’t as relevant to your audience. If you’re struggling to find hashtags, check out the HashMe or Tagomatic apps in your app store to help you generate hashtags based on your content. 75 POPULAR PORTRAIT PHOTOGRAPHY HASHTAGS Below are 75 Popular Portrait Photography hashtags for you to copy and post for use in yoyu and use for your social media content. Most can be used for general portrait photography, but the last few are geared toward more specific genres of photography. #portraitphotographer #portraitphotography #portrait #photooftheday #photographer #posing #instagood #style #oursignaturepose #portrait_perfection #photoshoot #photography #portraitmood #portraits #picoftheday #portraitpage #instadaily #lifestyle #model #life #smile #friends #beautiful #headshots #pursuitofportraits #portraitperfection #posepatch #portrait #photoshoot #makeportraits #portraiture #justgoshoot #liveauthentic #modeling #photo #lifeofadventure #life_portraits #letsgosomewhere #portraits_ig #pursuitofportraits #portraitoftheday #postthepeople #lifestyle #photographyislifee #beauty #instafashion #postmoreportraits #portraitsmag #quietthechaos #people #discoverportrait #bestoftheday #stylish #memories #instalike #people #photoinspiration #portrait_ig #instafamous #pose #closeup #seniorpictures #senioryear #modernteenstyle #engaged #shesaidyes #bride #weddingday #weddinginspiration #momlife #familytime #babylove #mommytobe #instababy #babystyle 10 TIPS TO GAIN AN INSTAGRAM FOLLOWING #1 FOCUS ON QUALITY OVER QUANTITY WITH YOUR HASHTAGS. Some of the most popular hashtags will have so much content tagged with them that your content will fall out of sight when people look at what’s been tagged with that hashtag. If you instead choose a hashtag that is less popular, but appeals directly to your audience, you will likely have more eyeballs on your content for a longer period of time, and ultimately you may experience better engagement. #2 SCHEDULE YOUR POSTS AND BE INTENTIONAL ABOUT YOUR MESSAGING. Using a social media scheduler like Later or Hootsuite will allow you to schedule your posts ahead of time. Later also allows you to save groups of hashtags and attach them to individual posts so you don’t have to copy and paste or manually remember and type the hashtags every time you post. #3 SHARE PERSONAL INFORMATION. Instagram posts that share personal experiences receive higher engagement. Things like travel photos and weight loss journeys have the highest amount of engagement, with pets coming in second, and landscape photos coming in third. #4 CAPTIONS HAVE AN IMPACT ON ENGAGEMENT WITH YOUR POSTS. Short and sweet seems to do the best job, as do posts with a maximum of three emojis. #5 LIKE THE PHOTOS OF OTHERS IN YOUR PHOTOGRAPHY NICHE. Find accounts that you like, and leave several likes and genuine comments on their photos. This helps to get your name out there and allows their like-minded followers to discover you. #6 CREATE A THEME OR STYLE FOR YOUR INSTAGRAM FEED. What are the words or feelings you want people to associate with your account or brand? Do your best to make sure your theme or style feeds into that. #7 INTERACT WITH YOUR FOLLOWERS, AS WELL AS THOSE YOU FOLLOW. If you develop genuine relationships with people, your following will grow. #8 ENCOURAGE FOLLOWERS TO USE YOUR BRAND HASHTAG. #9 ASK YOUR FOLLOWERS TO TAKE ACTION. Encourage them to “like” your photo or quote if they agree with it, ask them to tag a friend, and other actions to increase engagement.. #10 TAG YOUR PHOTO WITH THE LOCATION. This will help people who visited and tagged that same place to see your content. They might find that they have things in common with you and start following. BONUS TIP: FIGURE OUT WHAT YOUR AUDIENCE LIKES. What are your followers engaging with the most? Do more of that! Building up a following on Instagram will take work, but if you post beautiful photos and create genuine connections with people, you’ve already got a fantastic start. I’d love to hear your recommendations for other popular portrait hashtags or tips for building an Instagram following, so please share them below. ABOUT THE AUTHOR Deb Mitzel Facebook Deb is a portrait photographer, specializing in senior portraiture in the beautiful Brainerd Lakes Area of Minnesota. With a full time career in the automotive industry and a part time photography business, "I'll sleep when I'm dead" is her motto. When not busy working on some project at home, she and her husband enjoy traveling and exploring the great outdoors. Find out more about Deb and her photography on her blog at dmitzphoto.com, her website at debmitzelphotography.com, or follow her on Facebook and Instagram. Comments FEBRUARY 1, 2018REPLY Octavia THANKS , this was good information FEBRUARY 7, 2018REPLY Deb Mitzel You’re welcome, Octavia! Thanks for reading. 🙂 JUNE 13, 2018REPLY l Thanks APRIL 5, 2018REPLY Trell Hayes This was very helpful!!!! Thanks MAY 29, 2018REPLY RAY I’M ALWAYS SURPRISED BY THE FACT THAT IN THIS WORLD OF SO MUCH INFORMATION, SO MUCH TO READ…THERE IS ALWAYS SOMEONE WHO MANAGE TO STEER AWAY FROM THE PACK AND BE RELEVANT, BE DIFFERENT BY FAR….THAT’S MY OPINION ABOUT YOU IN THIS ARTICLE. THANK YOU!! I JUST FINISHED READING AROUND 7 WEB PAGES TALKING ABOUT THE SAME SUBJET…AND YOURS IS “A BREATH OF FRESH AIR” Leave a Comment Your Comment * Your Name * Your Email * Your Website Save my name, email, and website in this browser for the next time I comment. Subscribe to comment Unsubscribe Affiliate Disclaimer Terms of Use Privacy Policy Contact Us IMPROVE PHOTOGRAPHY LLC IS A PARTICIPANT IN THE AMAZON SERVICES LLC ASSOCIATES PROGRAM, AN AFFILIATE ADVERTISING PROGRAM DESIGNED TO PROVIDE A MEANS FOR SITES TO EARN ADVERTISING FEES BY ADVERTISING AND LINKING TO AMAZON.COM. WE ALSO PARTICIPATE IN AFFILIATE PROGRAMS WITH BLUEHOST, CLCJ, SHAREASALE, AND OTHER SITES. WE ARE COMPENSATED FOR REFERRING TRAFFIC. COPYRIGHT © 2017 IMPROVE PHOTOGRAPRAPHY LLC Image AN ELITE CAFEMEDIA LIFESTYLE PUBLISHER ×...See more

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